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Soundtracs MR Mixer

Review | Sound On Sound, Mar 1986

Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model.

Would Your Mother Recognise You On The Radio?

Interview | Music Technology, Jan 1987

...Is one of the producers responsible for the new wave of guitar-based pop. Paul Tingen finds he has plenty to say about modern music technology, not all of it favourable.

Sound Craftmanship

Review | Home & Studio Recording, Jan 1986

The Soundcraft 200B.

Allen & Heath GS3

Review | Sound On Sound, May 1992
Multitrack Mixer

With features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored.

A Handful Of Aces

Review | Home & Studio Recording, Apr 1986
Aces B1816

A cost effective in-line mixing console aimed at the budget 16-track user.

Buzz

News | International Musician & Recording World, May 1985

The day of the digital, a Casio commendation, getting totally wired, winning a mixer and whacking a Zildjian

Tom Hidley - Studio Designer

Interview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986

Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby.

Orchestral manoeuvres

Group: In Session

Feature | Topic: Location Sound, Recording | The Mix, Oct 1994
Handel’s Messiah

Diary of Decca’s new recording

XTC

Interview | One Two Testing, Nov 1984
Over The Tracks With The Big Express

making The Big Express and strumming guitars

Recording Techniques - Part 6

Feature Series | Topic: Mixing, Recording | Sound On Sound, May 1990
The Mixing Console (2)

Part 6: The mixing console. David Mellor continues his close examination of the recording studio's most complex and expensive piece of equipment.

Sessiontime

Feature | Topic: Performing, Recording | One Two Testing, Jul 1984
Radio One - DJ Mix

the truth behind live sessions

Adventures In Television Recording

Feature | Topic: Live, Recording, Video / Film / Picture | Home & Studio Recording, Feb 1986

John Harris draws on personal experience to reveal some of the problems encountered when recording TV pop music programmes.

Shape Of Things To Come

News | Sound On Sound, Aug 1991

Yet another selection of recently announced new products to whet your appetite!

Digital Recording - Part 1

Feature Series | Topic: Digital Audio | Electronics & Music Maker, Oct 1982
A New Landmark!

The first of a special two-part feature highlighting the dawn of a new era in audio recording.

The Five of Jacks

Feature | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Jun 1986

Ben Duncan guides us through the mystic world of jack plugs and tells us why not to take them for granted.

Company Profile: Studiomaster

Feature | Topic: Design, Development & Manufacture | International Musician & Recording World, Oct 1985

Mixing with the master men

Soundcraft Spirit Studio

Review | Music Technology, Jun 1991
Mixing Desk

As more mixer manufacturers turn their attention to the home and pre-production studios, the cost-effective quality mixer becomes a reality. Tim Goodyer discovers that there's even room for luxury.

George Martin

Interview | Topic: Recording Studios | Sound On Sound, Dec 1993

Richard Hewson - Man of Mystery

Interview | Home & Studio Recording, Apr 1985

This man, responsible for the string arrangements on numerous albums by Supertramp, Cliff Richard and Diana Ross, also happens to be the creative genius behind disco/funk hit makers, the RAH Band. His latest album 'Mystery' released this month, was successfully recorded in his home studio using an ACES 24-track system and we went along to see how he achieved it.

APRS Review

Group: Recording World

Show Report | International Musician & Recording World, Aug 1985

The cream of the recording equipment from the recent show

Seck 1282 Mixer

Review | Sound On Sound, Sep 1986

Having hit upon the right formula with their successful 1882 mixer, Seck have now introduced a cut-price 1282 version aimed more at the needs of the 8-track user. Paul Gilby monitored its performance.

Sheer Genius

Review | Sound On Sound, Mar 1993
Amek Einstein

News Xtra

News | In Tune, Feb 1986

Who's Where, What's What

Bass á la mode

Group: Sound Advice

Feature | Topic: Acoustics, Construction / Build | The Mix, Oct 1994
Bass modes

Perfecting the acoustics of your studio

Tascam M1516 Mixer

Review | Sound On Sound, Jun 1992

Tascam's compact and versatile new M1516 desk is aimed squarely at the semi-pro 8-track market. The not-so compact but even more versatile Dave Lockwood checks it out.

 

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