A complete guide to all the hardware interfaces for home micros available so far, plus the software that goes with them.

Multi Effects Processor

David Mellor samples the delights of a multiple effects unit that can create up to nine high quality effects at the same time.

Multi-Dimensional Synthesisers

Expanding the "user waveform"approach of their K3 to almost full additive waveform proportions has given Kawai what they call a "multi-dimensional" synthesiser. Bob O'Donnell likes what he hears.

What you may have 'missed' at the Los Angeles AES and the London Hands On Shows.

Los Angeles and London were the recent locations for two very different audio get-togethers. Paul Gilby reports on the proceedings and products shown at both the AES and Hands-On shows.

Performer 3.5

Following hot on the heels of their MIDI Time Piece, Mark of the Unicorn release a major upgrade to Performer, the world's first 'professional' computer MIDI sequencer. Kendall Wrightson looks at what's new in an old favourite.

The Expanded Expander

Here it is - the professional version MT32 complete with separate voice outputs, built-in reverb and hardly any noise. Martin Russ looks at Roland’s new studio-oriented rackmount LA synthesizer.

Read all about the Emu Systems Proteus, the new Alesis MIDI Disk recorder, Yamaha MT3X multitracker, and lots more!

Is Roland's new W30 just another sampling workstation? Paul Ireson checks it out and finds features that allow it to excel both as a stand-alone system and as the heart of a more extensive MIDI setup.

Since Yamaha popularised FM synthesis, a lot of attention has been paid to digital technology. Lorenz Rychner explains how a lot of this technology still uses analogue programming techniques.

Offering 32 inputs on mixdown, four auxiliary sends, flexible EQ and the added benefit of a MIDI-controlled muting option, Studiomaster's ProLine 16.8.16 mixer has a lot going for it. Gareth Stuart checks it out.

Martin Russ loops the hours away with Version 1.2 of this new MIDI sequencing package for the Atari ST computer from Germany's C-Lab.

Kawai K11 Keyboard Synth

The ever-popular K1 has been the mainstay of many a hi-tech musician's keyboard armoury, but will this 32-note polysynth follow in its footsteps?

David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money.

Does Opcode's new Macintosh sequencer have what it takes to oust 'Performer' from the sequencer king's throne? Mike Collins enjoys finding out...

From the shrill squeak of the soprano to the sepulchral tones of the basso profundo, the Eventide H3000 can create the full spectrum of human vocalisation out of the merest baritono ordinario. David Mellor gives it an aural test.

News of Ensoniq’s rackmount sampler, the EPS-M, and other goodies are unveiled in glorious techno-colour. Read all about it.

MIDI Sequencer

Conflict between hardware and software sequencing intensifies - can dedicated sequencers still compete with the flexibility of a computer? Simon Trask experiences Brotherly love.

Korg DSS1

A synth that samples, or a sampler with a built-in synthesiser? Either way, the DSS1 takes music-creation a step further, with sampling, waveform synthesis and analogue processing. Paul Wiffen fiddles to his heart's content.

A colourful round-up of what's new in the hi-tech recording arena.

Chris Smith enlightens us on the subject of locking music to video

Apple Macintosh Software

One of the leading Macintosh sequencing packages has recently undergone another of its periodic face lifts. Ian Waugh checks the state of the performing art.

The Studio In A Box?

A studio in a box? Martin Russ looks at Roland's latest entry in the ongoing competition to fit the most functionality in the smallest box...

A multitrack sequencer with a built-in synth or a velocity-sensitive 8-voice polysynth with a built-in 8-track step/real-time MIDI sequencer? Tony Hastings tries to make up his mind about this versatile and well-priced instrument.

APRS Report

The latest developments in the recording world brought the industry, press and public flocking to Olympia 2 recently. Simon Trask records the event.

MIDI Mixer

This new 24-input desk has an in-line tape monitor section doubling as additional line inputs and the benefit of MIDI muting. Dave Lockwood sounds it out.