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MIDI on the Atari ST

Review | Sound On Sound, Sep 1987
Atari ST: Introduction to MIDI Programming

Books about MIDI are thin on the ground; books about MIDI on the Atari ST are even scarcer! However, there is one and you can read what Martin Russ thought of it on page 16...

The News

News | Making Music, May 1986

All the latest info on tomorrow's gear, and more free details if you need them.

Take Control

Review | Music Technology, Nov 1989
Music Publisher

Aimed at the professional scorewriter, this scorewriting program for the Atari ST goes a long way towards making complex scores easy to handle. Ian Waugh goes public.

Jen Piano 73

Review | Electronics & Music Maker, Mar 1983

On The Beat - Part 3

Feature Series | Topic: Drum Programming | Music Technology, Oct 1989

Building on the patterns explored earlier in this series, adding expression is the theme of this month's drum programming column. Nigel "Reet" Lord changes his accent.

Midiman Fineline Rack Mixer

Review | Recording Musician, Aug 1992

Derek Johnson finds this 24-input mic/line mixer is a useful addition to any studio setup.

Amstrad Studio 100

Review | Micro Music, Aug/Sep 1989

Eamonn Percival assesses the atributes of Amstrad's multi-track recorder

How To Do Tricks With Time

Group: Roland Newslink - Summer 1985

Feature | Topic: Advertisement Feature, Effects Processing | Electronic Soundmaker & Computer Music, Aug 1985

Spatial Awareness

Feature | Topic: Effects Processing | Music Technology, Jan 1990

Stereo imaging has come on a long way from simply panning instruments between two speakers to create the illusion of a band on stage. Ernie Tello looks into state-of-the-art sound processing and what it can do for music.

Comment

Editorial | Electronics & Music Maker, Nov 1985
Software Stumbling

The software revolution hits a snag.

Thinking Of Going 24-Track?

Review | Sound On Sound, Jul 1986
Software for the Atari ST

If your studio's musical output is largely synthetic in nature and you are considering an increase in tracks, then Steinberg Research's Pro-24 recording software for the Atari 520ST micro could prove a better option than a conventional tape recorder. Tony Hastings tells why.

Stronger Than The Rest

Feature | Topic: Recording Studios | Music Technology, Sep 1987
Strongroom Studio

Hidden in the centre of London is a recording studio with MIDI very much in its heart. Dan Goldstein talks to its directors about technology, producers and prejudice.

Sampling Confidential - CD Heaven - Part 4

Feature Series | Topic: Sampling | Music Technology, Jul 1993

Dom Foulsham continues his series with a guide to the ever-expanding world of sample CDs: what to look for, how to find it, and how to get the best out of the off-the-shelf loop. I know we said the series was concluding last month, but we were wrong, OK? Think of it as a bonus.

PAIA 8700 Computer/Controller

Review Audio | Electronics & Music Maker, Apr 1981

East-West Dance/Industrial Sample CD

Review | Music Technology, Aug 1992

A crush on the wheels of industry.

Sequential Studio 440

Review | Music Technology, Jan 1987

After the disaster that was the Linn 9000, why would anyone want to build another combined sampling drum machine and sequencer. Rick Davies has the answer.

Bad mamma Jamma

Group: Control Room

Review | The Mix, Dec 1994

Guitar-like MIDI controller

Dr T's Tiger

Review | Music Technology, Jun 1990

Never one to use a word when an acronym will do, Dr T's have christened their new sequencer The Integrated Graphic Editor and Recorder. Glen Darcy puts a Tiger in his tank.

Hill Multimix

Review | Home & Studio Recording, Jul 1984

Analogue Equipment Design - Part 5

Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, May 1986
A Comedy of Errors

Just when you though it was safe to read the back pages, Ben Duncan conjures up an additional episode which this time really does finish off this enthralling saga.

Home Recording Techniques

Feature | Topic: Home Studio, Recording | Sound On Sound, Jan 1989

With a little thought and a few 'tricks of the trade', it is possible to produce top quality recordings at home. David Mellor explains how.

Home is where the art is

Group: In Session

Interview | The Mix, Jul 1994

Someday, all home studios will be built this way - an exclusive survey

Fender Jaguar/Jazzmaster

Review | Making Music, May 1986
six strings

DJM Develops

Feature | Topic: Recording Studios | International Musician & Recording World, Jul 1975
DJM Studios

The story of a studio's struggle from being "in-house" to fully independent

Home Studio Recordist

Feature | Topic: Home Studio | Home & Studio Recording, Aug 1984

Peter Tedstone informs us of his clandestine bedroom activities!

 

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