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The Traditional ApproachInterview | Topic: Recording | Home & Studio Recording, Nov 1986Dave Hutchins compares the traditional and modern methods of recording. |
Oriental IntrigueFeature | Topic: Design, Development & Manufacture | Music Technology, Dec 1990Already assured their place in history for inventing the Portastudio, Tascam have also given us a one-inch 24-track machine and now the "Midistudio'. Tim Goodyer visits Japan to find out more about this revolutionary company. |
But What Does A Producer Do Exactly...???Feature | Topic: Music Business, Recording | Making Music, Jan 1987Second part in our 'what do they do?' series. This month, what you do with the job. |
Yamaha Hello! Music!Group: Quality Controlcomputer music systemIt's a complete computer system with speakers, it gives you GM tones, Cubase Lite sequencing and much more besides, and it's very friendly. |
Corea ManInterview | Music Technology, Aug 1990Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend. |
A Fresh MixReview | Electronic Soundmaker & Computer Music, Apr 1985CMC 24 MixerOn the cheapest computer-assisted mixer yet, the AHB CMC 24. We take a look. |
Steinberg AvalonReview | Music Technology, Dec 1989You've got the perfect S900 snare sample and you've just bought an Emulator III - you either start again or buy Avalon. Vic Lennard looks at a program which could become indispensable for sample editing and management. |
Computer Musician - RumblingsGroup: Computer Musician |
Computer Music at StanfordFeature | Topic: Design, Development & Manufacture, Synthesis & Sound Design | Sound On Sound, Sep 1987Simon Millward visits the world-renowned Centre for Computer Research in Music and Acoustics at Stanford University, California and talks to its famous director, Professor John Chowning, inventor of FM synthesis. |
A Touch of GlassInterview | Sound On Sound, Mar 1989Philip Glass is best known for his work as a minimalist classical composer, but recently he's been completing work in fields as diverse as opera, piano recitals, film and synth ensembles. Mark Jenkins talked to the minimalist maestro during a fleeting visit to London for his latest opera, 'The Making Of The Representative From Planet 8'. |
Depeche ModeInterview | Electronics & Music Maker, May 1982In contrast with the main feature we take a look at one of today’s modern commercial, electro-music bands. |
Anatek Studio MergeReview | Music Technology, Nov 1990MIDI MergerFrom the humble origins of their Pocket Merge, Anatek have refined a powerful eight-way MIDI merging system that could become essential to the serious MIDI studio. Vic Lennard merges with the elite. |
Microskill AS32Review | Electronics & Music Maker, Jul 1985All-digital Programmable PolysynthA British-built additive synthesis instrument with multiple keyboard splitting and overlaying, and up to 16 voices at its command. A dream come true? Simon Trask has the answer. |
Patchbay StudioFeature | Topic: Recording Studios | Sound On Sound, Jan 1990Bringing A Dream To LifeThere can be few home recordists who haven't spent a few idle moments thinking about how nice it would be to run their own professional 24-track studio, Mick Belford of Patchbay explains how determination can turn such a dream into reality. |
Gary NumanInterview | Electronics & Music Maker, Dec 1983One of the most successful, certainly the most consistent, of Britain's electronic musicians, Gary Numan has succeeded in taking his eclectic and compelling music into the mass market. Gary talks of his songwriting and recording techniques, his past career, and what he plans for the future |
From 24 tracks to 8Interview | Home & Studio Recording, Oct 1984Founder of Ultravox and owner of The Garden Studio, John Foxx talks about all aspects of his recording methods and highlights the technological changes that have caused him to rethink the way he composes. |
Midge UreInterview | Sound On Sound, Nov 1985A Man With A GiftIn between tours with Ultravox and appearances on Live Aid, Midge Ure somehow found the time to discuss the writing and recording of his first ever solo LP 'The Gift' and his No1 single with Ian Gilby. |
Pushing Back Frontiers?Review | Sound On Sound, May 1988Emulator III Sampling KeyboardIf there is one company which has made its name on sampling that company is E-mu Systems. The term 'Emulator' is now synonymous with sampling and now the third instrument in this distinguished series is on the market. Paul Wiffen checks it out and finds E-mu bang up to date. |
Studio TokyoFeature | Topic: Recording Studios | Sound On Sound, Dec 1986You'll be hard pushed to find a UK studio that isn't choc-a-bloc with Japanese studio equipment, but have you ever wondered what they use? David Mellor takes a slow boat that bypasses China, and visits two Tokyo studios to find out. |
Made in Japan - Part 3Feature Series | Topic: Design, Development & Manufacture | Music Technology, Jan 1988Eastern IntrigueA last visit to the land of micro-chips and rice crackers. Simon Trask pays an enquiring visit to the Yamaha organisation before waving a fond farewell to the rising sun. |
The StrongroomFeature | Topic: Recording Studios | Sound On Sound, Aug 1989In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity. |
Almost BlueGroup: In SessionThe The's Matt Johnson talks about production, outwitting the lawyers... and hillbilly blues |
MOTU MIDI TimepieceReview | Music Technology, Jan 1992Mac MIDI Interface/Sync/PatchbayWelcome to the new age of integration with this Macintosh MIDI interface, synchroniser and patchbay. Vic Lennard gets a timely piece of the action. |