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Compression Session - Part 1Feature Series | Topic: Effects Processing | Making Music, Sep 1986What it cn d fr th horn recordist (note clever typing trick). |
Music In Our SchoolsFeature | Topic: Education | Recording Musician, Nov 1992Studio NecessitiesLeads, connectors, tapes and floppy disks might seem pretty mundane, but even the most modest studio is stuck without them. |
Great Audio Concepts - Part 1Feature Series | Topic: Sound Fundamentals | Sound On Sound, Dec 1987The first of a two-part explanation of essential audio facts you really should know if you want to convince people you know what you are talking about when it comes to sound and music! David Mellor is your guide. |
Sound BitesFeedback | Recording Musician, Jan 1993Handy Recording Tips & TechniquesA useful selection of technical information and tricks of the trade — a masterclass in miniature! |
One Over The Eight?Review | Electronic Soundmaker & Computer Music, Sep 1985Tascam 388A ‘portable’ 8 track recorder/mixer |
21 TodayReview | Electronic Soundmaker & Computer Music, Sep 1985Yamaha DX21 synthesiserThe latest in the DX synth series |
Doing A Video - Part 1Feature Series | Topic: Video / Film / Picture | One Two Testing, Apr 1984Cheap ways of getting your band on the box. |
Roland SBX-10 Sync Box/ConverterGroup: Recording WorldStudio TestCurtis Schwartz meets The Master Controller and lives to tell the tale |
Tantek Master MatrixReview | Sound On Sound, Aug 1987It may sound like something out of a Dr Who plot but this British electronic patchbay system attracted enormous interest from pro studio users at this year's APRS show. David Mellor got hold of a Matrix to find out just what all the fuss is about. |
Tascam 246 PortastudioGroup: Recording WorldStudiotestA dream or a mere luxury? |
A Bit Better?Review | Sound On Sound, Oct 1990Aiwa HD-S1 Portable DAT RecorderAs the prospect of DAT technology appearing in the high street approaches, Paul Ireson looks at Aiwa's new portable recorder. |
Doing the Video - Part 4Feature Series | Topic: Video / Film / Picture | Home & Studio Recording, Oct 1986Alan Hoida looks into the postproduction stage of making a pop video. |
Behind the ScenesFeature | Topic: Maintenance / Repair / Modification, Recording Studios | Home & Studio Recording, May 1987Although the title 'maintenance engineer' does not have the glamour of 'producer', it is an essential job. Paul Ward tells us why. |
One Two TightenedFeature | One Two Testing, Apr 1984Short snaps plus manufacturers and distributers. |
PatchworkFeature | Topic: Synthesizer Patches | Music Technology, Jan 1988More original patches plucked from the banks of readers' synths. This month the Ensoniq ESQ1 and Yamaha DX7 get the Patchwork treatment. |
Making the Most of... - Part 5Feature Series | Topic: Recording | Home & Studio Recording, Sep 1985Drum Machines and Electronic PercussionMartin Sheehan looks at recording drum machines and electronic percussion |
Production Lines - Muff WinwoodOpinion | Recording Musician, Sep 1992Guest producer Muff Winwood holds what are sure to be controversial opinions on artistes' responsibilities and expectations. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Sep 1983 |
Fostex 260Group: Recording WorldStudio TestThe long-awaited successor to the 250 is welcomed by Jim Betteridge |
Mastering For DuplicationFeature | Topic: Mastering | Recording Musician, Feb 1993Mike Skeet reveals everything you need to know to get your final master tape ready for mass duplication. |
Denon DR-M33 Cassette DeckReview | Home & Studio Recording, Dec 1985Ben Duncan looks at this cassette recorder to see if it can cope with life in the studio. |
EditorialEditorial | Home & Studio Recording, Jul 1984 |
Inside Views: Ray DolbyInterview | Sound On Sound, Jul 1987The world's best known engineerRay Dolby's name appears on almost every recording device imaginable, yet few people outside the industry know much about this most famous engineer. In a rare interview he talks to David Mellor and explains the evolution of Dolby noise reduction. |