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TX7 - To The LimitFeature | Topic: Synthesis & Sound Design | Sound On Sound, Jun 1986Ray Elder details a way of creating new programs of your own on Yamaha's TX7 expander without having to use a DX7. All you need is a Spectrum computer, some DX7 voice editing software and the free advice contained within this article! |
Soundcraft Series 200 8-4-2 MixerReview | Home & Studio Recording, Feb 1984 |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Jul 1985Richard Niles searching for the source of his inspiration. |
Revox A77Feature | Home & Studio Recording, Apr 1985The Old WorkhorseWe take a close look at this studio stalwart in all its various forms and point out what to look for when buying one second hand. |
PA ColumnFeature | Topic: Live | International Musician & Recording World, Mar 1985Jim Betteridge wades through the swirling, ethereal ambience that is the Cocteau Twins' music |
The Shape Of Things To ComeNews | Sound On Sound, Jan 1986Another chance to do some crystal gazing at product development in the music/recording/visual fields. |
Destiny Modular Mixer - Part 3Feature Series | Topic: Electronics / Build | Home & Studio Recording, Feb 1984Power Supply And CasingThe concluding part of this modular mixer kit. |
Getting into Video - Part 3Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Nov 1989PART 3; David Mellor looks at how the requirements of different types of music for TV and film can dictate the sophistication of your synchronising capabilities, and at how machine synchronisation works in practice. |
Six AppealReview | Recording Musician, Mar 1993Vestax MR66 6-Track Recorder and RMC88 Studio MixerPut these two together and you have a flexible recording and mixing system. |
Educating PeterInterview | Electronic Soundmaker & Computer Music, Sep 1985Hammill’s unique style is examined in print and on tape |
Roland MC500 MicroComposerReview | Sound On Sound, Aug 1986This long-awaited successor to Roland's evergreen MSQ700 sequencer offers increased song and note capacity, 'microscopic' editing of every single MIDI command and stores both music and rhythm tracks to 3.5 inch disks. Mark Jenkins fills in the details. |
Soundcraft 200B Mixing ConsoleGroup: Recording WorldStudio TestJim Betteridge enthuses, or could it really be John Bull |
The Shape of Things to ComeNews | Sound On Sound, Oct 1987Your chance to find out what new goodies will be appearing in your local music store over the coming months. |
So You Want To Buy A Cassette MultitrackerFeature | Topic: Buyer's Guide | Electronics & Music Maker, Mar 1986Cassette Multitracking GuideA complete idiot's guide to buying a four-track cassette recorder, with hints on what features to look for, and a rundown of some of the most popular machines. |
Home TapingGroup: Recording WorldRichard Walmsley goes to Basingstoke to find two Fostex fans |
An Old ProReview | Sound On Sound, Feb 1991Steinberg Pro24 AmigaSteinberg's Pro24 amiga sequencer is the latest arrival in the rather sparse field of Amiga music software. Paul Overaa looks at a new incarnation of an old favourite. |
Industry ProfileFeature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Dec 1982Allen & Heath Brenell |
Return To Zero - Part 1Feature Series | Topic: Recording | Home & Studio Recording, Feb 1985A major new series, beginning this month, that helps readers take their first steps into the world of recording. First off is a comprehensive glossary of recording terms. |
Oh My Darling 49Review | Electronic Soundmaker & Computer Music, Mar 1985Will there be a rush to purchase Siel's new CMK 49 computer gizmo? We pass judgement. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Sep 1989Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
Documenting RealityInterview | Music Technology, Jan 1989Contemporary American composer Steve Reich talks about train journeys, music video theatre, and the ethics and aesthetics of sampling. Simon Trask goes along for the ride. |