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PatchworkFeature Downloads | Topic: Synthesizer Patches | Music Technology, Apr 1989The theme of this month's edition of Patchwork is decidedly traditional, as Casio's CZ101 joins the ubiquitous DX7 and D50 as the subjects for readers' programming dexterity. |
Nine to Five ManFeature | Topic: Education | Home & Studio Recording, Jul 1986Janet Angus reports on Dave Foister's varied activities at the Guildhall. |
Acorn Atom Synthesiser ProgramReview | Electronics & Music Maker, May 1982 |
Technically Speaking - Part 1Feature Series | Topic: Computing, Electronics / Build, MIDI | Making Music, Apr 1986Getting started on a project to build a MIDI interface for a BBC micro and a DX21 synth |
Video 8: Not Just A Pretty PictureFeature | Topic: Tape, Vinyl, CD, DAT, Video / Film / Picture | Sound On Sound, Jan 1986The revolutionary Video 8 format has resulted in a new generation of domestic video recorders that offer high quality pictures and up to 6 tracks and 18 hours of stereo digital sound. Francis Rumsey explains how. |
Yamaha S10X and S20XReview | Home & Studio Recording, Jul 1985 |
Fun in the Waves - Part 1Feature Series | Topic: Synthesis & Sound Design | Music Technology, Sep 1988The benefits of additive synthesis software as a means of imitating natural sounds, creating new ones and tidying up your sample loops. Tom McLaughlin adds it all up. |
RusslingsOpinion | Topic: Computing | Sound On Sound, Jul 1992It has come to our attention that some of you have bad back-up habits. You know who you are... |
Sequential Six-TrakReview | One Two Testing, Apr 1984 |
Electric Blues - Part 7Feature Series | Topic: Arranging / Songwriting, Drum Programming | Recording Musician, Jan 1993Edgar G Roover once more joins forces with the Heavenly duo. This month, we're programming the blues. |
Tips To Tame the DX7IIFeature | Topic: Synthesis & Sound Design | Sound On Sound, Mar 1988Programming your own DX sounds is not so difficult when there's someone to guide you. Kevin Stratton, product specialist with Yamaha USA, explains how to create vocal-like sounds and reverb with this FM synthesizer. |
Mixed mediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Mar 1995Your passport to future worlds |
Music Composition Languages - Part 3Group: Computer Musician |
Rhythm BoxReview | Micro Music, Feb 1990Ian Waugh discovers how well this program can create respectable sounds on the Archimedes |
Powertools D110 EditorReview | Music Technology, Oct 1989Ideally every synth and sampler editor would allow you to edit sounds while your sequencer is running. One that does is this desk accessory for the Atari ST. Vic Lennard opens the box. |
When Is BrassFeature | Topic: History / Culture | One Two Testing, Jun 1985the birth of the saxophone |
Shape Of Things To ComeNews | Sound On Sound, Jun 1991Yet another selection of recently announced new products to whet your appetite! |
It's ImmaterialInterview | Music Technology, Sep 1990In the battleground that is the record business, one band have managed to find the space to be one of the most individual and resourceful of British talents. Nigel Lord talks uncommerciality in an Immaterial world. |
Isao TomitaInterview | Electronics & Music Maker, Feb 1983An exclusive interview with this world famous synthesist of classical music and an exploration of his science fiction fantasy, The Bermuda Triangle |
Clarissa Roundbacked Electric-Acoustic Model G100ELReview | In Tune, Dec 1984 |
Readers' SystemsFeature | Topic: Home Studio | Home & Studio Recording, Nov 1986From SOS to 8-trackAnother chance to see who bought what, why they bought it and how pleased they are now that it's too late to send it back. |