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Roland P-55

Group: Quality Control

Review | Music Technology, Jan 1994
piano module

A piano for every occasion - and a few more besides

Power to the elite

Group: Control Room

Review | The Mix, Oct 1994
ART RXR Elite

Programmable reverb

Confessional

Interview | One Two Testing, Jul 1985

how they get that fantastic noise

Drumware GenWave/12

Review | Music Technology, Jul 1988
Software for the Atari ST

The first generation of generic sample editors for the Atari ST is led by Drumware's GenWave. Lorenz Rychner breaks the language barrier.

The place for bass?

Group: Control Room

Review Audio | The Mix, Sep 1994
Novation Bass Station

Analogue bass synth

Passport Master Tracks Pro 4

Review | Sound On Sound, Oct 1992
Sequencer For Windows

Passport's proven Master Tracks Pro sequencer now runs under Windows on the PC. Brian Heywood puts the latest version through its paces.

Sound Quest MIDI Quest

Review | Sound On Sound, Jan 1993
Universal Editor/Librarian Software

The Future of Keyboard Technology

Feature | Topic: Design, Development & Manufacture, Synthesis & Sound Design | Sound On Sound, Apr 1990
A Round-Table Discussion With Major Japanese Instrument Manufacturers

The idea of putting a group of rival Japanese manufacturers together in a room to openly discuss their future directions may seem more akin to an explosive science experiment than a realistic idea. Gregory D. Moore reports on the outcome.

MIDIBASS

Review | Micro Music, Apr/May 1989

Jez Ford grabs this expander from 360 Systems by the MIDI lead and puts it to the test

We Can't Go On... - Part 7

Feature Series | Topic: Drum Programming | Music Technology, Oct 1987
...Beating Like This

...Beating Like This forever, and so Matt Isaacson's examination of "drum bugs" (and other nasties) and their applications for triggering electronic drum brains brings this series to a close.

Seck Model 1882 Mixer

Review | Home & Studio Recording, Mar 1985

Yamaha P2150 Power Amp

Review | Home & Studio Recording, Aug 1986

Ben Duncan dons his oil filled gumboots and stands on a pile of dry newspaper to give us an in depth report on this popular power amplifier.

Ensoniq KS-32 MIDI Studio

Review | Music Technology, May 1993

It's called a studio; it could be called a workstation; but actually it's a serious keyboard. Nicholas Rowland identifies a product with several possible identities and several possible markets. Have Ensoniq weighted in vain?

Microdeal Replay 16

Review | Music Technology, Dec 1992
Sampler for the Atari ST

Serious ST sampling?

Black Magic

Review | Sound On Sound, Feb 1986
Fostex Model 80 Tape Recorder

A second generation 8-track from Fostex that offers autolocate and timecode control to the budget studio. Paul Gilby opens the box to discover the secrets of the black magic.

W.A.P.

Feature | Topic: Education | Music UK, Nov 1983
The tuition course that breaks the barriers

WAP Spells Tuition — Lorna Read Investigates Music Course

Toolbox

News | The Mix, Jun 1995
Sounds, samples, & software upgrades for the modern studio

Software, sounds and samples

UMI-2B

Review | Sound On Sound, Nov 1985
A Soft Touch

Jay Chapman discovers why this 16 track MIDI sequencer package for the BBC B micro, described as the musical equivalent of the humble word processor, is receiving so much acclaim from studio users.

Toolbox

News Audio | The Mix, Dec 1994
Sounds, samples, & software upgrades for the modern studio

Disks, gadgets, samples and bits for the computing musician

Making The Most Of Your Mirage - Part 3

Feature Series | Sound On Sound, Dec 1986

Tony Hastings brings you his third instalment of Mirage hints and tips which begins to unravel the confusion that surrounds the use of the MASOS functions - including 'ramp scaling'.

Soundscape

Review | Sound On Sound, Sep 1993
Hard Disk Recording System For The PC

Why is there such a fuss about this British-made multitrack hard disk recorder? Read our review to find out...

Roland Super Cubes & JC-77

Review | International Musician & Recording World, Apr 1985
Ampcheck

Costly but classy. Review by Paul Bacon

Star Wires

Feature | Topic: Maintenance / Repair / Modification | Sound On Sound, Feb 1992
The Wires and Wherefores of Connecting up Your Studio

If you're spending hundreds or even thousands of pounds on studio equipment, you might as well spend a little time to ensure that it's actually connected up properly. Wilf Smarties explains how to avoid hums, buzzes, earth loops, and all those other nasty shocks...

Roland TR626

Review | Sound On Sound, Nov 1987
Rhythm Composer

The TR505 was a runaway success at the budget end of the market, but it lacked one important ingredient - separate voice outputs. The TR626 rectifies the matter whilst offering even more features - 30 PCM drum/percussion sounds, 8-note polyphony, sync-to-tape, and MIDI control of nearly all its parameters. Mark Badger investigates.

Liquid engineering

Group: Control Room

Review | The Mix, Dec 1994
Promoco TB1S monitors

Transmission line technology

 

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