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ResynthesisFeature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1988Martin Russ breaks off from his 20th century studies way in the future to report on some alternative goings-on which may soon materialise in the form of a new generation of powerful sampling synthesizers. |
Production LinesOpinion | Sound On Sound, Oct 1993Former Yazz and Dina Carroll producer Nigel Lowis lets off steam about short termism. |
Mass Storage TechnologyFeature | Topic: Computing | Sound On Sound, May 1992Is the hard disk about to crash? Kendall Wrightson looks at the latest developments in mass storage technology, and discovers an optical future. |
Johnny Hates JazzInterview | Music Technology, Apr 1988Johnny Hates Jazz are in the privileged position of being allowed to produce their own debut album. David Bradwell talks to the band about their unusual situation, their techniques and their philosophies. |
Ready For Lift-OffInterview | Electronics & Music Maker, Apr 1986Is there more to Britain's latest megastars than a barrel-load of hype, a few jars of hair gel and a clever Giorgio Moroder production job? After talking to the band, Tim Goodyer thinks there is. |
Mac WorldShow Report | Micro Music, Jan 1990Mike Collins reports on what's new for Macintosh owners at the recent Mac World show in the States |
The ContenderReview | Electronic Soundmaker & Computer Music, Nov 1984Kurzweil K250Sampling with the Kurzweil 250. Will it knock out the Fairlight? |
Fairlight's Father - Part 2Interview Series | Music Technology, Jun 1987TechTalk: Kim RyrieSecond and final part of our interview with Fairlight's co-founder. Simon Trask listens to what he has to say about the future of musical technology. |
John Levoi 12S DeluxeGroup: GuitarCheck |
AudioFrame Grows UpReview | Sound On Sound, Jan 1989Although expensive, digital audio workstations are a pointer to the kind of features we can expect to see on the next generation of 'affordable' hi-tech instruments. Craig Anderton takes a look at one of the very latest workstations to appear, the AudioFrame. |
Just Can't StopInterview | Sound On Sound, Aug 1986'Are Friends Electric?' and 'Cars' will go down in the musical history books as classics of their genre but the writer of those hits, Gary Numan, has yet to match his early successes. Mark Jenkins met up with him during sessions for a forthcoming album at Rock City studios, Shepperton, only to discover that the Numan of today is finding it tough to get airplay for his recent work... |
Media LinkFeature | Topic: MIDI | Music Technology, Oct 1989What happens after MIDI? The question has often been asked but never answered. Scott "Compatibility" Wilkinson looks into a system that incorporates MIDI and a whole lot more. |
Portrait Of A Freelance EngineerInterview | Sound On Sound, Feb 1986Ted Fletcher documents the rise of a talented studio engineer whose recorded credits already include albums by Gary Moore and China Crisis. |
Adam ClaytonGroup: ChitChat |
NewsNews | International Musician & Recording World, Nov 1986What's hot, what's not, and all that rot |
PA ColumnFeature | Topic: Live | International Musician & Recording World, Feb 1985Al Jarreau's band itemised and analysed by Jim Betteridge |
From Britain With Love: GearFeature | International Musician & Recording World, Jul 1985While Paul Bacon looks at the UK companies that have received worldwide acclaim |
Eko Pony SynthReview | Electronics & Music Maker, Mar 1983 |
Guitar Synth HeroGroup: Roland Newslink - Summer 86Gregg Parker - from Ozz to the Tube |
How to Set Up a Home Studio - Part 4Feature Series | Topic: Construction / Build, Home Studio, Recording | Sound On Sound, Mar 1989Building A RackPart 4: Building a 19" rack. There is only so high a temporary stack of equipment can get before it becomes a danger to life and limb. David Mellor explains how to give your rackmount gear a happy home. |
News Of The WorldInterview | Music Technology, Jul 1992Ryuichi Sakamoto was a founder of the YMO before becoming one of David Sylvian's favoured partners. Now, fresh from a Japanese and a series of film scores he tells Tim Goodyer about his latest LP. |