Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Simmons SPM8:2 Programmable MIDI Mixer

Review | Music Technology, Mar 1987

Could you squeeze an eight-channel programmable MIDI mixer into a 1U-high rack-mounting unit? Simmons could, and their endeavours could appeal to all kinds of musicians, as Rick Davies reveals.

The Hot 100

Review | Sound On Sound, Jul 1991
Yamaha EMP100 Multi-Effects Processor

The latest addition to Yamahas highly affordable 100 series, the EMP100, could prove to be its best buy yet. Paul Ireson explains why.

Vesta Fire Effects Pedals

Review | International Musician & Recording World, May 1985
Effectscheck

Some sharp effects with strange names. Review by Tony Mills

Rack & Roll

Interview | Music Technology, Dec 1993

One band's mission to save rock and roll - with technology. On the spot: Phil Ward

Technically Speaking

Feedback | Music Technology, Jan 1993

Harness the Waves

Review | Micro Music, Aug/Sep 1989

Colin Cat takes the K-1r to greater heights with Drumware's Editor/Librarian package

Making Records - Part 1

Feature Series | Topic: Mastering, Tape, Vinyl, CD, DAT | Home & Studio Recording, Jan 1985

An intriguing insight into just what is required of the home recordist when setting out to cut your first disc.

Korg T1

Review | Music Technology, Dec 1989
Music Workstation

Korg's latest line in synths is the T-series workstations - modestly designed to pick up where the successful M1 workstation left off. Simon Trask climbs aboard the flagship T1.

Questar QA3 Active Monitors

Review | Home & Studio Recording, Feb 1984

On The Beat - Part 5

Feature Series | Topic: Drum Programming | Music Technology, Dec 1989

The basis of this month's article on drum programming is swing - the rhythmic basis for music as diverse as jazz and hip hop. Nigel Lord swings out.

Space... The Final Frontier

Review | Sound On Sound, Aug 1993
Roland SRV330 Dimensional Space Reverb

Can Roland's latest gizmo really add another dimension to your recordings?

A Vocal Chord - Part 2

Feature Series | Topic: Sampling | Music Technology, Jun 1988

In the second part of his piece on sampling the human voice, Tom McLaughlin discusses making up vocal multisamples and how to solve the problems you can expect to encounter.

Personal Keyboards

Review | Electronic Soundmaker & Computer Music, Jan 1984

The cheap alternative?

Orchestral Manoeuvres

Interview | Phaze 1, Jul 1989

orchestral manoeuvres in the sun

Korg Wavestation A/D

Review | Music Technology, Apr 1992
Digital Synth Module

The Wavestation A/D takes the digital and vector synthesis systems of its popular parent and adds analogue inputs. Simon Trask reports on the continued evolution of one of today's most flexible synths.

Steinberg MIDEX+

Review | Music Technology, Dec 1990
Key Expander/SMPTE Synchroniser

Integration is the name of the game with Steinberg's Midex - a single unit combining a software key expander and a SMPTE synchroniser for the Atari ST. Nigel Lord even likes the colour.

Bass, How Low Can You Go?

Feature | Topic: Sampling | Music Technology, Jul 1988

It may be at the bottom of the mix, but it's often the heart of the song: the bass. Tom McLaughlin offers some sound advice on sampling the electric bass guitar.

Using Microphones

Feature | Topic: Microphones, Recording | Home & Studio Recording, Feb 1985
Recording The Piano

This month 'Recording The Piano'; where best to place microphones and what type to choose for optimum results.

Ars Electronica

Show Report | Electronics & Music Maker, Dec 1982

A big Austrian event that focuses on electronic music.

Korg DW8000

Review | International Musician & Recording World, Feb 1986
SynthCheck

Tony Mills toys with the latest Korgi and gets enthusiastic

Digitech Vocalist II

Review | Music Technology, May 1993
Vocal Harmony Processor

It's that Nicholas Rowland again, testing his tonsils on Digitech's new 5-part vocal harmony processor. You too can sound like The, er, Five Tops

Amiga Notes

Feature | Topic: Computing | Sound On Sound, Jul 1993

The Celtic Macintosh - Part 1

Feature Series | Topic: Computing, Sequencing | Sound On Sound, Sep 1986
AN ALBUM PRODUCED ENTIRELY ON A PERSONAL COMPUTER

Part 1. American, Paul D. Lehrman, documents how he recently recorded an album of synthesized Irish music entirely on an Apple Macintosh computer using the Southworth Music Systems 'Total Music' software.

20th Century Americans - Philip Glass - Part 1

Interview Series | Music Technology, Jan 1993

Philip Glass: Glazed expression

The Dynamic Duo

Review | Sound On Sound, Feb 1986

Yamaha smash new price barriers with their latest FM synths - the DX100 and DX27. Mark Jenkins assesses their performance as stand-alone keyboards and as compact MIDI expanders.

 

muzines_logo_02

Small Print

Terms of usePrivacy