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Sample ShopReview | Sound On Sound, Apr 1993 |
Audio Fast AF1 De-ComposerReview | Music Technology, Apr 1991Atari ST SoftwareThis ST music analysis program was designed for educational use, but it also has the power to compose music to order. Tim Goodyer discovers one of pop's best-kept secrets. |
Natural musicFeature | Topic: Composing / Art, Synthesis & Sound Design | Sound On Sound, Nov 1986Is it possible to create music using only the natural sounds of the Earth? Robin Lumley says yes, having done just that for a forthcoming BBC documentary series with the aid of a Prophet 2000 sampler and some open-minded studio personnel. Read his fascinating tale. |
Hip Hop... Don't StopFeature | Electronic Soundmaker & Computer Music, Nov 1984An in-depth dissection of electro-pop; how to create it, how to adapt it but not how to dance to it. |
On the LevelInterview | Electronics & Music Maker, May 1985Session player, freelance producer and 1-Level keyboardist Duncan Bridgeman discusses what it's like to live in a recording studio for 11 months of the year. Interview by Dan Goldstein. |
Rock'n'Roll MythsFeature | Making Music, Nov 1987 |
The ProducersGroup: Recording WorldColin Campsie & George McFarlaneChas de Whalley chats to Colin Campsie and George McFarlane, aka The Quick |
Brave New WorldFeature | Topic: Computing, Multimedia / Graphics / Visuals | Music Technology, Mar 1994The World Of CD-iIndie label Rhythm King are now packaging their artists on CD-i. Simon Trask uncovers the growing links between music marketing and computer games. |
Derek BInterview | Micro Music, Jun/Jul 1989Vie Marshall raps with the bad young brother himself about Ataris, Creator and reader-friendly manuals |
Inside The KLFInterview | Sound On Sound, Apr 1991Mark J. Prendergast looks behind the anonymous front of the KLF, riding high on the success of 'What Time Is Love' and '3am Eternal'. |
The NewsNews | Making Music, Apr 1986Cheap guitars, new samplers, drum machines, synths and more - plus free details if you want them |
The ProducersGroup: Recording WorldUncle Chas de Whalley talks to Barry Andrews about life with Auntie |
How to Build...Feature | Topic: Construction / Build, Humour | One Two Testing, Oct 1984A Gibson / A Fairlightso simple even an Australian could do it |
The ProducersGroup: Recording WorldThe man who made AOR respectable? Terry Britten confesses all to Chas de Whalley |
Digital Aids The Video StarsFeature | Topic: Digital Audio | Electronics & Music Maker, Sep 1982Do you know why top recording artists like Toyah and Haircut 100 are going digital? Our article explains why. |
Ready For Lift-OffInterview | Electronics & Music Maker, Apr 1986Is there more to Britain's latest megastars than a barrel-load of hype, a few jars of hair gel and a clever Giorgio Moroder production job? After talking to the band, Tim Goodyer thinks there is. |
Heroes - Part 14Feature Series | Topic: History / Culture | One Two Testing, Feb 1985Trevor Horn considered |
Music XReview | Micro Music, Apr/May 1989Darrin Williamson takes an advance peek at Micro Illusions Amiga MIDI package |
How To 12inFeature | Topic: Arranging / Songwriting, Mixing | One Two Testing, Jun 1985extended mixing on your Portastudio |
The ProducersGroup: Recording WorldChas de Whalley chinwagging with the man behind some of the best tracks by Toyah, Marillion, and Thin Lizzy — Nick Tauber |