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Ensoniq MirageReview | Electronics & Music Maker, Jul 1985At last - the instrument with a name on everybody's lips receives an in-depth examination of its European version. Man-on-the-spot is Paul Wiffen. |
Ken FreemanInterview | Electronics & Music Maker, Oct 1982We look at how electronics, synths and a PET computer have influenced this versatile British composer. |
Concert ReviewMusic Review | Electronics & Music Maker, Jun 1983Klaus Schulze & Rainer Bloss, Tim Souster |
Ars Electronica Grand PrizeShow Report | Electronics & Music Maker, Jan 1983The 'Grand Prize' final entries at this prestigious Austrian event |
ResynthesisFeature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1988Martin Russ breaks off from his 20th century studies way in the future to report on some alternative goings-on which may soon materialise in the form of a new generation of powerful sampling synthesizers. |
Photographing Sound - Part 1Feature Series | Topic: Sampling | Sound On Sound, Dec 1985The Art of SamplingPart 1: The Art Of Sampling. Keyboard programmer Paul Wiffen offers valuable advice on squeezing the most out of your sampler. |
Akai the NewReview | Home & Studio Recording, Oct 1985A fresh look at the production model of the Akai S612 MIDI controlled sound sampler by Steve Howell. |
Advanced Music SynthesisFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Sep 1983Voltage Controlled Filters Part 2 |
Man and MachineInterview | Electronics & Music Maker, Nov 1984Axxess mainman Patrick Mimran and one of the most remarkable custom-designed synthesisers ever built. Report by Dan Goldstein. |
Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jun 1985The Power of the FloppyFeeling floppy? Tony Mills slips a disk into his drive |
Double TakeReview | Electronic Soundmaker & Computer Music, Apr 1985Yamaha DX5Yamaha's follow-up machine to the DX7 is essentially a budget DX1, offering two '7s in one neat package. We take a look at the DX5. |
RumblingsGroup: Computer MusicianMusic add-ons for home micros. |
AudioFrame Grows UpReview | Sound On Sound, Jan 1989Although expensive, digital audio workstations are a pointer to the kind of features we can expect to see on the next generation of 'affordable' hi-tech instruments. Craig Anderton takes a look at one of the very latest workstations to appear, the AudioFrame. |
Tony BanksInterview | Sound On Sound, Sep 1989Keyboard player Tony Banks has been the foundation stone of Genesis' music for almost two decades now but has not experienced the same level of success in his work outside Genesis as past and present members of the band, Phil Collins, Mike Rutherford and Peter Gabriel. With two solo albums and numerous film scores behind him, Banks is set to bounce back into the limelight with a fresh, new solo project. Brian Jacobs poses the questions... |
Communards ManifestoInterview | International Musician & Recording World, Feb 1986Tony Reed talks to Somerville and Coles, the Morecambe and Wise of agit-Pop |
Dial-A-DreamReview | Sound On Sound, Mar 1986Roland Alpha Juno-1If you're not an FM fan, but are looking for a low-cost polysynth that can double as a MIDI expander, you won't need to look further than Roland's new Alpha Juno-1 according to Mark Jenkins. |
Sounding OffOpinion | Sound On Sound, May 1989Is there a Bob in your studio?Stiletto Sound's very own Greg Truckell contemplates the changes brought about by music computers, and asks: ‘Is there a Bob in your studio?’ |
Geoff DownesInterview | Sound On Sound, Apr 1986Asia's illustrious keyboard playerIn a rare interview, Asia's illustrious keyboard player talks synths, samplers and Mellotrons with David Etheridge. |
Track Record: The Thompson TwinsGroup: Recording WorldBailey and Betteridge get together for a banter |
A Question Of ReadingFeature | Topic: Music Theory | International Musician & Recording World, Feb 1986Eight top pop players and producers discuss the necessity of notation. Richard Walmsley chairs the debate |