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Hybrid Arts EZ-Score PlusReview | Music Technology, Apr 1988Software for the Atari STThe first of a series of scoring programs for the Atari ST. Aaron Hollas checks out its extensive editing facilities and its compatibility with the company's sequencing programs. |
MOTU PerformerReview | Music Technology, Jan 1992Apple Macintosh SoftwareOne of the leading Macintosh sequencing packages has recently undergone another of its periodic face lifts. Ian Waugh checks the state of the performing art. |
SDA Promidi Studio SystemReview | Music Technology, Jul 1988Software for the IBM PCSystem Design Associates' Promidi Studio System is a powerful sequencing package for IBM and compatible computers that records straight to disk. Ian Waugh checks it out. |
C-Lab Notator LogicReview | Music Technology, Apr 1993Software for the Apple MacintoshA logical development for Notator users? Maybe, but as Ian Waugh discovers, someone still has to cross the T's and dot the I's on this latest software sequencer from C-Lab. |
Soundworks S900 Visual EditorPreview | Sound On Sound, Feb 1987Software for the Atari STAfter his recent jaunt on BBC TV's 'Micro Live' show, Atari ST owner Tony Hastings tries out Steinberg Research's new editing software for the Akai S900 sampler. |
Joreth Music Composer SystemReview | Sound On Sound, Apr 1987Software for the Commodore 64Ian Waugh explores Joreth Music's integrated Music Composer System and Real-Time Linker - two powerful MIDI sequencing packages for the Commodore 64 micro. |
Digigram Studio 24 & Big BandReview | Music Technology, Nov 1988Software for the Atari STAnother sequencing package for the Atari ST, but this one has a companion that will help compose and arrange your music. Ian Waugh strikes up the band. |
Electromusic Research MIDI Software and HardwareGroup: Computer Musicianfor the BBC MicroThe first commercially-developed MIDI software for the BBC Micro is now being manufactured by Electromusic Research. David Ellis analyses its potential. |
Mark Of The Unicorn PerformerReview | Music Technology, Apr 1990Software for Apple MacintoshNow some five years old, MOTU's Performer Mac sequencing software has undergone a series of significant upgrades. Kendall Wrightson boots up version 3.2. |
C-Lab Creator/Notator 3.1Review | Music Technology, Jan 1992Atari ST SoftwareAnother recently updated package is C-Lab's Atari sequencer/notator. Ian Waugh experiences the delights of an excursion on the version. |
Hybrid Arts SMPTETrack GoldReview | Music Technology, Sep 1991Atari ST SoftwareWithout UK distribution, Hybrid's Atari sequencers have almost been forgotten. But now they're back with a Gold update to shout about, as Vic Lennard finds out. |
Opcode VisionReview | Music Technology, Jun 1989Software for the Apple MacintoshOpcode's latest sequencing software for the Apple Macintosh aims to include all the facilities of other sequencers and add some more of its own. Carter Scholz believes he's seen the light. |
ToolBoxNews Audio | The Mix, Sep 1994Sounds, samples, & software upgrades for the modern studioNew software, systems, sounds, updates |
Passport Designs' EncoreReview | Music Technology, Mar 1990Software for Apple MacintoshPassport's Encore Mac scorewriting software aims to optimise music entry, playback and printing in one program. Mike Collins checks out the dots and the dot matrix. |
Coda Music FinaleReview | Music Technology, Dec 1988Software for the Apple MacintoshPossibly the most sophisticated and powerful scorewriting program to date comes from American company Coda. Bob O'Donnell keeps the score. |
Pandora Technology Powertools M1 EditorReview | Music Technology, Dec 1988Software for the Atari STIf you're looking for an easy approach to programming your new Korg M1 workstation, this Atari ST program could be for you. Vic Lennard goes to work with a mouse. |
MPI Feeling PartnerReview | Sound On Sound, Apr 1992Arranging/Sequencing SoftwareMartin Russ tries adding a French accent to his music, with Feeling Partner's blend of arranging, harmonising and sequencing for the ST. |
MOTU Professional ComposerReview | Music Technology, Jul 1992Macintosh Scorewriting SoftwareOne of the leaders of the Mac Pack is Mark Of The Unicorn's Professional Composer. Ian Waugh reports on the latest version of one of the leading Macintosh scorewriters. |
Turtle Beach Softworks Sample VisionReview | Music Technology, Mar 1989Software for the IBM PCGeneric sample editors have been giving Atari ST users a lead in sample editing for a while; now IBM PC users have the chance to get ahead. Dennis Miller has a vision. |
Passport Master Tracks ProFeature | Music Technology, Jul 1987Software for the Apple MacintoshFew software houses have been in the music business as long as Passport, yet only now have they designed a package for the sophisticated Apple Macintosh. Jim Burgess checks it out. |
Feeling FreeReview | Sound On Sound, Dec 1991Frohlich Freestyle Accompanist SoftwareMartin Russ gets to grips with Freestyle, an auto-accompaniment program with a winning combination of flexibility and customisation options. |
LEMI Future Shock and AMP 83Group: Computer MusicianMIDI Hardware and Software for Apple II MicroLast month we looked at six software packages, but not one of them was written for the Apple and its lookalikes. LEMI's MIDI system is one that is, as David Ellis discovers. |
UMI-2BReview | Sound On Sound, Nov 1985A Soft TouchJay Chapman discovers why this 16 track MIDI sequencer package for the BBC B micro, described as the musical equivalent of the humble word processor, is receiving so much acclaim from studio users. |
Twelve Tone Systems Sound GlobsReview | Music Technology, Aug 1990Software for the IBM PCSomewhere between human composers and sci-fi music systems of the future are the algorithmic composition programs of the present. One of the few such programs for the IBM PC finds favour with Ian Waugh. |
Hinton MIDICGroup: Computer MusicianMIDI Hardware and Software for RS232 Interface StandardA MIDI utility hardware and software package for any RS232-equipped micro. Review by Simon Trask, who’s thinking of having RS232 fitted to himself. |