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Roland P-55Group: Quality Controlpiano moduleA piano for every occasion - and a few more besides |
Drumware GenWave/12Review | Music Technology, Jul 1988Software for the Atari STThe first generation of generic sample editors for the Atari ST is led by Drumware's GenWave. Lorenz Rychner breaks the language barrier. |
The place for bass?Group: Control RoomNovation Bass StationAnalogue bass synth |
Passport Master Tracks Pro 4Review | Sound On Sound, Oct 1992Sequencer For WindowsPassport's proven Master Tracks Pro sequencer now runs under Windows on the PC. Brian Heywood puts the latest version through its paces. |
The Future of Keyboard TechnologyFeature | Topic: Design, Development & Manufacture, Synthesis & Sound Design | Sound On Sound, Apr 1990A Round-Table Discussion With Major Japanese Instrument ManufacturersThe idea of putting a group of rival Japanese manufacturers together in a room to openly discuss their future directions may seem more akin to an explosive science experiment than a realistic idea. Gregory D. Moore reports on the outcome. |
MIDIBASSReview | Micro Music, Apr/May 1989Jez Ford grabs this expander from 360 Systems by the MIDI lead and puts it to the test |
We Can't Go On... - Part 7Feature Series | Topic: Drum Programming | Music Technology, Oct 1987...Beating Like This...Beating Like This forever, and so Matt Isaacson's examination of "drum bugs" (and other nasties) and their applications for triggering electronic drum brains brings this series to a close. |
Seck Model 1882 MixerReview | Home & Studio Recording, Mar 1985 |
Yamaha P2150 Power AmpReview | Home & Studio Recording, Aug 1986Ben Duncan dons his oil filled gumboots and stands on a pile of dry newspaper to give us an in depth report on this popular power amplifier. |
Ensoniq KS-32 MIDI StudioReview | Music Technology, May 1993It's called a studio; it could be called a workstation; but actually it's a serious keyboard. Nicholas Rowland identifies a product with several possible identities and several possible markets. Have Ensoniq weighted in vain? |
Black MagicReview | Sound On Sound, Feb 1986Fostex Model 80 Tape RecorderA second generation 8-track from Fostex that offers autolocate and timecode control to the budget studio. Paul Gilby opens the box to discover the secrets of the black magic. |
W.A.P.Feature | Topic: Education | Music UK, Nov 1983The tuition course that breaks the barriersWAP Spells Tuition — Lorna Read Investigates Music Course |
ToolboxNews | The Mix, Jun 1995Sounds, samples, & software upgrades for the modern studioSoftware, sounds and samples |
UMI-2BReview | Sound On Sound, Nov 1985A Soft TouchJay Chapman discovers why this 16 track MIDI sequencer package for the BBC B micro, described as the musical equivalent of the humble word processor, is receiving so much acclaim from studio users. |
ToolboxNews Audio | The Mix, Dec 1994Sounds, samples, & software upgrades for the modern studioDisks, gadgets, samples and bits for the computing musician |
Making The Most Of Your Mirage - Part 3Feature Series | Sound On Sound, Dec 1986Tony Hastings brings you his third instalment of Mirage hints and tips which begins to unravel the confusion that surrounds the use of the MASOS functions - including 'ramp scaling'. |
SoundscapeReview | Sound On Sound, Sep 1993Hard Disk Recording System For The PCWhy is there such a fuss about this British-made multitrack hard disk recorder? Read our review to find out... |
Roland Super Cubes & JC-77Review | International Musician & Recording World, Apr 1985AmpcheckCostly but classy. Review by Paul Bacon |
Star WiresFeature | Topic: Maintenance / Repair / Modification | Sound On Sound, Feb 1992The Wires and Wherefores of Connecting up Your StudioIf you're spending hundreds or even thousands of pounds on studio equipment, you might as well spend a little time to ensure that it's actually connected up properly. Wilf Smarties explains how to avoid hums, buzzes, earth loops, and all those other nasty shocks... |
Roland TR626Review | Sound On Sound, Nov 1987Rhythm ComposerThe TR505 was a runaway success at the budget end of the market, but it lacked one important ingredient - separate voice outputs. The TR626 rectifies the matter whilst offering even more features - 30 PCM drum/percussion sounds, 8-note polyphony, sync-to-tape, and MIDI control of nearly all its parameters. Mark Badger investigates. |
Liquid engineeringGroup: Control RoomPromoco TB1S monitorsTransmission line technology |