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Soundtracs MR MixerReview | Sound On Sound, Mar 1986Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model. |
Would Your Mother Recognise You On The Radio?Interview | Music Technology, Jan 1987...Is one of the producers responsible for the new wave of guitar-based pop. Paul Tingen finds he has plenty to say about modern music technology, not all of it favourable. |
Allen & Heath GS3Review | Sound On Sound, May 1992Multitrack MixerWith features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored. |
A Handful Of AcesReview | Home & Studio Recording, Apr 1986Aces B1816A cost effective in-line mixing console aimed at the budget 16-track user. |
BuzzNews | International Musician & Recording World, May 1985The day of the digital, a Casio commendation, getting totally wired, winning a mixer and whacking a Zildjian |
Tom Hidley - Studio DesignerInterview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby. |
Orchestral manoeuvresGroup: In SessionHandel’s MessiahDiary of Decca’s new recording |
XTCInterview | One Two Testing, Nov 1984Over The Tracks With The Big Expressmaking The Big Express and strumming guitars |
Recording Techniques - Part 6Feature Series | Topic: Mixing, Recording | Sound On Sound, May 1990The Mixing Console (2)Part 6: The mixing console. David Mellor continues his close examination of the recording studio's most complex and expensive piece of equipment. |
SessiontimeFeature | Topic: Performing, Recording | One Two Testing, Jul 1984Radio One - DJ Mixthe truth behind live sessions |
Adventures In Television RecordingFeature | Topic: Live, Recording, Video / Film / Picture | Home & Studio Recording, Feb 1986John Harris draws on personal experience to reveal some of the problems encountered when recording TV pop music programmes. |
Shape Of Things To ComeNews | Sound On Sound, Aug 1991Yet another selection of recently announced new products to whet your appetite! |
Digital Recording - Part 1Feature Series | Topic: Digital Audio | Electronics & Music Maker, Oct 1982A New Landmark!The first of a special two-part feature highlighting the dawn of a new era in audio recording. |
The Five of JacksFeature | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Jun 1986Ben Duncan guides us through the mystic world of jack plugs and tells us why not to take them for granted. |
Company Profile: StudiomasterFeature | Topic: Design, Development & Manufacture | International Musician & Recording World, Oct 1985Mixing with the master men |
Soundcraft Spirit StudioReview | Music Technology, Jun 1991Mixing DeskAs more mixer manufacturers turn their attention to the home and pre-production studios, the cost-effective quality mixer becomes a reality. Tim Goodyer discovers that there's even room for luxury. |
George MartinInterview | Topic: Recording Studios | Sound On Sound, Dec 1993 |
Richard Hewson - Man of MysteryInterview | Home & Studio Recording, Apr 1985This man, responsible for the string arrangements on numerous albums by Supertramp, Cliff Richard and Diana Ross, also happens to be the creative genius behind disco/funk hit makers, the RAH Band. His latest album 'Mystery' released this month, was successfully recorded in his home studio using an ACES 24-track system and we went along to see how he achieved it. |
APRS ReviewGroup: Recording WorldThe cream of the recording equipment from the recent show |
Seck 1282 MixerReview | Sound On Sound, Sep 1986Having hit upon the right formula with their successful 1882 mixer, Seck have now introduced a cut-price 1282 version aimed more at the needs of the 8-track user. Paul Gilby monitored its performance. |
Bass á la modeGroup: Sound AdviceBass modesPerfecting the acoustics of your studio |
Tascam M1516 MixerReview | Sound On Sound, Jun 1992Tascam's compact and versatile new M1516 desk is aimed squarely at the semi-pro 8-track market. The not-so compact but even more versatile Dave Lockwood checks it out. |