- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 551 - 575 of 1000 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Inside Views: E-mu SystemsFeature | Topic: Design, Development & Manufacture | Sound On Sound, Apr 1987Continuing our series that looks at hi-tech companies and design personnel working in the field of music and recording technology, Paul Gilby talks to Marco Alpert, Director of Marketing & Sales for E-mu Systems of America - the company behind the Emulator and Emax samplers. |
OSC Advanced Sound GeneratorReview | Electronics & Music Maker, Mar 1985Computer Music SystemGerry Queen brings us an exclusive preview of what will be Britain's first custom-designed computer music system - from the people who brought you the OSCar monosynth. It's capable of combining analogue, digital and sampled sound sources, and it's cheap. |
Assault On BatteryInterview | Home & Studio Recording, Dec 1986Pete Harris, engineer, producer and programmer talks to Paul White about working in the Zomba empire. |
B&W Rock Solid MonitorsReview | Recording Musician, Oct 1992They're stylish, they're cute, they're magnetically shielded - but how do they sound? |
Track Record: The Art Of NoiseGroup: Recording WorldPeter GunnJim Betteridge plays 'Hunt the Aled Jones sample.' |
Creative DilemmaInterview | Music Technology, Apr 1993Declaring IndependenceOnce part of Talkin Loud's capuccino-flavoured jazz/rap fraternity, K-Creative now find themselves out on their own. But, after meeting Simon Trask, they admit that things are still OK and getting ever more Creative |
Editions For YouFeature | Topic: Marketing / Promotion, Music Business | Electronic Soundmaker & Computer Music, Mar 1985Record label spotlight on the innovatory people who bring you Brian Eno and numerous others. |
Fairlight's Father - Part 1Interview Series | Music Technology, May 1987TechTalk: Kim RyrieIn an exclusive interview, the co-founder of the Fairlight company and father of the CMI talks about the machine's development, and outlines his plans for the future. Simon Trask pops the questions. |
Home TapingGroup: Recording WorldA church, a portastudio, and a blue hippopotamus? Well, what do you expect from a band called Sam-I-Am? |
The Life Of Brian - Part 1Interview Series | Electronic Soundmaker & Computer Music, Oct 1984Part 1 of a two part in-depth interview with Brian Eno and his latest collaborator Harold Budd. |
Setting up a small studioFeature | Topic: Home Studio | Sound International, Sep 1978Richard Dean tells how to get all the wires in the right places. |
BBC NewsReview | Electronic Soundmaker & Computer Music, Jan 1985Organ Master/Island LogicAn add-on sound board, and a comprehensive disc-based music system for the Beeb micro. |
The Techno WaveInterview | Music Technology, Sep 1988Techno music, the true successor to late seventies synth-pop, translates the desolation of post-Motown Detroit into electronic dance rhythms. Simon Trask listens to the programmer's tale. |
Mass Storage DevicesReview | Sound On Sound, Jun 1990Kendall Wrightson examines a new range of SCSI storage devices from Diki Devices, designed for use with the latest generation of high quality samplers and the new direct to disk and random access recorder/editors. |
Breaking CoverInterview | Music Technology, Sep 1991Ten years ago Incognito's first LP heralded a new British jazz funk movement; today their second celebrates a world-wide dance movement. Tim Goodyer asks Bluey Maunick if the song remains the same. |
Waiting For The Perfect SongInterview | Sound On Sound, Dec 1988Since introducing the world to the delights of pure synth-pop in 1981, Vince Clarke has continued to demonstrate his mastery of the popular song form through the medium of synth technology. Paul Ireson investigates. |
Home Taping Is Skill In MusicGroup: Recording WorldHansa BerlinHansa Berlin can produce quality demos on a Yamaha MT-44. Martin Moody got right on the case |
The Integration Game - Part 1Feature Series | Topic: Computing, MIDI | Sound On Sound, Aug 1992Improving your MIDI EnvironmentIn part one of this two-part article, Martin Russ looks at how the right software can make the difference between a studio full of lonely synths, samplers and other gadgets, and a powerful integrated setup. |
NewsNews | International Musician & Recording World, May 1985The latest reports from the lands of Trade and Product |
Sequencer ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Apr 1986Our unique buyers' guide lists dedicated sequencers, software packages and computer music systems. Nothing else comes close. |
Landscape ExploredInterview | Electronics & Music Maker, Nov 1981With Richard Burgess And John WaltersRichard Burgess and John Walters talk about the make-up of Landscape. |
ScannersNews | Music Technology, Dec 1993Picking up the signals from the world of music and technology... |