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Dial M For Music

Feature | Topic: Computing | Music Technology, Mar 1992

With the musical fraternity showing little interest in computer bulletin boards, the popularity of MIDI Song files could be well timed. Ian Waugh explains how to download music over the phone.

Keeping Track

Review | Sound On Sound, Feb 1992
Opcode Track Chart

Need to keep track of your tracks in the studio? Opcode's Track Chart offers a package of handy utilities for engineers; Mike Collins tries it out.

The Sound Of Chaos

Feature | Topic: Algorythmic Composition | Music Technology, Jul 1991

When fractal mathematics first emerged, it caused an uproar in the scientific world. Expecting the worst, Steve Wright examines its appearance in music software.

Through the Square window

Group: Control Room

Review | The Mix, Oct 1994
Opcode Vision

Sequencing software for Mac

Doctor in the Mac

Review | Micro Music, Jun/Jul 1989

Following on from our look at KCS last month - Clive updates us on the new version for the Mac

Apple Notes

Feature | Topic: Computing | Sound On Sound, Nov 1992

Amiga Sequencer One

Review | Sound On Sound, Jun 1991

Gajits' popular Atari ST sequencer one has now arrived on the Commodore Amiga Paul Overaa takes a look.

Black & White & Cred All Over

Review | Sound On Sound, Jul 1993
Doepfer MAQ16/3 MIDI Analogue Sequencer

News

News | Micro Music, Dec 1989

A facelift for Argents plus some interesting new software launches at the budget end of the market

The Hitch-Hiker's Guide To The Macintosh

Interview | Electronics & Music Maker, Jul 1986
Tech Talk

Matthew Vosburgh takes a conducted tour around software for the Apple Macintosh with the author of The Hitchhikers Guide to the Galaxy.

Sounding Off

Opinion | Sound On Sound, May 1990
Hi-Tech And Masculinity

Hi-tech and masculinity: Patrick Dailly wonders why more boys get involved with hi-tech music than girls.

Choosing A Computer For Music - Part 1

Feature Series | Topic: Buyer's Guide, Computing | Sound On Sound, May 1991
IBM PC-Compatibles & Apple Macintosh

Part 1: All four of the major computers can be used for musical applications, so which one should you choose? This month, Richard Elen puts the case for the Apple Macintosh whilst Brian Heywood advocates the benefits of the IBM PC-compatible.

Lync Remote Keyboard

Group: Mini Reviews

Review | One Two Testing, Jul/Aug 1986

Labyrinth Video Manuals

Group: Quality Control

Review | Music Technology, Nov 1993
for Cubase, Notator and Breakthru

Grab a pizza, shove in a video and learn about Cubase, Rotator or Breakthm with these new manuals for the TV age.

Drum Programming - Part 2

Feature Series | Topic: Drum Programming | Sound On Sound, Jun 1992
A Series By Warren Cann.

Warren Cann continues his series on drum programming.

Sounding Off

Opinion | Sound On Sound, Sep 1991
Out Of The Closet

Manufacturers, retailers and end users are locked into a culture that produces limited, unimaginative products, writes Pete Shelton.

Evolution Synthesis EVS1

Review | Music Technology, Nov 1990
Synthesiser Expander Module

Looking for a digital complement to analogue gear or another expander to take the pressure off the rest of your rack? Ian Waugh discovers sonic flexibility at a price you can afford.

Amiga Notes

Feature | Topic: Computing | Sound On Sound, Aug 1992

Lab Notes: In Pursuit of the Wild QuASH

Feature | Topic: Computing, Electronics / Build | Polyphony, Jul 1977

Roland ATW-10 Audio Producer

Group: Quality Control

Review | Music Technology, Feb 1994
for the PC

Roland's first foray into the PC direct-to-disk recording field and it looks pretty impressive.

Roland EP50 Electronic Piano

Review | In Tune, Jul/Aug 1985

Rumblings

Group: Computer Musician

News | Electronics & Music Maker, Oct 1984

Technically Speaking

Feedback | Music Technology, May 1993

Welcome

Feature | Sound On Sound, Nov 1988
Volume 4 Starts Here!

Alternatives

Group: Computer Musician

Feature | Topic: Computing | Electronics & Music Maker, Jan 1985

According to the experts, most of the upcoming computer research and development will be based around software. Ed Stenson looks at one programming language that could prove useful in more than a few musical applications.

 

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