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Hands On: Sound ToolsFeature | Topic: Digital Audio Workstations, Recording | Sound On Sound, Nov 1991Ever wondered what its like to use Digidesign Sound Tools? David Mellor takes the driving seat of the world's favourite hard disk recording/editing system. |
Ibanez SDR1000 Digital ReverbReview | Electronics & Music Maker, Sep 1986Latest digital reverb from a company that's been making outboard effects gear longer than most. Paul White gives his first impressions. |
Sub Woofers - Part 2Feature Series | Home & Studio Recording, Jan 1985Control RoomA last look at how to extend the low bass response of your studio monitors. |
Dave Stewart's Music Seminar - Part 7Feature Series | Topic: Music Theory | Sound On Sound, Jan 1991Tuned PercussionPart 7: Tuned percussion. Dave investigates the enormous creative potential of sampled sounds within music, and offers his rendition of 'Subterranean Homesick Blues'. |
Building a Home Recording StudioFeature | Topic: Acoustics, Construction / Build, Home Studio | Home & Studio Recording, Sep 1983Acoustics |
Making New Age Music - Part 2Feature Series | Topic: Composing / Art | Recording Musician, Mar 1993In part two of this short series, David Etheridge looks at the role of effects and unusual chords in New Age music. |
Studio ErgonomicsFeature | Topic: Home Studio | Sound On Sound, Sep 1993Making Yourself At Home In The Studio |
Dr T's Copyist ApprenticeReview | Music Technology, Aug 1990Software for the AmigaDr T's programmers probably sieep as often as rust. Ian Waugh boots up the latest version of the successful Copyist scorewriting program - and finds that it's running on his Amiga. |
The Professional's ChoiceFeature | Topic: Sequencing | Sound On Sound, Apr 1986Steinberg Pro16 MIDI SequencerTony Hastings takes you through the recording of a song using the facilities of the Pro 16 MIDI Sequencer software from Steinberg Research. |
Small Studio AcousticsFeature | Topic: Acoustics, Construction / Build | Sound International, Jul 1978Mike Craig avoids egg-box cliches and tells you how to do it properly. |
Drum Programming - Part 7Feature Series | Topic: Drum Programming | Sound On Sound, Nov 1992A Series By Warren Cann. |
Computer PageGroup: Roland Newslink - Autumn 1986Roland MKS-7 Super QuartetA look at the role of the MKS-7 |
The Tapeless Recording StudioGroup: Roland Newslink - Spring 86Making tracks with MIDI |
Synth SenseFeature | Topic: Tuition / Technique | Making Music, Jul 1986Find out what compound intervals are. Oh all right then, they're a kind of dead useful chord. |
Passport MIDI/4 Plus and MIDI/8 PlusGroup: Computer MusicianSoftware for Apple II and Commodore 64Sequencing software aimed at the Apple II and CBM64. Four- and eight-track versions receive expert scrutiny from David Ellis. |
Sound BitesFeature | Topic: Construction / Build, Sequencing | Sound On Sound, Sep 1993Production Tips & Techniques |
Practical Circuitry - Part 2Feature Series | Topic: Electronics / Build | Polyphony, Jul/Aug 1981Tricks With The SN76477 |
Company Report - RolandFeature | Topic: Advertisement Feature, Design, Development & Manufacture | One Two Testing, Mar 1985the Roland story |
When Is SyncFeature | Topic: Syncronisation | One Two Testing, Aug 1985the science of synchronisation explained |
Kawai R50 Drum MachineReview | Music Technology, Jun 1987It's only a month since we reviewed Kawai's R100 beatbox, yet already they've come up with a cheaper version. Rick Davies previews it. |
Korg SDD3000Group: Echoes |
360 Systems Audio Matrix 16Review | Music Technology, Apr 1989MIDI sophistication in the humble patchbay: this modest-looking unit can store 100 routings of its 16x16 audio matrix and place the proceedings under MIDI control. Lorenz Rychner patches things up. |
Easy listeningGroup: Control RoomSpendor SP2/3The big monitors with the burly chassis |