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Shared Interests III - Part 3

Feature Series | Topic: Computing | Music Technology, May 1994
Shareware & Public Domain software

There ain't no such thing as a free lunch, but there are a few free software sequencers around. Ian Waugh digs 'em out.

Songs & Basslines

Feature | Topic: Tuition / Technique, Music Theory | Making Music, Nov 1986

D'you find that the basslines you put on your new songs are unadventurous? Here's some inspiration.

Lab Notes: Blessed are the Seque

Feature | Topic: Computing, Sequencing | Polyphony, Nov/Dec 1978

So You Want To Be A...

Feature | Topic: Arranging / Songwriting | International Musician & Recording World, Mar 1985
Songwriter.

Hooklines and singers analysed by Jim Betteridge

Jbl Control 1 Plus/SB1 Sub-Bass Unit

Review | Music Technology, Oct 1990
Studio Monitors

Choosing studio monitors on a tight budget can be a demoralising experience - unless you're wise to JBL's new Control 1 Plus and its bass-driving partner. Nigel Lord takes control.

History of Electronic Music - Part 7

Feature Series | Topic: History / Culture | Electronics & Music Maker, Sep 1982
Brian Eno

Roland JX8P

Review | One Two Testing, Mar 1985

programmable, touch sensitive, mega MIDI

Synwave Percussion/Trigger Effects Unit

Feature Audio | Topic: Electronics / Build | Electronics & Music Maker, Jul 1981

Digidesign Session 8 Digital Studio

Review | Sound On Sound, Jul 1993
The Personal Studio Of The Future?

Your PC becomes your best friend in the studio with this eagerly awaited digital system.

Seaside Shuffler

Interview | One Two Testing, Oct 1986

Songs from the North

Computers in Music - A Cheaper Option?

Feature | Topic: Computing | In Tune, May 1986

Sounding Off

Opinion | Sound On Sound, Mar 1989
Technolust!

Rowland Jones mounts the soapbox this month to sound off about 'technolust'!

Doctor! Doctor!

Feature | Sound On Sound, Mar 1986
Software for Commodore 64

Dr.T's MIDI Sequencer software for the Commodore 64 has been much applauded in the USA for its versatile real-time and steptime operation. Now that it's available on prescription in the UK, we asked software surgeon Ian Waugh for his diagnosis...

Micro-Music

Feature | Topic: Computing | Electronic Soundmaker & Computer Music, Sep 1983

'Play' your home computer

Assault On Battery

Feature | Topic: Recording Studios | Music Technology, Jan 1989
Battery Studios

Jive Records' own Battery Studio complex has to accommodate acts as diverse as Schooly D, Mark Shreeve and Samantha Fox. David Bradwell raps technology.

Loop The Loop

Review | Electronic Soundmaker & Computer Music, Jun 1985
Loop Create software for the Greengate DS:3.

New looping software for the Greengate DS:3.

Digidesign Sound Tools

Review | Sound On Sound, Aug 1989

With a Macintosh computer and Digidesign's new CD-quality digital audio system, you can cut, splice, and create extended remixes to your heart's content. Paul D. Lehrman discovers what it is like to go tapeless in the studio.

Making Notes - Part 2

Feature Series | Topic: Music Theory | Electronics & Music Maker, Jan 1982
Reading note values for correct timing and fingering

RSF Kobol Expander

Review | Electronics & Music Maker, Mar 1983

Technically Speaking

Feature | Topic: Electronics / Build, MIDI, Syncronisation | Making Music, Sep 1986

First DIY steps to a MIDI sync box for your portastudio.

Yamaha TX802

Review | Music Technology, Dec 1987
FM Synthesiser

Another member of Yamaha's world-beating FM family; Howard Massey finds this powerful rack-mount right up his digital street.

News

News | Sound International, Aug 1978
Instruments and Equipment

APRS Preview

Group: Recording World

Show Report | International Musician & Recording World, Jul 1985

A brief glimpse at what will astound the recording world this year

News

News | Music UK, Jan 1983

New products — New people

Sticking It Together

Feature | Topic: Composing for Business, Recording | Sound On Sound, Mar 1989
Bryan Ferry

You know all those classic sixties and seventies songs you keep hearing on TV ads these days? Well, almost every one you hear is not in fact the original recording but a completely new version. To give you an idea of how such reconstructions are produced, Nigel Beaham-Powell of Streets Ahead Music Productions recounts how he went about reproducing a Bryan Ferry track.

 

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