Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Steinberg Cubase Windows

Review | Sound On Sound, Feb 1993
PC Sequencing Software

Birthday Boys

Feature | Making Music, Apr 1987
And A Happy Birthday To Us

Come to our party, have some jelly, read some of our best bits, and wish us a happy first birthday, hip hip...

Yamaha P2150 Power Amp

Review | Home & Studio Recording, Aug 1986

Ben Duncan dons his oil filled gumboots and stands on a pile of dry newspaper to give us an in depth report on this popular power amplifier.

Yamaha PC1002 and PC2002M Amplifier

Review | Home & Studio Recording, Feb 1984

Spectrum Synthesis

Review | Sound On Sound, Sep 1988
On the Emax Hard Disk Sampler

Unlike some samplers, Emax has stayed the course since its introduction over 18 months ago and has developed into a mature, well groomed specimen. Having released a Hard Disk version of the machine almost a year ago, Emu Systems have recently given Emax yet another lease of life with their Spectrum Synthesis upgrade, which turns the sampler into a powerful additive synthesizer. David Hughes tries it out

How It Works - Loudspeakers - Part 7

Feature Series | Topic: Sound Fundamentals | Sound On Sound, Oct 1987

Last month, David Mellor explained how loudspeaker drive units work and how manufacturers sometimes try to pull the acoustic wadding over our ears. Part 2 tells the story of how the loudspeaker works as a system, the reason for crossovers, and gives a couple of hints on how to make BIY (bodge-it-yourself) cabinets.

First Take

Feature | Topic: Recording | Electronics & Music Maker, Feb 1986

Paul White and Dan Goldstein on how to beat the problems of venturing into a professional studio for the first time. If you’re new to recording, the advice is unmissable.

More Power Amplifier Surgery

Feature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Jun 1983
Repairing MOSFET Power Amplifiers

Power Amp Surgery

Brave New Science

Interview | Music Technology, Jul 1987

Six years have passed since New York's best-known performance artist leapt to fame with 'O, Superman'. Tim Goodyer finds she's still stretching technology to its limits in her new film 'Home of the Brave'.

Wizard Of Oz

Interview | Electronics & Music Maker, Feb 1984

Keyboard player to Rainbow, Black Sabbath and now Ozzy Osbourne, Don talks to Tim Oakes about his keyboards, how to Bark At The Moon, and life on the road with a werewolf...

In at the Deep End

Feature | Topic: Recording Studios | Home & Studio Recording, Mar 1989

For all of you that have ever thought, 'If only I could build my own 24-track studio, I'd have it made', we present this cautionary tale.

Inside The KLF

Interview | Sound On Sound, Apr 1991

Mark J. Prendergast looks behind the anonymous front of the KLF, riding high on the success of 'What Time Is Love' and '3am Eternal'.

Hire

Feature | International Musician & Recording World, Nov 1975
Where To Hire The Things You Cant Afford To Buy

Where to hire the things too expensive to buy.

Concert Review

Music Review | Electronics & Music Maker, Apr 1983

Helden, Laurie Anderson, Fad Gadget, The Enid

Peter Gabriel Live

Feature | Topic: Live | Sound On Sound, Jul 1993
The Secret World Tour

A behind the scenes look at how Gabriel steamed up Earl's Court with his hot new stage show.

My Life With MIDI Time Code

Feature | Topic: MIDI, Syncronisation | Sound On Sound, Jan 1990

Just as MIDI itself has gone far beyond what its developers imagined, so MIDI Time Code has the potential to take MIDI technology into areas quite removed from the synthesis and sequencing worlds in which it has become so familiar. MTC user Paul D. Lehrman explains how.

Powertran MCS1 - Part 4

Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Jan 1985
Part 4: Testing, Testing

Tim Orr on how to test your MIDI Controlled Sampler once you've put it together: tips and diagrams aplenty.

Richard Harvey - Part 1

Interview Series | Sound International, Jan 1979

Meanwhile Richard tells me that Richard is a multi-instrumentalist and used to play with Gryphon. Course I knew that cos I've read the piece, but you haven't yet, have you?

Analogue Lives!

Feature | Topic: Vintage Instruments | Sound On Sound, Nov 1992
The Enduring Appeal Of Classic Synths

State Of Independence

Group: On The Record

Feature | Topic: Home Studio, Music Business, Recording | Sound On Sound, Nov 1993
Dave Stewart On Going It Alone In The Music Biz

The major record company route is not the only one to musical success. Dave Stewart has successfully avoided the majors and still manages to make a good living from his home-produced music. Here, he charts his musical history.

Robin Millar

Interview | Home & Studio Recording, Sep 1985

Janet Angus talks to Robin about practically everything.

Dutch Treat

Feature | Topic: Recording Studios | Micro Music, Jan 1990

Phil Brammer goes Euro with a look at the Recording scene in Amsterdam with some surprising results

The Producers

Feature | Recording Musician, Apr 1993

A complete history of record production accompanied by quotations and anecdotes from no fewer than 18 of the world's leading producers.

Composer's Desktop Project

Review | Sound On Sound, Feb 1990

The CDP is a non profit-making co-operative formed by a group of professional composers and researchers at York University, whose intention was to create an affordable personal workstation — a ‘desktop IRCAM’ - on which to run powerful synthesis and signal processing programs. Richard Dobson reveals the power of this Atari ST-based system.

Polyphonic Synthesizers

Feature | Topic: Vintage Instruments | Electronic Soundmaker & Computer Music, Dec 1983

A survey of trendsetters

 

muzines_logo_02

Small Print

Terms of usePrivacy