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Feelers On The DealersFeature | Topic: Retail | International Musician & Recording World, Nov 1986Take Note MusicA music shop which only sells one product — and it isn't an instrument? Well, not quite, as Billy Punter Takes Note... |
ConnectionsReview | Micro Music, Oct/Nov 1989Darrin Williamson takes a look at the Phillip Rees range of hardware designed to help the flow of your MIDI data |
Boss DD2 Digital Delay PedalReview | Electronics & Music Maker, Jun 1984Boss have finally managed to get a fully-fledged digital delay unit into the compact dimensions of a pedal. Paul White finds out if the reduction in size has had any side-effects. |
The Hammond StoryFeature | Topic: Design, Development & Manufacture, Vintage Instruments | International Musician & Recording World, Sep 1975The story behind the organ behind the Hammond sound |
Fender Bullet, Bullet Deluxe BassGroup: Guitar Special |
Captive-EightReview | Electronic Soundmaker & Computer Music, May 1985Pearl DRX-1 Electronic DrumsPearl's late entry into the electronic drum kit stakes looks like a winner - eight kits can be programmed into its memory. |
Miles AheadFeature | Phaze 1, Apr 1989RETROSPECT: miles daviswhat can a 63-year-old jazz trumpeter teach you about playing? rather a lot, actually |
Digital RecordingsReview | Sound On Sound, Jul 1987Sound engineer David Mellor checks out the most boring Compact Disc in the world: Korg's first digital collection of sound samples! |
On StageMusic Review | Electronics & Music Maker, Dec 1984A special report on one of Britain's premier avant garde music festivals, Musica Nova. |
Fact FileFeature | Electronics & Music Maker, Jun 1982George Duke, Ross Middleton, Salvator Mulligan |
Tascam MM1Review | Sound On Sound, Dec 1989MIDI Mutable MixerMost small mixers simply don't have enough inputs for even a modest home recording setup. One that certainly does is the new 20:2 Tascam MM1, complete with MIDI mute automation. Tony Hastings checks it out. |
The Feel FactorFeature | Topic: Sequencing | Sound On Sound, Oct 1987A Guide to Programming Music with SoulHow often have you heard synthesized, sequenced music described as 'cold' and 'mechanical? All of us want to compose a tune with good 'feel', but few people know exactly what makes for a good 'feel'. Yet it's not a mystery - as this timely article by Michael Stewart, designer of the Kahler Human Clock, reveals. |
Alesis HR16 Drum Machine & MMT8 MIDI RecorderReview | Music Technology, Sep 1987Following the success of the MIDIverb, Alesis have ventured into the realms of drum machines and sequencers. Bob O'Donnell lends an ear and discovers that economy doesn't necessarily mean compromise. |
Akai XE8 MIDI Drum ExpanderReview | Music Technology, Apr 1989As the sequencer comes of age, the role of the drum machine is brought into question: why have a sequencer in your drum box if there's already one in your computer? Simon Trask investigates what may be the next step for the beat box. |
On The Beat - Part 30Feature Series | Music Technology, May 1992Imagine buying a drum machine full of good factory preset rhythm programs - instead of the usual collection of cliches. Nigel Lord offers a solution to pre-programmed predictability. |
Electro-Music EngineerFeature | Topic: Electronics / Build, Maintenance / Repair / Modification | Electronics & Music Maker, Jan 1982Audio Connectors |
Studio Of The MonthGroup: Recording WorldThe StrongroomTony Reed gives a hand at Strongroom Studio — almost |
BuzzNews | International Musician & Recording World, Nov 1986Everything you didn't want to know and couldn't be bothered to ask |