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Fostex X18

Review | Music Technology, May 1992
Cassette Multitracker

If you're looking for a cost-effective way to add multitrack tape recording to your sequencing setup, it couldn't come much more cheaply than with Fostex' X18. Simon Trask goes back to basics with this new cassette multitrack.

C-Ducer Saxman & Sax System

Review | Music UK, Dec 1983

Chris Davis, Our Sax Maniac Reports

Cover Publications Pullout

Feature | Topic: Advertisement Feature | International Musician & Recording World, Mar 1985
Stability, Care and Attention 1975-1985

Tascam Porta One Ministudio

Review | Home & Studio Recording, Dec 1984

The Affordable World of Computer Music

Feature | Topic: Computing | International Musician & Recording World, Feb 1986
The Musical Micro

More packages picked apart by Tony Mills

Anatomy Of A Studio - Part 1

Feature Series | Topic: Sound Fundamentals | Home & Studio Recording, Jun 1984
The Mixer

A brand new series that delves into the intricacies of studio equipment. Part 1: The Mixer.

Music In Education

Feature | Topic: Education, MIDI | Recording Musician, May 1993
More About MIDI

Our education correspondent gives a simple yet comprehensive guide to how MIDI can help in any studio.

Music Maker Equipment Scene

News | Electronics & Music Maker, Oct 1982

The Expander

Feature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Mar 1985

Mark Jenkins' system

The Porta Two has Landed

Review | Sound On Sound, Dec 1986
Tascam Porta Two

Gareth Stuart has been bouncing, syncing and generally laying down tracks with Tascam's new mid-priced 4-track Ministudio. Find out what he thought of it.

Musical Micro Survey

Feature | Topic: Buyer's Guide, Computing | Electronic Soundmaker & Computer Music, Mar 1984

Concise guide

Technically Acute

Review | Home & Studio Recording, Oct 1986
Cutec Multirecorder

A very basic 4-track cassette multitracker for those who place sound quality above gadgets and frills.

Home Studio Recordist

Feature | Topic: Home Studio | Home & Studio Recording, Sep 1984

Mike Drane informs us of his clandestine bedroom activities!

Sounding Off

Opinion | Sound On Sound, Jun 1991
Confessions Of A Home Recordist

Confessions of a home recordist. Stephen Bennett on the delights and dangers of bedroom recording.

Amdek DMK-200 Delay Machine Kit

Feature | Topic: Electronics / Build | Electronics & Music Maker, Mar 1984

Craig Pruess - Cliff Richard's producer.

Interview | Home & Studio Recording, Dec 1983

Mixing Desk

Cutec Graphic & Vesta Comp/Limiter

Review | In Tune, Jun 1985

Soundcraft Spirit Studio

Review | Music Technology, Jun 1991
Mixing Desk

As more mixer manufacturers turn their attention to the home and pre-production studios, the cost-effective quality mixer becomes a reality. Tim Goodyer discovers that there's even room for luxury.

A Full Nelson

Interview | Electronic Soundmaker & Computer Music, Apr 1985

Bill Nelson's been out of the public eye recently, touring America and refurbishing his studio. Now he's back and talking to us.

Recording Techniques - Part 6

Feature Series | Topic: Mixing, Recording | Sound On Sound, May 1990
The Mixing Console (2)

Part 6: The mixing console. David Mellor continues his close examination of the recording studio's most complex and expensive piece of equipment.

Sound Advice

Feedback | Sound On Sound, Jan 1988

Our regular column devoted to readers' hints and tips about their recording equipment, instruments, software and playing techniques.

ACES 12-4-2 Mixer

Review | Home & Studio Recording, Apr 1984

Overtones

Group: One Two Tactics

Feature | Topic: Live, Music Business | One Two Testing, Dec 1985
Gig Tactics

musicians' union chief interviewed

From Demo to Vinyl - Part 1

Feature Series | Topic: Music Business | Home & Studio Recording, Aug 1986

Mark Fishlock investigates the industry's point of view when it comes to evaluating demos.

...but is it professional?

Review | Sound On Sound, Feb 1991
Sony DTC55ES DAT Recorder

Sony's DTC55ES is their contribution to the first wave of domestic DAT recorders. Richard Aaron looks at what it can offer in a recording context.

 

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