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Ensoniq SDP-1Review | International Musician & Recording World, Sep 1986KeyboardCheckTony Hastings and Paul Trynka assess the latest entrant into the increasingly competitive sampled piano stakes |
Finale - Part 2Review Series | Sound On Sound, Apr 1989The Best Music Program Ever?Part 2: Kendall Wrightson continues his pilgrimage through Finale, Coda Software's music transcription program for Apple Macintoshes (and soon PC compatibles), lingering at the Playback, Hyperscribe and Transcription tools. |
Vince ClarkeInterview | Sound On Sound, Dec 1991Sold on the 3-Minute SongErasure's fifth album sees the duo of Vince Clarke and Andy Bell going from strength to strength, delivering electro-pop at its finest. But the doyens of synthesizer pop recorded Chorus with almost no MIDI instruments at all. Vince Clarke tells Paul Ireson how he made a hit album with 10-year old technology. |
Carlsbro & Deanvard AmpsGroup: Amps |
Piano FortéReview | Sound On Sound, Dec 1993Roland P55 Piano ModuleClose your eyes and you could be tickling those ivories... |
Sample ShopReview | Sound On Sound, Sep 1992Sample sultan Wilf Smarties reports on the latest sample CDs. |
Roland Product NewsGroup: Roland Newslink - Autumn 85Pianos: expansion & tuition |
Yamaha G10Review | Music Technology, Dec 1988The quest to build the ideal MIDI guitar controller continues with Yamaha's eagerly-awaited G10. Aaron Hallas makes the pick-up. |
The feelgood factorGroup: Control RoomRoland XP-50Well-equipped new workstation |
40 Sequencer EssentialsFeature | Topic: Sequencing | Sound On Sound, Aug 1988In this lengthy article, Craig Anderton explains all the features found on sequencers, from the simple to the esoteric. It is intended for those who are trying to make an intelligent purchasing decision about a sequencer and don't fully understand all the options that are available. |
G&L F100, L1000Group: Guitar Special |
Lead OnFeature | Topic: Vintage Instruments | Electronic Soundmaker & Computer Music, Mar 1984Follow-up to issue 1 |
The Compleat Sound Effects RecordistFeature | Topic: Location Sound, Recording | Sound International, Jan 1979I used to work with this prat once who thought that I'd mis-spelt compleat when I used it in an article - sometimes you just can't win, can you? Dave Hastilow, however, is well sussed and brings you sound at a stroke. |
SaxonInterview | Making Music, Sep 1986shrugs and knock 'n' knowallWrenched from video filming (with a ballerina no less) and quizzed on gear and blushes. |
Sampling Techniques - Part 4Feature Series | Topic: Sampling | Sound On Sound, Mar 1993How To Get The Most From Your Sampler |
The Concerts In ChinaInterview | Electronics & Music Maker, Jun 1982An exclusive interview with this most popular French electronic music composer that traces his background history from his early influences to his latest epic performances in China. |
Basic Microphone TechniqueFeature | Topic: Microphones, Recording | Sound International, Sep 1978Freelance engineer Steve Hall offers some guidance. |
Making the Most of... - Part 1Feature Series | Topic: Effects Processing, Recording | Home & Studio Recording, May 1985The first part of a new series on recording and signal processing. This month we look at a few simple ways of making a vocal part sound more interesting. |
The Stuff That Rooms Are Made OnFeature | Topic: Acoustics, Home Studio | Making Music, Mar 1987Find out how to direct the noise inside your room to better effect |
The Programmable Digital Sound Generator - Part 1Group: Computer MusicianThe first in a major series of articles describing the design, construction and applications of the Programmable Digital Sound Generator, a music hardware add-on for the BBC Model B. Introduction by Alan Boothman. |
EarsFeature | Topic: Sound Fundamentals | One Two Testing, Oct 1985what do they do, why are they hear |
Hands On: Emu Systems ProteusFeature | Sound On Sound, Nov 1992 |
Radio DaysFeature | Topic: Digital Audio Workstations, Live, MIDI, Performing, Sequencing | Sound On Sound, Aug 1992Technology On The AirWhen Paul D. Lehrman was asked to use his technological expertise to help create a radio quiz show, he rose to the challenge — and discovered it was just about the best fun he could have standing up. |
Tokai Bass & GuitarReview | Music UK, May 1983TOKAI Bass & Guitar in Deja vu trial — where have we met before? |