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Higher PerformanceReview | Electronics & Music Maker, Sep 1986Yamaha MCS2 Control StationMissing performance wheels on your MIDI instrument? Yamaha's MIDI Control Station could solve your expression problems, as Simon Trask reveals. |
Making the Most of... - Part 13Feature Series | Topic: Tape, Vinyl, CD, DAT | Home & Studio Recording, May 1986Your Razor BladeSteve Howell covers the basics of good splicing practice in preparation for next month's article on creative remixing. |
It's all done by Planning - Part 2Feature Series | Topic: Home Studio, Recording | Home & Studio Recording, Aug 1985Once again our Cardiff correspondent gives us the benefit of his experience by describing how he put together an efficient and cost effective home studio for the recording of electronic music. |
Anatomy Of A Studio - Part 2Feature Series | Topic: Home Studio, Recording Studios, Sound Fundamentals | Home & Studio Recording, Aug 1984Studio WiringStudio Wiring - how to interconnect all that equipment you've been buying. |
Cut and SpliceFeature | Topic: Tape, Vinyl, CD, DAT | Making Music, Jun 1987EditingPresenting the cut and splice of real editing — that's the business with razor blades, tape and good idea |
The Final CutReview | Sound On Sound, Jul 1989Entry-Level Sequencing For The STPaul Ireson takes a look at The Final Cut, a budget sequencing program for the Atari ST that offers the beginner more than the average entry-level program. |
The SystemFeature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Sep 1985Featuring Alejandro Vinao and Richard Attree |
Machines £1500 to £2500Group: Drum Machine Supplement |
TrackstarReview | Electronics & Music Maker, Oct 1986Software for Commodore 64Ian Waugh examines a new starter sequencer package designed to lure Commodore 64 users into the MIDI software habit. Is it friendly enough? |
Industry ProfileFeature | Topic: Recording Studios | Electronics & Music Maker, Nov 1982Mobile OneA spotlight on Europe's largest mobile studio and its home base in London. |
Drum Recording TechniquesFeature | Topic: Recording | International Musician & Recording World, Mar 1975 |
Korg KMS30Review | Electronics & Music Maker, Feb 1985MIDI SynchroniserAnd on a less spectacular scale, Korg introduce a synchroniser that won't break the bank, though it'll still crack a lot of problems, as Trish McGrath finds out. |
Acorn Atom Synthesiser ProgramReview | Electronics & Music Maker, May 1982 |
Why Don't They Make...Feature | Making Music, Jan 1987 |
XR300 SMPTE SynchroniserReview | Sound On Sound, Sep 1988XRI SystemsThis low-cost unit from XRI brings the power of true timecode synchronisation to the masses. Paul Ireson checks it out. |
EditorialEditorial | Home & Studio Recording, Sep 1983 |
MixMasteryFeature | Topic: Mixing | Phaze 1, May 1989a novice engineer's guide to what all the knobs and switches on a mixing-desk do |
Time ExposureFeature | Topic: MIDI, Syncronisation | Music Technology, Jun 1989Quietly but surely, synchronisation codes have become an essential part of MIDI recording, but what's all this SMPTE and FSK stuff really about? Chris Many looks at the different sync codes and why we need them. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Nov 1983Chris Baylis - another reader reveals the darkest secrets of his home studio set-up. |
Perfect TimingGroup: Roland Newslink — Frankfurt Report |
Digital Aids The Video StarsFeature | Topic: Digital Audio | Electronics & Music Maker, Sep 1982Do you know why top recording artists like Toyah and Haircut 100 are going digital? Our article explains why. |
Tascam V-700 Cassette DeckGroup: Recording WorldStudio TestJim Betteridge takes on the Tascam V-700 cassette deck and comes out impressed |
Adrift On An MTCFeature | Topic: MIDI, Syncronisation | Music Technology, Mar 1990MIDI Time CodeMIDI Time Code, an overdue MIDI sync standard or a missed opportunity for musicians and manufacturers alike? Vic Lennard finds out what time it is. |