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Studio DiaryFeature | Topic: Recording Studios | International Musician & Recording World, Jul 1975Who's been recording where |
17 ThingsFeature | Making Music, Jul 1986You Never Knew About Status Quo......and 17 things you never knew about the men who tie their instruments up in guitar leads. |
DIY SingleFeature | Topic: Music Business | Music Technology, Aug 1988If the major record companies won't give you the deal you know you deserve, you could do worse than to do it yourself. David Bradwell investigates the pros and cons of pressing your own single. |
Immaterial GainsInterview | Electronics & Music Maker, Sep 1986A Merseyside duo with a fresh approach to pop arrangements are currently making some of the most inventive music in the British singles charts. Tim Goodyer chats to them. |
EditorialEditorial | Electronics & Music Maker, Jan 1984 |
Producers' Corner - Part 1Feature Series | Topic: Arranging / Songwriting | Home & Studio Recording, Nov 1985In this first article of a new series, John Harris examines basic song arrangement. |
Behind Hollywood BeyondInterview | Music Technology, May 1987'What's the Colour of Money?' was one of last year's most inventive hit singles, but since then, little has been heard from Mark Rogers. Tim Goodyer talks to him as the first HB album is released. |
Mix-It-Yourself Porta-studio SingleFeature | Topic: Marketing / Promotion | Home & Studio Recording, Dec 1984TLO Records recently released a single by Bonaventura in the form of a four track Portastudio-compatible cassette that you can mix yourself. Could it be a new trend for the future? |
Hi-NRG ParadiseInterview | Music Technology, May 1988Musical trends come and go but the hi-nrg beat goes on and on... David Bradwell talks to the hi-nrg production team who've released more records in the last 12 months than Stock, Aitken and Waterman. |
Cole's LawInterview | International Musician & Recording World, Feb 1986Ricky Gordon fires questions at hot Cole |
New HorizonsInterview | Music Technology, Nov 1986He was once electronic drummer with jazz-rockers Landscape. Now he's a successful producer for the likes of Spandau Ballet and Colonel Abrams, but the search for new ways of using new gear goes on. |
Book ReviewsReview | Electronics & Music Maker, Jan 1983 |
Busy Doing Nothing?Interview | Sound On Sound, May 1986Renowned best for his keyboard/synth excursions in the jazz-rock field, Dave and partner Barbara Gaskin achieved several chart hits with re-workings of classic pop songs like 'It's My Party' back in 1982. Together they are presently completing their first album for release on compact disc. David Etheridge took a look behind the scenes. |
Where Are They Now?Group: Roland Newslink - Autumn 1986Roland Demonstrators make Good!History catches up with Roland musicians |
Laboratoire GarnierGroup: Mixing It! |
Burgeoning BurgessInterview | Electronic Soundmaker & Computer Music, May 1985Producer, performer, catalyst. Richard Burgess has been a musical traveller most of his life - we finally catch up with him. |
Record ProfitsFeature | Topic: Music Business | Music Technology, Dec 1988Who's making the cash out of record sales - the artist, the record company, the management, the record shops? David Bradwell investigates record royalties. |
Yamaha DX7 Voice ROMSReview | International Musician & Recording World, Jun 1985AccessorycheckMore preset voices for FM fans. Curtis Schwartz takes his ROMs home |
State of IndependenceFeature | Topic: Marketing / Promotion, Music Business | Electronics & Music Maker, Jun 1984Dan Goldstein sifts through the stack of independent vinyl that landed in the E&MM offices following our appeal, and finds each record has a different tale to tell. |
Track Record: The DamnedGroup: Recording WorldJim Betteridge, The Damned and the man who made Eloise |
Talk Talk TalkInterview | Electronic Soundmaker & Computer Music, Jul 1984 |
Waiting For The Perfect SongInterview | Sound On Sound, Dec 1988Since introducing the world to the delights of pure synth-pop in 1981, Vince Clarke has continued to demonstrate his mastery of the popular song form through the medium of synth technology. Paul Ireson investigates. |