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Simmons SPM8:2 Programmable MIDI MixerReview | Music Technology, Mar 1987Could you squeeze an eight-channel programmable MIDI mixer into a 1U-high rack-mounting unit? Simmons could, and their endeavours could appeal to all kinds of musicians, as Rick Davies reveals. |
The Hot 100Review | Sound On Sound, Jul 1991Yamaha EMP100 Multi-Effects ProcessorThe latest addition to Yamahas highly affordable 100 series, the EMP100, could prove to be its best buy yet. Paul Ireson explains why. |
Vesta Fire Effects PedalsReview | International Musician & Recording World, May 1985EffectscheckSome sharp effects with strange names. Review by Tony Mills |
Rack & RollInterview | Music Technology, Dec 1993One band's mission to save rock and roll - with technology. On the spot: Phil Ward |
Technically SpeakingFeedback | Music Technology, Jan 1993 |
Harness the WavesReview | Micro Music, Aug/Sep 1989Colin Cat takes the K-1r to greater heights with Drumware's Editor/Librarian package |
Making Records - Part 1Feature Series | Topic: Mastering, Tape, Vinyl, CD, DAT | Home & Studio Recording, Jan 1985An intriguing insight into just what is required of the home recordist when setting out to cut your first disc. |
Korg T1Review | Music Technology, Dec 1989Music WorkstationKorg's latest line in synths is the T-series workstations - modestly designed to pick up where the successful M1 workstation left off. Simon Trask climbs aboard the flagship T1. |
Questar QA3 Active MonitorsReview | Home & Studio Recording, Feb 1984 |
On The Beat - Part 5Feature Series | Topic: Drum Programming | Music Technology, Dec 1989The basis of this month's article on drum programming is swing - the rhythmic basis for music as diverse as jazz and hip hop. Nigel Lord swings out. |
Space... The Final FrontierReview | Sound On Sound, Aug 1993Roland SRV330 Dimensional Space ReverbCan Roland's latest gizmo really add another dimension to your recordings? |
A Vocal Chord - Part 2Feature Series | Topic: Sampling | Music Technology, Jun 1988In the second part of his piece on sampling the human voice, Tom McLaughlin discusses making up vocal multisamples and how to solve the problems you can expect to encounter. |
Korg Wavestation A/DReview | Music Technology, Apr 1992Digital Synth ModuleThe Wavestation A/D takes the digital and vector synthesis systems of its popular parent and adds analogue inputs. Simon Trask reports on the continued evolution of one of today's most flexible synths. |
Steinberg MIDEX+Review | Music Technology, Dec 1990Key Expander/SMPTE SynchroniserIntegration is the name of the game with Steinberg's Midex - a single unit combining a software key expander and a SMPTE synchroniser for the Atari ST. Nigel Lord even likes the colour. |
Bass, How Low Can You Go?Feature | Topic: Sampling | Music Technology, Jul 1988It may be at the bottom of the mix, but it's often the heart of the song: the bass. Tom McLaughlin offers some sound advice on sampling the electric bass guitar. |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Feb 1985Recording The PianoThis month 'Recording The Piano'; where best to place microphones and what type to choose for optimum results. |
Ars ElectronicaShow Report | Electronics & Music Maker, Dec 1982A big Austrian event that focuses on electronic music. |
Korg DW8000Review | International Musician & Recording World, Feb 1986SynthCheckTony Mills toys with the latest Korgi and gets enthusiastic |
Digitech Vocalist IIReview | Music Technology, May 1993Vocal Harmony ProcessorIt's that Nicholas Rowland again, testing his tonsils on Digitech's new 5-part vocal harmony processor. You too can sound like The, er, Five Tops |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Jul 1993 |
The Celtic Macintosh - Part 1Feature Series | Topic: Computing, Sequencing | Sound On Sound, Sep 1986AN ALBUM PRODUCED ENTIRELY ON A PERSONAL COMPUTERPart 1. American, Paul D. Lehrman, documents how he recently recorded an album of synthesized Irish music entirely on an Apple Macintosh computer using the Southworth Music Systems 'Total Music' software. |
20th Century Americans - Philip Glass - Part 1Interview Series | Music Technology, Jan 1993Philip Glass: Glazed expression |
The Dynamic DuoReview | Sound On Sound, Feb 1986Yamaha smash new price barriers with their latest FM synths - the DX100 and DX27. Mark Jenkins assesses their performance as stand-alone keyboards and as compact MIDI expanders. |