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JCD Feeling Partner

Review | Music Technology, Apr 1992
Atari ST Software

One emerging trend in software sequencing is that of endowing your computer with musical "intelligence". Ian Waugh contends that machines can have feelings too.

Digidesign's Q-Sheet

Review | Music Technology, Jan 1988
Software for the Apple Macintosh

Following the procession of MIDI sequence packages that have appeared for the Atari ST comes a program designed specifically for the musician fitting music to videotape or film. Chris Many gets that syncing feeling.

Steinberg Proteus Synthworks

Review | Music Technology, Sep 1990
Software for the Atari ST

When it comes to sound editing on today's synth modules, there's no alternative to using a software editor. Vic Lennard explores the benefits of Steinberg's editor for the E-mu Proteus.

Pandora Technologies !Inspiration

Review | Music Technology, Aug 1991
Archimedes Software

It's been a long time coming, and there have been problems along the way, but there's now a pro sequencer for Acorn's Archimedes. Ian Waugh opens Pandora's box.

Passport Audio Trax

Review | Music Technology, May 1992
Apple Macintosh Software

As the Apple Mac computer falls in price, attention is being focussed on less expensive software - like Audio Trax. Ian Waugh checks out a sequencer / audio recorder which won't break the bank.

SONUS Sequencer & Data Editors

Review | Music Technology, Jul 1987
Software for the Commodore 64

In an exclusive review, Rick Davies tests three Commodore-based packages from an American company whose programs are new to the UK. Do they stand up against stiff competition?

Steinberg SY77 Synthworks

Review | Music Technology, Feb 1991
Atari ST Software

When Yamaha launched their latest flagship synth, the SY77, they knew it was only a matter of time before it received software support. Ian Waugh goes editing with Steinberg.

Master Tracks Pro 5

Review | Sound On Sound, Jul 1992
Mac Sequencing Software

One of the Mac sequencing front-runners, Master Tracks Pro, has benefited from ongoing upgrades and is now into its fifth life. Mike Collins gets to know a Pro.

Bars & Pipes Professional

Group: Quality Control

Review | Music Technology, Mar 1994
v.2 sequencing software for the Amiga

Amiga owners in new software sequencer shock!

Kawai K1 Visual Editors

Review | Music Technology, Mar 1989
Software for the Atari ST

Coupled with its success, the digital parameter access-editing of Kawai's K1 synthesiser has made it an obvious target for software editors - like these from Dr Ts, Soundbits, Drumware and Steinberg. Vic Lennard looks on.

Music in Education

Feature | Topic: Education, Sequencing | Recording Musician, Mar 1993
A Software Sequencing Tutorial

Continuing from last month's step-by-step guide to sequencer recording, we look at the more advanced features and facilities of a typical sequencing system.

Master Tracks Junior

Review | Music Technology, Jun 1988
Software for the Atari ST

A powerful sequencer for a less than overpowering price? Simon "loadsamidi" Trask discovers the slimmed-down version of Master Tracks Pro might just be Passport's passport to mass popularity.

Datamusic Fractal Music

Review | Music Technology, Oct 1991
Atari ST Software

Recently we looked at the theoretic applications of fractal maths in music. This month Ian Waugh composes a complex number with this ST software...

Heavenly Music Easel

Group: Quality Control

Review | Music Technology, Sep 1993
ST editing software for the Sound Canvas

The success of your Canvas could rest on this software.

Mark of the Unicorn Professional Composer

Review | Sound On Sound, Nov 1986
Software for Apple Macintosh

Our resident Mac user Martin Russ steps his way enthusiastically through two of the best written software packages for the Apple Macintosh computer [in this part] - 'Professional Composer', a music transcription program.

Macromedia SoundEdit Pro

Review | Sound On Sound, Nov 1992
Mac Digital Audio Software

Steinberg Avalon 2.0

Review | Sound On Sound, Dec 1991
Sample Editing Software For The ST

Martin Russ edits, analyses, time corrects and synthesizes as he explores the features of the Steinberg's Avalon software.

Hollis Research Trackman

Review | Music Technology, Mar 1989
Software for the Atari ST

A new sequencer program for the Atari ST from British company Hollis Research sets out to be powerful and friendly without breaking the bank. Ian Waugh reckons it's on the right track (man).

Voyetra Technologies Sequencer Plus III

Review | Music Technology, May 1988
Software for the IBM PC

Turning his back on the Atari ST, Ian Waugh boots up a comprehensive sequencing package for the IBM PC (and compatibles). If you thought the Atari ST and Macintosh had it all their own way, read again.

Passport Designs Encore

Review | Music Technology, Jun 1991
Atari ST Software

Already proven on the Macintosh, Passport's popular scorewriting program makes the transition to the humble ST. Ian Waugh likes the score and goes back for more.

Resotek Virtual Wave

Review | Music Technology, Feb 1992
Atari ST Software

Using your sampler as a synthesiser is wonderful in theory but frustrating in practice - until Virtual Wave, that is. Vic Lennard waves hello to Resotek's ST software.

Dance With A Stranger

Review | Sound On Sound, Sep 1992
Steinberg Tango Improvisation Software

Forget mere auto-accompaniment; Steinberg's Tango is intelligent software that actually jams along with you. Derek Johnson trades licks with a software session partner.

Blue Ribbon SuperJam

Review | Sound On Sound, May 1992
Amiga Composition Software

Paul Overaa takes a look at SuperJam, the new Amiga music composition package from Blue Ribbon Soundworks.

Mark of the Unicorn Performer

Review | Sound On Sound, Nov 1986
Software for Apple Macintosh

Our resident Mac user Martin Russ steps his way enthusiastically through two of the best written software packages for the Apple Macintosh computer [in this part] - 'Performer', a comprehensive multitrack sequencing program.

Roland MC500 MkII

Review | Sound On Sound, Oct 1988
With SUPER MRC Software

When Roland's forward-thinking design team made the original MC500 an ‘open’ system, they did users a favour. Built-in obsolescence became less of a fear, provided Roland stuck to their promise of future updates and upgrades. The release of the Super MRC software shows they have. It's available on its own for existing MC500 owners, or packaged with expanded hardware in the guise of the MC500 MkII. Paul Ireson keeps you updated.

 

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