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Roland MT32 Update & EditorsReview | Sound On Sound, Jul 1988If you own an MT32 then you really should be using a computer-based voice editing program to make the most of its facilities. Martin Russ compares three possible contenders for your money from Tigress Designs, Dr T and Steinberg. |
How to Store your SPX90 EffectsFeature | Topic: Effects Processing, MIDI | Sound On Sound, Oct 1988Using System Exclusive Bulk DumpsHave you ever wished you could save your SPX90 effects programs to disk or into your MIDI sequencer for instant recall at the right point in your music? Using the power of MIDI’s System Exclusive Bulk Dump commands, Mike Collins explains how it can be done. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Feb 1990Hints, Tips & News From The World Of Music SoftwareTwo jam-packed pages of hints and tips from the world of music software. |
A Clean SlateInterview | International Musician & Recording World, Apr 1986Erasure head man Vince Clarke and his new band face the horror of a Tony Reed interview |
Pearl EffectorsReview | Electronics & Music Maker, Sep 1982 |
Micro Maestro?Group: Control RoomEmagic MicroLogicBig-but-budget PC sequencer |
Small Object Of DesireReview | Recording Musician, Sep 1992Mackie Designs 1202 MixerThis compact, inexpensive mixer boasts an impressive audio specification and offers a host of applications. |
News & ProductsGroup: Access All Areas |
Boss GT-5 Guitar Effects ProcessorReview | Sound On Stage, Dec 1996 |
Klone Dual Percussion SynthesiserReview | Electronics & Music Maker, Apr 1984A simple, twin-pad drum-synth - from the Klone Kit people - put under the E&MM microscope by Geoff Twigg. |
Quick, Quick, SlowFeature | Topic: MIDI | Music Technology, Jun 1987Much has been said on the subject of MIDI delays, but so far the truth has been difficult to uncover beneath a flurry of rumour and debate. Chris Meyer gives us the lowdown. |
ACES 27 Band Graphic EqualiserReview | Home & Studio Recording, May 1984 |
Cheetah MD8 Digital Drum MachineReview | Sound On Sound, Apr 1988With features like stereo, mono and separate outputs for external processing, real-time and step-time programming, MIDI compatibility, and interchangeable drum sounds, the budget-priced MD8 should theoretically cost a lot more than it does. Tony Wride sees if it lives up to expectations. |
Three Sax PlayersGroup: Three Sax Players |
Ensoniq EPSmReview | Sound On Sound, Jun 1989Rack-Mount Sampler/SequencerA rack-mount version of the EPS was something Ensoniq swore they would never produce, but they have finally bowed to public pressure. Paul Wiffen looks at the extra memory, extra outputs and SCSI applications, and concludes it has been worth the wait. |
FX FactsGroup: Roland Newslink - Spring 86Adrian Legge on pedal power |
Creating ChaosInterview | Music Technology, Oct 1987Currently enjoying the success of U2's 'The Joshua Tree' album, this French-Canadian producer talks to Paul Tingen about his hand in this, Peter Gabriel's 'So' and other projects. |
Fender Squier '57 Strat, '62 Strat, '52 TeleGroup: Guitar Special |
Interior DesignsReview | Sound On Sound, Nov 1987Yamaha REV5 ReverbIs there room at the top for yet another digital reverb unit? Mark Badger thinks so — provided it's 16-bit, has a 20kHz effect bandwidth, analogue and digital parametric EQ, can stack two reverb effects and goes by the name of REV5! |
Studiomaster Star SystemGroup: Quality Control8:4:2 mixerThe ergonomics of the small mixer redefined |
Sub Woofers - Part 2Feature Series | Home & Studio Recording, Jan 1985Control RoomA last look at how to extend the low bass response of your studio monitors. |