- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 351 - 375 of 573 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Index To ArticlesIndex | Home & Studio Recording, Feb 1985September 1983 - January 1985All articles ever featured in HSR from September 83 to January 85 listed for your delectation. |
Making the Most of 'M'Feature | Topic: Algorythmic Composition | Sound On Sound, Nov 1988Martin Russ describes some ways to use Intelligent Music's 'M' program as an effective aid to structured composition. |
Classical Style - Part 1Feature Series | Topic: Music Business, Performing | Making Music, Feb 1987Rock musicians have it tough, eh? But how hard is the life of a classical player? |
In Clarke's ShoesInterview | Music Technology, Aug 1992Unbitten by the digital bug, Vince Clarke only drives analogue. |
Steinberg Pro24 Version IIIReview | Sound On Sound, Aug 1988Steinberg's Pro24 sequencer for the Atari ST has been around for over two years now, and has firmly established itself as the 'industry standard' ST sequencer against which all others are judged. Just when it looked like being overshadowed by some of its competitors, Steinberg released Version 3.0 of the program complete with some significant new features and enhancements. Pro24 owner David Hughes deliberates over the upgrade. |
Tape ManipulationFeature | Topic: Tape, Vinyl, CD, DAT | Sound On Sound, Sep 1989David Mellor unlocks the creative power of the reel-to-reel tape recorder. |
Total Recall - Part 13Feature Series | Topic: Vintage Instruments | The Mix, Sep 1994including The A-to-Z of Analogue |
On The RecordGroup: On The RecordWhat A&R Managers want from your demoFor many musicians, their first stab at getting their music heard is sending a demo to a record company or producer. But what do the people who listen to demos every day want from your tape? Sue Sillitoe finds out. |
Pumping IronGroup: Control RoomPeavey XRD680S/Hi-Sys 1Powerful, portable PA system |
Music XReview | Sound On Sound, Oct 1989The most talked about Amiga software ever is finally in the shops. Was Microillusion's program worth the wait? Phil South waxes lyrical about the first professional integrated music sequencing and editing program to take full advantage of the Commodore Amiga's powerful multitasking features. |
Lab Notes: Seque and Ye Shall FindFeature | Topic: Computing, Sequencing | Polyphony, Sep/Oct 1978Digital Sequencing Software |
As Seen On TVFeature | Topic: Video / Film / Picture | International Musician & Recording World, Jun 1986Want to get on in the music biz? Then you'll have to get on TV. Mike Hrano shows you how |
TDM VirtuosoReview | Music Technology, Oct 1989From a new British company comes a new Atari ST software sequencer that looks set to rival Notator and Cubase for power and versatility. The virtuous Nigel Lord boots it up. |
Alesis QuadraverbReview | Home & Studio Recording, Mar 1989The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects. |
Custom 700B Twin Reverb AmpGroup: SoundCheck |
Roland GM70Review | Music Technology, Apr 1987Guitar-to-MIDI ConverterPaul White, who's owned almost every Roland guitar synth built, puts the new GK1 synth driver and GM70 "brain" under test. Is this the first pitch-to-MIDI system that really works? |
Yamaha SGB500, SG300, SC600Group: Guitar Special |
Yamaha TX81Z FM ExpanderReview | Sound On Sound, May 1987This latest four operator FM tone generator takes over where the stop-gap FB01 left off. It may be fully programmable and share some of the new facilities of the DX7 MkII, but is it a winner? Mark Badger finds out. |
Cheap at half the price...Group: Control RoomRichard Allan RA8sSilly-price speakers |
Yamaha GX-1/Korg Micro-PresetReview | Sound International, Sep 1978All creatures great and small: Dave Crombie glides from the huge Yamaha GX-1 to the minute Korg Micro Preset. |