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Musical MicroFeature | Topic: Computing | International Musician & Recording World, Apr 1985ADD-ON KEYBOARDSTony Mills weighs up the pros and cons of augmenting your home micro with an add-on keyboard |
Giant waitsGroup: Sound Reports & Views |
The Time MachineRetrospective (Gear) | Topic: Vintage Instruments | Electronics & Music Maker, Aug 1986You may remember the Minimoog and the ARP Odyssey, but when was the first time you saw an EMS VCS3? Annabel Scott travels back to the days of VCAs, VCFs and non-programmability. |
GeneralMusic WX2Group: Quality Controlmultimedia workstationA 'home' keyboard with attitude, or does the WX2 have ideas above its workstation |
Aliens in the ArcadeGroup: In SessionGames FeatureNow that computer games are available on CD, they’re no longer restricted to naff sound effects and music. We talk to games producers Ocean and composer Debbie Wiseman about the arrival of serious sound for games... |
Yamaha SY85Review | Sound On Sound, Oct 1992AWM2 WorkstationYamaha's new SY85 eschews FM technology and instead concentrates entirely on powerful sample-based synthesis. Derek Johnson finds that user sampling, powerful filters, and 'easy edit' sliders are just a few of the tricks that make this far more than just another sample-based workstation. |
New ProductsNews | Electronic Soundmaker & Computer Music, Jan 1984The latest from the music industryThe best bits around |
Total Creative ControlReview | Sound On Sound, Dec 1987Lexicon PCM70Launched over two years ago, the PCM70 digital effects processor is still at the forefront of technology thanks to Lexicon's foresight in making it software updatable and MIDI controllable in every conceivable way. Mark Badger checks it out. |
Electronic Music For FilmsFeature Audio | Topic: Composing for Business, Video / Film / Picture | Electronics & Music Maker, Jan 1982Richard Mitchell explains his use of electronic music for film. |
Roland JV30Review | Music Technology, Jun 1992GS SynthesiserNot simply a stripped-down JV80, Roland's new JV30 has some surprises to add to its minorbuck price tag. Simon Trask test drives a new Roland which could prove a popular buy amongst cost-conscious synth players. |
ST Replay 4 SamplerReview | Sound On Sound, Jan 1989Martin Russ has fun turning his Atari computer into a multi-function sampler, drum machine and digital effects unit with the aid of Microdeal's low-cost Replay 4. |
Radiophonic WorkshopFeature | Topic: Recording Studios | Electronics & Music Maker, Mar 1981A Glimpse of Current Activities |
Yamaha SY35Review | Music Technology, Sep 1992Music SynthesizerThe name might not be memorable - how about the synth? |
PatchworkFeature | Topic: Synthesizer Patches | Electronics & Music Maker, Jun 1985Casio's CZ101 joins the ranks of old favourites DX7, SH101 and Poly 800 as the subject of this month's readers' sound patches. |
Yamaha VSS-100 Sampling SynthReview | International Musician & Recording World, Mar 1986SynthCheckA sampling synth for less than £180? Jim Betteridge stands back in amazement. |
Using Timecodes - Part 3Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Apr 1986Tonmeister Course lecturer, Francis Rumsey, explains how timecodes are used to synchronise audio to video in Part 3 of our series. |
Recording the Soundtrack for TV CommercialsFeature | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Dec 1988David Mellor looks at the world of advertising, and how music is created and mated with the visuals in a TV commercial. |
Yamaha TG33 Vector ExpanderReview | Sound On Sound, Mar 1991Yamaha's family of synths and expanders has a new member: a module counterpart to the SY22 keyboard. Nigel Humberstone celebrates the happy event. |
A Beginner's Guide to Korg's AI SynthesisFeature | Topic: Synthesis & Sound Design | Sound On Sound, Apr 1990Phil South examines the ins and outs of programming various aspects of AI synthesis, as used in Korg's 'M' and 'T' ranges of synthesizers. |
MIDI Time CodeFeature | Topic: MIDI, Syncronisation | Music Technology, Jul 1987The marriage between MIDI and SMPTE is now complete, but the burning question remains: how will musicians and engineers benefit from it? Chris Meyer traces the link from its source to its users. |