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Seeing Double

Interview | Music Technology, Sep 1990

Meeting the music business and business of making music on their own terms saw one London band building a studio as well as a reputation from the ground up. Simon Trask gets in deep with Double Trouble.

Wearing Down The Beat

Interview | Electronic Soundmaker & Computer Music, Mar 1985

We talk to synth punk band Attrition. Will they wear you down?

A Letter From Prezhnev

Interview | Making Music, May 1987

two veg

Is Analogue Multitrack Recording Dead?

Feature | Topic: Recording, Tape, Vinyl, CD, DAT | Sound On Sound, Feb 1993

Microdeal Replay 16

Review | Sound On Sound, Jun 1993
16-Bit Sampler For Atari ST Computers

360 Systems' MIDI Bass

Review | Home & Studio Recording, Sep 1986

Studio bass sounds from keyboard or sequencer with this miniature master of multi-sampling.

Fast Talking

Interview | Music Technology, May 1987

Tim Goodyer talks to the man who's programmed Peter Gabriel's synths, recorded a host of electronic albums under the name Synergy, and started up his own record label for instrumental music.

MIDI - CV

Review | Micro Music, Jan 1990

If you have one of those oldie but goodie type synths that were pre MIDI fear not you can now link it into your existing MIDI system thanks to Groove Electronics

The Blueprint of Hiphop

Interview | Music Technology, Aug 1989

From the New York roots of hip hop, KRS One talks about street-level production values and samples as the poor musician's alternative to real musicians. Simon Trask listens to the Music of the Spheres.

Sanders Practice Kit

Review | One Two Testing, Aug 1985

semi-silent drumming

SynthAxe

Review | One Two Testing, Jun 1984

digital guitar science

Nik Kershaw: Recording Secrets

Interview | Sound On Sound, Jan 1986

As well as writing, singing and playing on his new single 'When A Heart Beats', Nik Kershaw also took the credit for its production. In an interview with Nick Webb he displays a rarely seen side of his character and discusses his knowledge of recording studio technology and approach to songwriting.

Music For Piano And Voice

Interview | Electronics & Music Maker, May 1986

Upcoming systems music composer chats to Simon Trask about modern technology, Renaissance music and Belgian pop.

Digidesign Turbosynth

Review | Music Technology, Sep 1988
Synthesis Software

CAD meets synthesis inside the Apple Mac. Robert Rich fires up a program that allows you to design your sounds on computer before transferring them to your sampler.

Where MIDI meets Video...

Feature | Topic: MIDI, Video / Film / Picture | Music Technology, Dec 1993

Two ways to control video images using the existing musical interface.

Yamaha PS20 Portable Keyboard

Review Audio | Electronics & Music Maker, Jun 1981

Using Microphones

Feature | Topic: Acoustics, Microphones, Recording | Home & Studio Recording, Jan 1984

Tips to help you achieve that 'modern' drum sound.

The Song Remains the Same

Feature | Music Technology, Mar 1989

Take four musicians with a love of acoustic instruments, a fascination for high technology and some considerable talent, and you've got Frazier Chorus. Louise Swann and Stephen Hillier listen to songs from the English coast.

The New Statesmen

Interview | Music Technology, Feb 1993

808 State - Absolutely Gorgeous

Korg DSS-1

Review | Sound On Sound, Apr 1987
Sampling Synthesizer

The DSS-1 offers 12-bit sampling, high fidelity samples, integral dual digital delay and EQ, plus the most comprehensive synthesizer section of all the midrange samplers. Review by Mark Jenkins.

Grant Enlarger

Interview | One Two Testing, Sep 1984

beat in the bahamas

Production lines

Group: In Session

Interview | The Mix, Aug 1994
At home with Chris Hughes

The former Tears For Fears producer invites us in for a cuppa

Tom Scholz Soloist

Review | In Tune, Nov 1986

Music Maker Equipment Scene

News | Electronics & Music Maker, Nov 1983

Digital Days & Digital Nights

Show Report | Music Technology, Dec 1987
The AES Report

America's premier recording exhibition provides Bob O'Donnell with food for thought; the password is "digital", just like the gear.

 

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