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Big Noise MIDI MaxPak

Group: Quality Control

Review | Music Technology, Feb 1994
sequencing librarian, MIDI mixing and live control software for the PC

One package, five software programs - for the PC.

Digital Music MIDIScan

Group: Quality Control

Review | Music Technology, Feb 1994
OCR music software for the PC

Imagine what it would be like to scan a piece of sheet music and have it turned into a MIDI file. Imagine the MIDIScan.

Datamusic Fractal Music

Review | Sound On Sound, Jun 1992
Fractal Composition Software

Martin Russ looks at one of the current rash of fractal music programs and finds it anything but chaotic...

Bit by Bit MIDIDrummer

Review | Music Technology, Feb 1988
Software for the Atari ST

If you're looking for a visual aid to drum pattern editing or a means of turning your Akai S900 sampler into a drum machine this Atari software could be the answer. Chris Jenkins investigates.

Commodore FM Editor/Composer

Review | Music Technology, Jan 1987

Chris Jenkins again, with a new program that lets Commodore owners look inside the Yamaha-licensed FM sound chip. A DX7 for sixpence?

The Max Factor

Review | Sound On Sound, Jul 1991
Opcode Max Software

Opcode's Max is an Apple Macintosh based graphical programming environment primarily aimed at manipulating MIDI data. It's also highly addictive as Kendall Wrightson discovered.

Apple HyperCard

Review | Music Technology, Jan 1988
Software for the Apple Macintosh

A computer program that teaches you how to use your gear? Jim Burgess checks out a package for the Apple Macintosh that threatens to make the users' manual a thing of the past.

Clares Armadeus

Review | Music Technology, Feb 1990
Archimedes Software

The Archimedes computer continues its bid for musical acceptance with Armadeus - a hardware/software package that allows it to sample sound. Ian Waugh goes soft on sampling.

Tool Box

News Audio | The Mix, Jul 1994
Sounds, samples, & software upgrades for the modern studio

Sounds, samples, software

System Exclusive

Review | Electronics & Music Maker, Oct 1985
Music System Software

A software package for the CBM64 sets out to utilise the SID chip but involves MIDI along the way. Simon Trask investigates the consequences, now that Island Logic have given way to Firebird.

Tool Box

News Audio | The Mix, Aug 1994
Sounds, samples, & software upgrades for the modern studio

New software, systems, sounds, updates

Dynaware Ballade

Review | Music Technology, Mar 1990
IBM PC Software

This combined sequencer and tone editor for the IBM PC will work happily with Roland's MT32 and LAPC1. Ian Waugh looks into a serious PC music system.

Steinberg Synthworks D10/20/110/MT32

Review | Music Technology, Apr 1989
Software for the Atari ST

Steinberg's Atari editor for the Roland D10 also works for the MT32 - or is that Steinberg's D110 editor works with the D20? Vic Lennard gets generic with Synthworks.

DR T'S KCS

Review | Music Technology, Jun 1990
Software for the Amiga

One of the Atari ST's most flexible sequencers recently found itself ported across to the Commodore Amiga. Ian "Dr W" Waugh finds what Amiga owners have been missing.

Proteus Editors - DR T'S Editor & IMS Protezoa

Review | Music Technology, Mar 1990
Atari ST Software

Every new synth seems to herald a new generation of software editors - and so with IMS and Dr T's Atari ST editors for E-mu's Proteus. Vic Lennard gets in shape.

Time to Score!

Review | Sound On Sound, Oct 1993
Steinberg Cubase Score Sequencing & Score Printing Software For Macintosh

MIDIMouse Sonicflight D50/550 Capture!

Review | Music Technology, Apr 1989
Software for the Atari ST

If you're drowning in ROMs and RAMs full of D50 patches but still can't lay your hands on the sound you need, an editor/librarian program like Capture! could be the answer to your prayer. Gordon Reid is captivated.

C-Lab Explorer 1000

Review | Music Technology, Sep 1989
Atari Editing Software

Digital and analogue technology meet face to face in this editing software for the Oberheim Matrix 1000. Vic Lennard explores the possibilities.

RAP Attack

Review | Electronics & Music Maker, Dec 1985
RAP Software

An ingenious Spectrum/Commodore program that lets you combine whole hordes of MIDI drum machines into compatible systems. Simon Trask gives it the thumbs-up.

Dr T Keyboard Controlled Sequencer

Review | Music Technology, Mar 1987
for Atari ST Computer

One of America's most innovative software houses comes up with its first program for a 16-bit computer, the Atari ST. Rick Davies takes it for a spin.

Doctor! Doctor!

Feature | Sound On Sound, Mar 1986
Software for Commodore 64

Dr.T's MIDI Sequencer software for the Commodore 64 has been much applauded in the USA for its versatile real-time and steptime operation. Now that it's available on prescription in the UK, we asked software surgeon Ian Waugh for his diagnosis...

Microdeal Replay

Review | Music Technology, Apr 1989
Software for the Atari ST

Sampling is the name of the game, but without the equipment you can't play. Simon Trask investigates a unit that wil turn your Atari into a sampler for under eighty quid.

Hybrid Arts Edit Track

Review | Music Technology, Apr 1989
Software for the Atari ST

The latest update to Hybrid Arts' MIDI Track range of Atari ST sequencers gives them a host of new and improved features. Davd Bradwell re-examines Hybrid's track record.

Audio Fast AF1 De-Composer

Review | Music Technology, Apr 1991
Atari ST Software

This ST music analysis program was designed for educational use, but it also has the power to compose music to order. Tim Goodyer discovers one of pop's best-kept secrets.

Quinsoft FB01 Librarian

Review | Music Technology, Feb 1990
Atari ST Software

When you're on a limited budget it's important to get the most out of every piece of gear you own. Gordon Reid checks out budget software aimed at getting the best out of your FB01.

 

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