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Lab Notes: Pink TunesFeature | Topic: Algorythmic Composition, Composing / Art, Computing | Polyphony, Jul/Aug 1978 |
The Art of UpdatingReview | Sound On Sound, Aug 1990Art Multiverb III & SGE Mach IIArt seem to update their range of multi-effects processors faster than everyone else. Dave Lockwood checks out two of their very latest incarnations. |
Studio Earthing Techniques - Part 1Feature Series | Topic: Electronics / Build, Maintenance / Repair / Modification | Home & Studio Recording, Sep 1984InterconnectStudio 'earthing' techniques. |
Dream machineGroup: Control RoomLexicon PCM 80Studio reverb, sucessor to the PCM 70 |
The Advanced Music SystemReview | Sound On Sound, Jan 1986Software for Commodore 64The addition of a MIDI module allows this software package for the Commodore computer to control external synthesizers amongst other things. Ian Waugh reports. |
Simmons MTX9Review | Music Technology, Jul 1987Percussion Voice ExpanderNo space left in the rack for another Simmons module? After testing their latest percussion voice unit, Nick Rowland suggests you buy another rack to make room for it. |
DigiTech IPS33 SmartShiftReview | Music Technology, Jul 1989Intelligent Pitch ShifterMost pitch shifters wouldn't know their A minor from their E major, but DigiTech's IPS33 knows a thing or two about playing in key. Simon Trask finds himself in harmony with the Intelligent Pitch Shifter. |
Trackball Round-UpFeature | Music Technology, Dec 1990ATARI/P&G/CONTRIVER/MCS/MARCONI/KRAFT TrackballsWhen you entrust your music to the sophistication of a computer and software, you may find yourself needing something more reliable than a mouse to control it. Vic Lennard has the balls - track balls. |
Making The Most Of... - Part 6Feature Series | Topic: Recording | Home & Studio Recording, Oct 1985Acoustic DrumsSome people look upon the prospect of recording an acoustic drum kit with dread. It needn't be that daunting if you follow a few simple guidelines. |
African Music - Part 1Feature Series | Topic: Home Studio | Sound On Sound, Oct 1987Sound On Sound reader Kofi Busia recently released his own independent LP called 'Oh Africa', funded entirely by himself. To encourage others to follow his example, we asked Kofi to write about his experiences. In this the first of three parts, he presents a frank and revealing account of why the record came about, how he came to grips with using modern technology for African music, and why he chose the equipment he used. |
Korg 01/W FD WorkstationReview | Sound On Sound, Oct 1991For three years the korg M1 has been the leading keyboard workstation, and the product that more than any other has made the company's name as a leading force in hi-tech music. But how do you follow an act like that? David Mellor looks at the M1's successor, the 01/W FD. |
Shredder Goes To FrankfurtShow Report | One Two Testing, Apr 1985unbeatable coverage of all the new gear at the year's most important instrument show. Don't buy ANYTHING until you've read it. |
Rhythms of the worldGroup: Control RoomKorg WavedrumInnovative electronic percussion |
The Guitars - Part 2Group: Copy Guitar Test Pt 2: ConclusionSon of Leo Meets Son of Les — a further attempt to sort out the neat from the naff. |
Beating The SystemFeature | Topic: Algorythmic Composition, Arranging / Songwriting, Composing / Art | One Two Testing, Jul/Aug 1986Systems MusicMusical mathematics made easy |
The ProfessionalsFeature | Topic: Music Business | Sound On Sound, Mar 1987PRS - The Performing Right SocietyThe first of an occasional series in which David Mellor takes a look at the organisations that help musicians and composers earn an honest crust in this hard world. This month: the Performing Right Society. |
Meet Gary ClarkInterview | Music Technology, Jun 1993Scottish band Danny Wilson were led by Gary Clark, who regards his debut solo album Ten Short Songs About Love as his finest work to date. From conception to birth, it was made entirely at home. Phil Ward drops in on the basement studio, and finds both album and proud father doing very well |
Four PlayReview | Sound On Sound, Oct 1992Ensoniq DP/4 Parallel Effects ProcessorIt's flexible, it's powerful, and it comes with a pretty hefty price tag. Paul White finds out whether Ensoniq's first foray into the world of stand-alone effects delivers enough bang for the buck. Additional research by Derek Johnson. |
Casio HZ-600 synthesizerReview | Sound On Sound, Oct 1987Looking for a low-cost introduction to synthesis? With its simplified programming method and variant on the Phase Distortion sound, Casio's latest 8-voice, splittable, polysynth could well prove the ideal first choice. Mark Badger explores... |
The Performing Art - Part 3Feature Series | Topic: MIDI, Performing | Music Technology, Apr 1990A synth is only as good as its sounds - and that goes for any synth controller too - sax, violin, guitar... Ollie Crooke And Simon Thomas look at sound programming for MIDI controllers. |
Mixers - Part 2Feature Series | Topic: Buyer's Guide | One Two Testing, Jun 1985the next part in our comprehensive survey, this month between £650 and £1500 |
Music In Our SchoolsFeature | Topic: Education | Recording Musician, Oct 1992Putting It TogetherThe nitty gritty of choosing appropriate recording and sequencing equipment for use in a school environment. |
Birthday BoysFeature | Making Music, Apr 1987And A Happy Birthday To UsCome to our party, have some jelly, read some of our best bits, and wish us a happy first birthday, hip hip... |
Kurzweil 250Review | Electronics & Music Maker, Dec 1984Digital KeyboardHow can the principles of Artificial Intelligence be employed to make a computer musical instrument sound like a grand piano? David Ellis delves deep into the workings of a £10,000+ Stateside keyboard. |