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Birthday BoysFeature | Making Music, Apr 1987And A Happy Birthday To UsCome to our party, have some jelly, read some of our best bits, and wish us a happy first birthday, hip hip... |
Yamaha P2150 Power AmpReview | Home & Studio Recording, Aug 1986Ben Duncan dons his oil filled gumboots and stands on a pile of dry newspaper to give us an in depth report on this popular power amplifier. |
Yamaha PC1002 and PC2002M AmplifierReview | Home & Studio Recording, Feb 1984 |
Spectrum SynthesisReview | Sound On Sound, Sep 1988On the Emax Hard Disk SamplerUnlike some samplers, Emax has stayed the course since its introduction over 18 months ago and has developed into a mature, well groomed specimen. Having released a Hard Disk version of the machine almost a year ago, Emu Systems have recently given Emax yet another lease of life with their Spectrum Synthesis upgrade, which turns the sampler into a powerful additive synthesizer. David Hughes tries it out |
How It Works - Loudspeakers - Part 7Feature Series | Topic: Sound Fundamentals | Sound On Sound, Oct 1987Last month, David Mellor explained how loudspeaker drive units work and how manufacturers sometimes try to pull the acoustic wadding over our ears. Part 2 tells the story of how the loudspeaker works as a system, the reason for crossovers, and gives a couple of hints on how to make BIY (bodge-it-yourself) cabinets. |
First TakeFeature | Topic: Recording | Electronics & Music Maker, Feb 1986Paul White and Dan Goldstein on how to beat the problems of venturing into a professional studio for the first time. If you’re new to recording, the advice is unmissable. |
More Power Amplifier SurgeryFeature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Jun 1983Repairing MOSFET Power AmplifiersPower Amp Surgery |
Brave New ScienceInterview | Music Technology, Jul 1987Six years have passed since New York's best-known performance artist leapt to fame with 'O, Superman'. Tim Goodyer finds she's still stretching technology to its limits in her new film 'Home of the Brave'. |
Wizard Of OzInterview | Electronics & Music Maker, Feb 1984Keyboard player to Rainbow, Black Sabbath and now Ozzy Osbourne, Don talks to Tim Oakes about his keyboards, how to Bark At The Moon, and life on the road with a werewolf... |
In at the Deep EndFeature | Topic: Recording Studios | Home & Studio Recording, Mar 1989For all of you that have ever thought, 'If only I could build my own 24-track studio, I'd have it made', we present this cautionary tale. |
Inside The KLFInterview | Sound On Sound, Apr 1991Mark J. Prendergast looks behind the anonymous front of the KLF, riding high on the success of 'What Time Is Love' and '3am Eternal'. |
HireFeature | International Musician & Recording World, Nov 1975Where To Hire The Things You Cant Afford To BuyWhere to hire the things too expensive to buy. |
Concert ReviewMusic Review | Electronics & Music Maker, Apr 1983Helden, Laurie Anderson, Fad Gadget, The Enid |
Peter Gabriel LiveFeature | Topic: Live | Sound On Sound, Jul 1993The Secret World TourA behind the scenes look at how Gabriel steamed up Earl's Court with his hot new stage show. |
My Life With MIDI Time CodeFeature | Topic: MIDI, Syncronisation | Sound On Sound, Jan 1990Just as MIDI itself has gone far beyond what its developers imagined, so MIDI Time Code has the potential to take MIDI technology into areas quite removed from the synthesis and sequencing worlds in which it has become so familiar. MTC user Paul D. Lehrman explains how. |
Powertran MCS1 - Part 4Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Jan 1985Part 4: Testing, TestingTim Orr on how to test your MIDI Controlled Sampler once you've put it together: tips and diagrams aplenty. |
Richard Harvey - Part 1Interview Series | Sound International, Jan 1979Meanwhile Richard tells me that Richard is a multi-instrumentalist and used to play with Gryphon. Course I knew that cos I've read the piece, but you haven't yet, have you? |
Analogue Lives!Feature | Topic: Vintage Instruments | Sound On Sound, Nov 1992The Enduring Appeal Of Classic Synths |
State Of IndependenceGroup: On The RecordDave Stewart On Going It Alone In The Music BizThe major record company route is not the only one to musical success. Dave Stewart has successfully avoided the majors and still manages to make a good living from his home-produced music. Here, he charts his musical history. |
Robin MillarInterview | Home & Studio Recording, Sep 1985Janet Angus talks to Robin about practically everything. |
Dutch TreatFeature | Topic: Recording Studios | Micro Music, Jan 1990Phil Brammer goes Euro with a look at the Recording scene in Amsterdam with some surprising results |
The ProducersFeature | Recording Musician, Apr 1993A complete history of record production accompanied by quotations and anecdotes from no fewer than 18 of the world's leading producers. |
Composer's Desktop ProjectReview | Sound On Sound, Feb 1990The CDP is a non profit-making co-operative formed by a group of professional composers and researchers at York University, whose intention was to create an affordable personal workstation — a ‘desktop IRCAM’ - on which to run powerful synthesis and signal processing programs. Richard Dobson reveals the power of this Atari ST-based system. |
Polyphonic SynthesizersFeature | Topic: Vintage Instruments | Electronic Soundmaker & Computer Music, Dec 1983A survey of trendsetters |
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