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Big Noise MIDI MaxPakGroup: Quality Controlsequencing librarian, MIDI mixing and live control software for the PCOne package, five software programs - for the PC. |
Digital Music MIDIScanGroup: Quality ControlOCR music software for the PCImagine what it would be like to scan a piece of sheet music and have it turned into a MIDI file. Imagine the MIDIScan. |
Datamusic Fractal MusicReview | Sound On Sound, Jun 1992Fractal Composition SoftwareMartin Russ looks at one of the current rash of fractal music programs and finds it anything but chaotic... |
Bit by Bit MIDIDrummerReview | Music Technology, Feb 1988Software for the Atari STIf you're looking for a visual aid to drum pattern editing or a means of turning your Akai S900 sampler into a drum machine this Atari software could be the answer. Chris Jenkins investigates. |
Commodore FM Editor/ComposerReview | Music Technology, Jan 1987Chris Jenkins again, with a new program that lets Commodore owners look inside the Yamaha-licensed FM sound chip. A DX7 for sixpence? |
The Max FactorReview | Sound On Sound, Jul 1991Opcode Max SoftwareOpcode's Max is an Apple Macintosh based graphical programming environment primarily aimed at manipulating MIDI data. It's also highly addictive as Kendall Wrightson discovered. |
Apple HyperCardReview | Music Technology, Jan 1988Software for the Apple MacintoshA computer program that teaches you how to use your gear? Jim Burgess checks out a package for the Apple Macintosh that threatens to make the users' manual a thing of the past. |
Clares ArmadeusReview | Music Technology, Feb 1990Archimedes SoftwareThe Archimedes computer continues its bid for musical acceptance with Armadeus - a hardware/software package that allows it to sample sound. Ian Waugh goes soft on sampling. |
Tool BoxNews Audio | The Mix, Jul 1994Sounds, samples, & software upgrades for the modern studioSounds, samples, software |
System ExclusiveReview | Electronics & Music Maker, Oct 1985Music System SoftwareA software package for the CBM64 sets out to utilise the SID chip but involves MIDI along the way. Simon Trask investigates the consequences, now that Island Logic have given way to Firebird. |
Tool BoxNews Audio | The Mix, Aug 1994Sounds, samples, & software upgrades for the modern studioNew software, systems, sounds, updates |
Dynaware BalladeReview | Music Technology, Mar 1990IBM PC SoftwareThis combined sequencer and tone editor for the IBM PC will work happily with Roland's MT32 and LAPC1. Ian Waugh looks into a serious PC music system. |
Steinberg Synthworks D10/20/110/MT32Review | Music Technology, Apr 1989Software for the Atari STSteinberg's Atari editor for the Roland D10 also works for the MT32 - or is that Steinberg's D110 editor works with the D20? Vic Lennard gets generic with Synthworks. |
DR T'S KCSReview | Music Technology, Jun 1990Software for the AmigaOne of the Atari ST's most flexible sequencers recently found itself ported across to the Commodore Amiga. Ian "Dr W" Waugh finds what Amiga owners have been missing. |
Proteus Editors - DR T'S Editor & IMS ProtezoaReview | Music Technology, Mar 1990Atari ST SoftwareEvery new synth seems to herald a new generation of software editors - and so with IMS and Dr T's Atari ST editors for E-mu's Proteus. Vic Lennard gets in shape. |
Time to Score!Review | Sound On Sound, Oct 1993Steinberg Cubase Score Sequencing & Score Printing Software For Macintosh |
MIDIMouse Sonicflight D50/550 Capture!Review | Music Technology, Apr 1989Software for the Atari STIf you're drowning in ROMs and RAMs full of D50 patches but still can't lay your hands on the sound you need, an editor/librarian program like Capture! could be the answer to your prayer. Gordon Reid is captivated. |
C-Lab Explorer 1000Review | Music Technology, Sep 1989Atari Editing SoftwareDigital and analogue technology meet face to face in this editing software for the Oberheim Matrix 1000. Vic Lennard explores the possibilities. |
RAP AttackReview | Electronics & Music Maker, Dec 1985RAP SoftwareAn ingenious Spectrum/Commodore program that lets you combine whole hordes of MIDI drum machines into compatible systems. Simon Trask gives it the thumbs-up. |
Dr T Keyboard Controlled SequencerReview | Music Technology, Mar 1987for Atari ST ComputerOne of America's most innovative software houses comes up with its first program for a 16-bit computer, the Atari ST. Rick Davies takes it for a spin. |
Doctor! Doctor!Feature | Sound On Sound, Mar 1986Software for Commodore 64Dr.T's MIDI Sequencer software for the Commodore 64 has been much applauded in the USA for its versatile real-time and steptime operation. Now that it's available on prescription in the UK, we asked software surgeon Ian Waugh for his diagnosis... |
Microdeal ReplayReview | Music Technology, Apr 1989Software for the Atari STSampling is the name of the game, but without the equipment you can't play. Simon Trask investigates a unit that wil turn your Atari into a sampler for under eighty quid. |
Hybrid Arts Edit TrackReview | Music Technology, Apr 1989Software for the Atari STThe latest update to Hybrid Arts' MIDI Track range of Atari ST sequencers gives them a host of new and improved features. Davd Bradwell re-examines Hybrid's track record. |
Audio Fast AF1 De-ComposerReview | Music Technology, Apr 1991Atari ST SoftwareThis ST music analysis program was designed for educational use, but it also has the power to compose music to order. Tim Goodyer discovers one of pop's best-kept secrets. |
Quinsoft FB01 LibrarianReview | Music Technology, Feb 1990Atari ST SoftwareWhen you're on a limited budget it's important to get the most out of every piece of gear you own. Gordon Reid checks out budget software aimed at getting the best out of your FB01. |