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Patchwork

Feature Downloads | Topic: Synthesizer Patches | Music Technology, Apr 1989

The theme of this month's edition of Patchwork is decidedly traditional, as Casio's CZ101 joins the ubiquitous DX7 and D50 as the subjects for readers' programming dexterity.

Nine to Five Man

Feature | Topic: Education | Home & Studio Recording, Jul 1986

Janet Angus reports on Dave Foister's varied activities at the Guildhall.

Acorn Atom Synthesiser Program

Review | Electronics & Music Maker, May 1982

Technically Speaking - Part 1

Feature Series | Topic: Computing, Electronics / Build, MIDI | Making Music, Apr 1986

Getting started on a project to build a MIDI interface for a BBC micro and a DX21 synth

Video 8: Not Just A Pretty Picture

Feature | Topic: Tape, Vinyl, CD, DAT, Video / Film / Picture | Sound On Sound, Jan 1986

The revolutionary Video 8 format has resulted in a new generation of domestic video recorders that offer high quality pictures and up to 6 tracks and 18 hours of stereo digital sound. Francis Rumsey explains how.

Yamaha S10X and S20X

Review | Home & Studio Recording, Jul 1985

Fun in the Waves - Part 1

Feature Series | Topic: Synthesis & Sound Design | Music Technology, Sep 1988

The benefits of additive synthesis software as a means of imitating natural sounds, creating new ones and tidying up your sample loops. Tom McLaughlin adds it all up.

Russlings

Opinion | Topic: Computing | Sound On Sound, Jul 1992

It has come to our attention that some of you have bad back-up habits. You know who you are...

Sequential Six-Trak

Review | One Two Testing, Apr 1984

Out Of The Blue

Feature | Electronic Soundmaker & Computer Music, Sep 1983

The CMI and Blue Weaver

Electric Blues - Part 7

Feature Series | Topic: Arranging / Songwriting, Drum Programming | Recording Musician, Jan 1993

Edgar G Roover once more joins forces with the Heavenly duo. This month, we're programming the blues.

Tips To Tame the DX7II

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Mar 1988

Programming your own DX sounds is not so difficult when there's someone to guide you. Kevin Stratton, product specialist with Yamaha USA, explains how to create vocal-like sounds and reverb with this FM synthesizer.

Mixed media

News | Topic: Multimedia / Graphics / Visuals | The Mix, Mar 1995

Your passport to future worlds

Music Composition Languages - Part 3

Group: Computer Musician

Feature Series | Topic: Computing | Electronics & Music Maker, Mar 1984

Rhythm Box

Review | Micro Music, Feb 1990

Ian Waugh discovers how well this program can create respectable sounds on the Archimedes

Powertools D110 Editor

Review | Music Technology, Oct 1989

Ideally every synth and sampler editor would allow you to edit sounds while your sequencer is running. One that does is this desk accessory for the Atari ST. Vic Lennard opens the box.

When Is Brass

Feature | Topic: History / Culture | One Two Testing, Jun 1985

the birth of the saxophone

Paint by numbers

Group: Control Room

Review | The Mix, May 1995
Producer Pro

Video software upgrade

Studio Cable

Feature | Home & Studio Recording, Dec 1983
A look at cabling in home studios

ITA Profile

Feature | Home & Studio Recording, Feb 1984

A look at this successful equipment dealer.

Shape Of Things To Come

News | Sound On Sound, Jun 1991

Yet another selection of recently announced new products to whet your appetite!

It's Immaterial

Interview | Music Technology, Sep 1990

In the battleground that is the record business, one band have managed to find the space to be one of the most individual and resourceful of British talents. Nigel Lord talks uncommerciality in an Immaterial world.

Isao Tomita

Interview | Electronics & Music Maker, Feb 1983

An exclusive interview with this world famous synthesist of classical music and an exploration of his science fiction fantasy, The Bermuda Triangle

Readers' Systems

Feature | Topic: Home Studio | Home & Studio Recording, Nov 1986
From SOS to 8-track

Another chance to see who bought what, why they bought it and how pleased they are now that it's too late to send it back.

 

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