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Sound AdviceFeedback | Sound On Sound, Feb 1988Our regular column devoted to readers' hints and tips about their recording equipment, instruments, software and playing techniques. |
Choosing and Using: PortastudiosFeature | Topic: Buyer's Guide, Recording | Phaze 1, Aug 1989portastudios - get side tracked with a four-track |
How It Works: The Cassette - Part 9Feature Series | Topic: Recording, Tape, Vinyl, CD, DAT | Sound On Sound, Jun 1988Do you live in peace with your cassette recorder? Or is your life full of mangled tape misery and longings for lost high frequencies? Confirmed reel-to-reelie David Mellor explains the problems that bedevil the cassette format, and offers some advice to make the medium work for you rather than against you. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Feb 1985Reader Mark Lowman tells of his X-15 exploits. |
Clarion XA5600A Cassette DeckReview | Home & Studio Recording, Feb 1984 |
Fostex 454 MixerReview | Sound On Sound, Aug 1990Fostex’s new 454 mixer is aimed fairly and squarely at the recording user, with features that make it an ideal companion to most 4 or 8-track recorders. Paul Ireson explains why. |
...I Nearly Joined The Foreign Legion! - Part 1Interview Series | Topic: Recording Studios | Sound On Sound, Nov 1985Engineer Dave Meegan recalls how depression helped land him a plum position at Trevor Horn's Sarm West Studios. Chris Allison listened with great interest. |
On VideoFeature | Topic: Video / Film / Picture | International Musician & Recording World, Jul 1985Hi-Fi VideoAn overview of a new generation of band-friendly hi fi video |
Getting into Video - Part 1Feature Series | Topic: Home Studio, Syncronisation, Video / Film / Picture | Sound On Sound, Sep 1989Is video a mystery to you? Would you like to dip a toe into its murky waters, or are you worried about getting out of your depth too quickly? In this new series David Mellor explains the essentials of synchronising audio to video, and finds out what it is like to upgrade a home studio to audio post-production standard. |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Music Technology, May 1989A review of the Desert Island sample collection for the Mirage joins readers' own patches for the Roland D110, Ensoniq ESQ1 and Casio CZ5000 in this month's action-packed edition of Patchwork. |
Making It With MultitrackGroup: Sound Reports & Views |
The Electronic Music Studio of the University of Massachusetts at AmherstFeature | Topic: Education, Recording Studios | Electronics & Music Maker, Jun 1983The University of Massachusetts electronic music studio |
Dolby S ExplainedFeature | Topic: Recording, Tape, Vinyl, CD, DAT | Recording Musician, Aug 1992Dave Lockwood explains how Dolby S noise reduction increases the potential of analogue tape recorders. |
BuzzNews | International Musician & Recording World, Apr 1985Who is Uli Jon Roth? How can you learn to read bass music? What does Chas de Whalley look like? |
Home Recording - Part 3Feature Series | Topic: Home Studio, Recording | Music UK, Aug 1982Reel To Reel - Your First Move?More hints for your demos |
WymanpowerGroup: The Front End |
Creative Vocal SamplingFeature | Topic: Sampling | Sound On Sound, May 1988Using Samplers for VocalsWith a creative mind and a decent digital sampler you can work wonders for your music. Brian Howarth provides a sampling strategy for constructing and manipulating vocal arrangements. |
Sounding OffOpinion | Sound On Sound, Oct 1989Whatever happened to MTC?'Whatever happened to MIDI Timecode?' asks Chris Smith of XRI Systems. |
How To 12inFeature | Topic: Arranging / Songwriting, Mixing | One Two Testing, Jun 1985extended mixing on your Portastudio |
Demo DoctorFeature | Recording Musician, Jul 1992Our regular readers' demo page is packed with invaluable tips on how to record the perfect demo. |