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Working with VideoFeature | Topic: Video / Film / Picture | Electronics & Music Maker, May 1981 |
Hands On: Tascam & Fostex 24-TracksFeature | Topic: Recording | Sound On Sound, Jan 1993Fostex G24S & Tascam MSR24S Multitracks |
The Shape Of Things To ComeNews | Sound On Sound, Jan 1986Another chance to do some crystal gazing at product development in the music/recording/visual fields. |
When Is SyncFeature | Topic: Syncronisation | One Two Testing, Aug 1985the science of synchronisation explained |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jul 1986Take It From The TopTony Mills with more up and downmarket software |
Return To Zero - Part 2Feature Series | Topic: Recording | Home & Studio Recording, Mar 1985Following on from last month's glossary of terms, we begin our run through the complicated business that is recording, with a back-to-basics approach to setting record levels. |
The ExpanderFeature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Mar 1985Mark Jenkins' system |
Black To The FutureReview | Home & Studio Recording, Nov 1986Fostex 160 MultitrackerWhat can I say... it's black, it lights up... they've done it again — another winner. |
When Things Go WrongFeature | Topic: Design, Development & Manufacture, Maintenance / Repair / Modification | Sound On Sound, Nov 1991Day-to-day use takes its toll on recording equipment, so proper maintenance and servicing is essential to get the best from your studio toys. David Mellor takes a look behind the scenes of Fostex's service department. |
Time To Get In-SyncReview | Sound On Sound, May 1986Fostex Synchroniser & Sync ControllerHaving familiarised you hopefully with the jargon and workings of synchronisers through his 'Using Timecodes' series, Francis Rumsey now turns his critical eye to the most affordable synchroniser/controller set-up available: the Model 4030/4035 from Fostex. |
Anatomy Of A Studio - Part 3Feature Series | Topic: Home Studio | Home & Studio Recording, Oct 1984Studio ErgonomicsPart three deals with Studio Ergonomics; namely, where best to position equipment in your studio. |
A New MasterFeature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jul 1990With Digital Audio Tape becoming widely used for mastering, it's important to know how it differs from its quarter-inch predecessor and how it can benefit you. Vic Lennard acknowledges his new master. |
How to Choose A StudioFeature | Topic: Recording Studios | Home & Studio Recording, Aug 1984Advice on what to look for in a commercial studio when considering your first recording venture. |
Stronger Than The RestFeature | Topic: Recording Studios | Music Technology, Sep 1987Strongroom StudioHidden in the centre of London is a recording studio with MIDI very much in its heart. Dan Goldstein talks to its directors about technology, producers and prejudice. |
Mixer MinimalismFeature | Topic: Recording | Recording Musician, Aug 1992A little lateral thinking from Paul White reveals new and better ways of getting signals to and from tape. |
WelcomeEditorial | Sound On Sound, Oct 1986 |
That Syncing Feeling - Part 3Feature Series | Topic: MIDI, Syncronisation | Micro Music, Oct/Nov 1989Chris Smith enlightens us on the subject of locking music to video |
Home RecordingFeature | Topic: Buyer's Guide, Recording | Music UK, Nov 1983The Four Track Future - Where To Start With Cassette-Based RecordingFour-track Fandango - Gary Cooper looks at all today's choices for cassette multitracking |
APRS '83 Exhibition ReportShow Report | Electronics & Music Maker, Aug 1983UK's annual studio products event |
Music Maker Equipment SceneNews | Electronics & Music Maker, Aug 1981 |
Ray Staff - Cutting EngineerFeature | Topic: Recording Studios, Tape, Vinyl, CD, DAT | Home & Studio Recording, Apr 1984Ray Staff - Disc Cutting Engineer at Trident Studios. |
That Syncing Feeling - Part 2Feature Series | Topic: Syncronisation | Micro Music, Aug/Sep 1989Chris Smith continues his series on synchronisation |