Damon, Dolores and me

Indie producer of the moment, Stephen Street finds his memories are all... a Blur

Second instalment: the bender gets acne.

The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell.

Simon Croft interviews the versatile Gerry Kitchingham whose track record includes work with A-Ha.

Resident 'DJ' Wilf Smarties gives a new batch of CDs a spin.

Acid jazz of the counter-culture

UMI-2B

Sequencing interface for the BBC

Not a household name perhaps, but this man is behind quite a lot of musical projects that you will no doubt recognise - as Janet Angus explains.

Brian’s younger brother talks to Tim Goodyer about Erik Satie, the state of pop, and being related to somebody more famous than you are.

A focus on this computer-based band, their home studio and newly-developed sound sampling device that is changing the way they record.

Paul Young's Royal Family

Guitarist Steve Bolton and bass player Pino Palladino explain the importance of being a Swedish Chef.

Tony Reed talks to Somerville and Coles, the Morecambe and Wise of agit-Pop

Boogie Back studios

What the North London jazz/soul studio may lack in technology, it makes up for in good vibes

Blue Weaver, former Bee-Gee and session musician takes Janet Angus round his new studio.

Phil Brammer strums his way through this educational guitar program

an audience with andy partridge, frontman for one of britain’s most original-sounding pop bands

The Farm: taking pop to football louts or bringing hooliganism to the pop charts? Tim Goodyer gets casual with keyboardsman Ben Leach and tries to find out.

why drummer stephen morris prefers programming computers to bashing skins

Dead or Alive's Tim Lever surrounds himself with new technology as the band prepare for world domination. Tim Goodyer gets the word on writing, recording and performing.

Ambient, techno and the internet

It's a knockout with Stewart/Hall

Information Society's combination of funk, hip hop, sampling and Star Trek give them a particular perspective on modern music making. Society spokesperson: Deborah Parisi.