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The Sound of SuccessInterview | Music Technology, Apr 1987Still in his early 30s, yet a man who's worked with The Police, Genesis, Bowie and McCartney, Padgham is one of the most successful young producers in the world. Paul Tingen coaxes him into revealing a few secrets. |
E-MU Systems Pro/cussionReview | Music Technology, Oct 1991Maximum Percussion ModuleHaving set standards with their Proteus sample reader and their Pro/formance piano module. E-mu are trying again. Simon Trask beats up the new Pro/cussion drum expander. |
APRS 86 Exhibition PreviewGroup: Recording WorldWhat to expect at the Big Show in June |
Greengate DS3Group: Computer MusicianSound Sampling System for Apple II/IIeMainframe's sound-sampling add-on for the Apple is now available to the general public. David Ellis puts the system through its paces. |
Sounds of MetropolisInterview | Sound On Sound, Apr 1987Mark Jenkins pins down the expert synthesist/programmer best known for his work with Peter Gabriel, and discusses the release of his eighth solo album - 'Metropolitan Suite'. |
The Magic of Daniel Lanois - Part 1Interview Series | Sound On Sound, Aug 1987Mark Prendergast interviews this French-Canadian engineer/producer about his long-standing production partnership with Brian Eno and his recent involvement with Peter Gabriel and U2. |
Paradise FoundFeature | Topic: Recording Studios | Electronics & Music Maker, Nov 1985Paradise StudiosSynth players in search of Heaven need look no further than West London, where a recording studio puts the emphasis firmly on hi-tech musical equipment, but doesn't charge people the Earth to use it. Simon Trusk pays Paradise a visit. |
Musing ComputersInterview | Music Technology, Oct 1990A long-time member of the MIDI establishment, Jeff Rona is a musician who gets more mileage out of computers than most. Scott Wilkinson listens in on Mac, PAN, digital editing and Jon Hassell's latest LP. |
A Bunch of FivesRetrospective | Electronics & Music Maker, Jan 1985In which five of E&MM's writers pick their fave things of the year. If your personal preferences aren't there, don't take it out on us. |
Akai DD1000Review | Music Technology, Apr 1991Magneto-optical Disk RecorderAkai's DD1000 Magneto-optical recorder applies state-of-the-art technology to four-track dedicated digital editing. Vic Lennard sees the light at the end of the sample. |
FM's Finest HourReview | Sound On Sound, May 1989Yamaha V50 WorkstationPaul Ireson explores Yamaha's latest professional keyboard, which integrates FM synthesis, a drum machine, a powerful sequencer and a multi-effects unit into a single package. Could it be FM's finest hour? |
Digidesign DeckReview | Sound On Sound, Nov 1990Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates. |
Roland D-50 - Part 1Review Series | Sound On Sound, May 1987Is the future Linear?Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out... |
Music Production ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Jun 1985The price guide to beat all price guides continues with a rundown of available sequencers, software packages and computer music systems. |
More Than A Fair ResultShow Report | Electronics & Music Maker, Sep 1985BMF ReportLager bottle in hand, the Editor guides you through the gallery of new music technology on demonstration at last month's newly-public British Music Fair. Plus lots of photographs so that those who missed it can find out what the gear looks like. |
Shape Of Things To ComeNews | Sound On Sound, Oct 1990This month's colourful round up of new products to tempt and tantalise. |
Noise Reduction UnitFeature | Topic: Electronics / Build | Electronics & Music Maker, May 1981 |
Kawai K5Review | Sound On Sound, Dec 1987The Additive synthesizerOnce upon a time, 'additive synthesis' was an expensive and little used option on expensive computer music systems. Now, thanks to Kawai's latest keyboard, there is an instrument dedicated to this type of synthesis. Paul Wiffen, long-time advocate of creating your own waveforms, investigates. |
Rediscovering The Yamaha DMP7Feature | Sound On Sound, Dec 1992 |
Arif MardinInterview | Sound On Sound, Jul 1987Question: What do Phil Collins, Howard Jones, Chaka Khan and David Bowie have in common? Answer: They have all recorded with Arif Mardin, one of the world's top record producers. Robin Tolleson chats to the man himself... |
From 24 tracks to 8Interview | Home & Studio Recording, Oct 1984Founder of Ultravox and owner of The Garden Studio, John Foxx talks about all aspects of his recording methods and highlights the technological changes that have caused him to rethink the way he composes. |
Digidesign SamplecellReview | Sound On Sound, Mar 1991Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses. |