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Search results
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 Tascam Porta 03 MinistudioReview | Music Technology, Jul 1991Cassette MultitrackIt is said that small is beautiful - and Tascam's new personal multitrack machine is certainly small. Nik Newark dubs his demos and road tests Tascam's latest four-track cassette machine. |
 Fostex R8 - The 8-Track Take-AwayReview | Sound On Sound, Jan 1989In these space-conscious times, Fostex have developed a diminutive new 8-track tape recorder you can store out of sight and control fully from its detachable front panel remote control/autolocator. David Mellor takes it for a spin... |
 Electronic Music NotationFeature | Topic: Composing / Art, Music Theory, Performing | Polyphony, Sep/Oct 1978 |
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 Keyed Noise GateFeature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Dec 1983Auto or externally triggered |
 Barcus-Berry 402 Sonic MaximizerReview | Music Technology, Mar 1987Geoff Levin tries the latest word in psychoacoustic enhancement, and finds it involves analysing the entire frequency spectrum, then time-aligning parts of it. What do the results sound like in the studio? |
 Cheetah MD8 Digital Drum MachineReview | Sound On Sound, Apr 1988With features like stereo, mono and separate outputs for external processing, real-time and step-time programming, MIDI compatibility, and interchangeable drum sounds, the budget-priced MD8 should theoretically cost a lot more than it does. Tony Wride sees if it lives up to expectations. |
 Marantz Professional PMD740 MultitrackerReview | Music Technology, Jun 1993The cassette 4-track is still the focal point of the home studio, and Marantz have produced a serious challenger to the familiar Portastudio. How does it measure up? How will musicians’ take to it? How does Nicholas Rowland do it? |
 Production Lines - Andy LonghurstOpinion | Recording Musician, Mar 1993Andy Longhurst broaches the issue of equipment compatibility. |
 MXR CompanderReview | Sound International, Sep 1978Mel Lambert on the MXR Compander, including a general roundup of noise reduction techniques. |
 It ain't heavy...Group: In SessionA guitarist who's at home with hard-disk recording |
 Lab Notes: Blessed are the SequeFeature | Topic: Computing, Sequencing | Polyphony, Nov/Dec 1978 |
 Submitting Demo Tapes to Radio StationsFeature | Topic: Marketing / Promotion | Home & Studio Recording, May 1984A thorough study of the 'do's' and 'don'ts'. |
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 Future History FS1 and FST Turbo switchesReview | Music Technology, Mar 1993An interesting diversion - or two |
 Seymour Duncan SA2 Acoustic Pickup SystemReview | Recording Musician, Jan 1993 |
 Simmons TMIReview | International Musician & Recording World, Aug 1986DrumCheckYet more MIDI manipulation, as Bob Henrit explores this trigger to MIDI converter |
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 Cheetah Sound SamplerReview | Music Technology, Jan 1987Add-ons for small computers are getting more and more professional in their facilities, their quality and their presentation, as Chris Jenkins discovers. |
 Hands On: Tascam & Fostex 24-TracksFeature | Topic: Recording | Sound On Sound, Jan 1993Fostex G24S & Tascam MSR24S Multitracks |
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 MTR Dual Noise GateGroup: Recording WorldStudio TestIt's cheap, it's fast, it's sensitive — it's Jim Betteridge |
 The Next StepReview | Home & Studio Recording, Dec 1986MTR 6:4:2A budget 6:4:2 mixer that is neither short on features nor costs the earth. |
 Music In The Video AgeFeature | Topic: Video / Film / Picture | Electronic Soundmaker & Computer Music, Dec 1983Video for the musician |
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