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Akai MG1214Review | Sound On Sound, Aug 1987No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems... |
Past MastersGroup: In SessionSound MasteringAce Records' re-mastering engineers reveal the secrets of acoustic restoration |
Jimmy Page: A Life StoryFeature | One Two Testing, Jun 1984 |
The Rhythm SectionInterview | Sound International, Jun 1978No doubting the Thomases from Elvis Costello and the Attractions. |
E-mu SP1200Review | Sound On Sound, Oct 1987Sampling Percussion SystemNot just a sampling drum machine, more a solid state tape recorder! As things start to heat up at the top end of the drum machine market, David Mellor gives E-mu's successor to their popular SP-12 a thorough pounding. |
Peter Gabriel - Behind The MaskInterview | Sound On Sound, Jan 1987Nobody has advanced the application of technology in music more than Peter Gabriel. His pioneering use of the Fairlight CMI helped popularise that instrument and give credence to sampling as a creative recording practice. Yet his music has never fallen prey to the technology trap - his latest album So remains a soulful collection of songs heavily reliant on technology but applied with subtlety. Ray Hammond talks to the great man about the album, new technology, Otis Redding, and his role as musician. |
Bands On The RungInterview | Sound International, May 1979PUNISHMENT OF LUXURY and THE PASSENGERSRich rock stars? Who needs 'em? We bring you exclusive interviews with reality: Newcastle's Punishment Of Luxury, and The Passengers from London. Adam Sweet T'ing sees, hears and tells. |
Bill NelsonInterview | Electronics & Music Maker, Aug 1983An in-depth interview with this multitalented musician/composer/producer who reveals the techniques used on his new LP and explains how to use the E-bow to best advantage |
Richard Harvey - Part 1Interview Series | Sound International, Jan 1979Meanwhile Richard tells me that Richard is a multi-instrumentalist and used to play with Gryphon. Course I knew that cos I've read the piece, but you haven't yet, have you? |
Cliff RichardInterview | Electronics & Music Maker, Dec 1982With nearly 25 years in the music business, Cliff puts his music making into perspective. |
NAMM ReportShow Report | Electronics & Music Maker, Aug 1983Seven pages of new products revealed at this year's NAMM Expo in Chicago |
John Acock, Producer & EngineerInterview | Home & Studio Recording, Mar 1986John started his career as a tape op and worked his way up. He is now a respected engineer and producer as well as being a great supporter of ambisonic recording. |
Technology's ChampionInterview | Electronics & Music Maker, Jun 1986In a career spanning nearly 20 years, Gabriel has done everything from fronting Britain's best-known pomp rock band to manipulating ethnic music using modern technology. Dan Goldstein talks to a man of many talents. |
Power PlayersReview | Sound On Sound, Apr 1992Peavey DPM2 & DPM3SE PlusPeavey's DPM3 synth now has a little brother in the DPM2, and the DPM3 itself has been upgraded with new features that increase its powers dramatically. Martin Russ looks at a dynamic duo. |
Beat On The CheapReview | Electronic Soundmaker & Computer Music, Feb 1984Budget BeatsA beat on the cheap? |
NewsNews | Making Music, Feb 1987And what news there is. A special preview on the Frankfurt fair, lifting the veil on 1987's most important gear. |
Incoming DataNews | Music Technology, May 1993 |
Dutch TreatFeature | Topic: Recording Studios | Micro Music, Jan 1990Phil Brammer goes Euro with a look at the Recording scene in Amsterdam with some surprising results |
The ProducersFeature | Recording Musician, Apr 1993A complete history of record production accompanied by quotations and anecdotes from no fewer than 18 of the world's leading producers. |
DIY MusicGroup: On The RecordAll You Need To Know About Making Your Own RecordsSome musicians and bands decide to take their future success into their own hands, by putting money into producing their own records. Tony Batchelor and Sue Silutoe take the mystery out of making your own CD, vinyl or cassette release, from initial Session Tape to final product. |
Fret WorkFeature | Topic: Live, Maintenance / Repair / Modification | Sound On Stage, Dec 1996Could You Be A Guitar Tech? |