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Psycho Killer

Feature | Music Technology, Dec 1988

A complete psychosensory experience in the back of a Transit van? David Bradwell talks to the man behind the most sophisticated sound system on wheels.

Who's That Bloke With Wix?

Interview | Sound On Sound, May 1993

Robinson Studio

Interview | Making Music, Jun 1986

Uncle Tom gives studio advice, from a Portastudio to a great big 24-track.

Dynacord GS824 Guitar Combo

Review | Electronics & Music Maker, Mar 1984

A new state-of-the-art guitar amplifier with integral overdrive, chorus and reverb, plus 200W output.

Totally Wired

Interview | Electronic Soundmaker & Computer Music, Jan 1985

A chat with art-punk godfather Bruce Gilbert, a founder member of left-field collaboration Wire. The man reveals a low-tech approach to hi-tech gear... and a few trade secrets.

Sounding Off

Opinion | Topic: Computing, MIDI | Sound On Sound, Jan 1989
Karl Steinberg & Mark Badger

Charlie Steinberg and Mark Badger define their concept of what should and what shouldn't be called a 'MIDI workstation'.

Kraftwerk Revealed

Interview | Electronics & Music Maker, Sep 1981
An interview with Ralf Hutter

Electro Record

Feature | Electronics & Music Maker, Aug 1983

World Machine

Interview | Music Technology, Nov 1988

Could you make music using only samples from natural sources? Paul Tingen talks to a band who've done just that in an attempt to draw attention to our environment.

PA Column

Feature | Topic: Live | International Musician & Recording World, Mar 1985

Jim Betteridge wades through the swirling, ethereal ambience that is the Cocteau Twins' music

Roland MC500 MicroComposer

Review | Sound On Sound, Aug 1986

This long-awaited successor to Roland's evergreen MSQ700 sequencer offers increased song and note capacity, 'microscopic' editing of every single MIDI command and stores both music and rhythm tracks to 3.5 inch disks. Mark Jenkins fills in the details.

What's That Noise?

Interview | Music Technology, Aug 1990

Responsible for establishing artists like Yazz and Lisa Stansfield, Coldcut also have a reputation for being one of the most innovative production teams around. Tim Goodyer learns about their new LP and the future of computer graphics.

Inside Views: J L Cooper

Feature | Topic: Design, Development & Manufacture | Sound On Sound, Oct 1987

Another in our series that looks at hi-tech companies and design personnel working in the field of music and recording technology. This month Paul Gilby talks to Jim Cooper, President of J.L Cooper Electronics and the MIDI Manufacturers Association.

New Reality

Feature | Topic: Composing / Art | Sound On Sound, Nov 1989
The story of a CD

Not many people would have the courage to give up a lucrative career in the jingles business in order to record and release their own CD. But that's precisely what Simon Renouf has done, and this is his story...

A&R

Feature | Topic: Music Business | One Two Testing, Sep 1984

what the record companies think they want

Proteus Editor

Review | Micro Music, Mar 1990

Phil Brammer runs through the pro's and cons of the Proteus Editor from Caged Artist

Sampling A Vintage

Feature | Topic: Vintage Instruments | Making Music, Jan 1987

The life story of the original sampling keyboard — the Mellotron.

Klaus Schulze

Interview | Electronics & Music Maker, Mar 1982

This famous German synthesist and ex-member of Tangerine Dream now has his own record company and our interview tells about his unique approach to music.

Five Days in Frankfurt

Show Report | One Two Testing, Apr 1984

Reports from the musical instrument exhibition plus interviews with five of the world's top designers, researchers and experts.

Edit Track

Review | Micro Music, Jun/Jul 1989

Hybrid Arts budget package that thinks big as John Renwick discovers

Ultravox

Interview Audio | Electronics & Music Maker, Apr 1981

Simmons' 9th

Review | Electronics & Music Maker, Aug 1985

The people who invented the electronic drum introduce MIDI — and a decidedly acoustic sound - with the advent of a new kit, the SDS9. Nigel Lord gives his verdict.

Roland S50

Review | Music Technology, Dec 1986
Digital Sampling Keyboard

The competition is tough for Roland's upmarket sampler. Paul Wiffen discovers if 16 voices, a fine keyboard, and direct monitor connection are enough to put it at the top of the tree.

Industry Profile - Texas Instruments Ltd

Feature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Jun 1981

Virtual Reality

Feature | Topic: Multimedia / Graphics / Visuals | Music Technology, May 1994
festival preview

Technology is the touchstone at this key event. Phil Ward talks to Mike Godfrey, designer of the Audio Visual Live System.

 

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