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The Traditional Approach

Interview | Topic: Recording | Home & Studio Recording, Nov 1986

Dave Hutchins compares the traditional and modern methods of recording.

Oriental Intrigue

Feature | Topic: Design, Development & Manufacture | Music Technology, Dec 1990

Already assured their place in history for inventing the Portastudio, Tascam have also given us a one-inch 24-track machine and now the "Midistudio'. Tim Goodyer visits Japan to find out more about this revolutionary company.

But What Does A Producer Do Exactly...???

Feature | Topic: Music Business, Recording | Making Music, Jan 1987

Second part in our 'what do they do?' series. This month, what you do with the job.

Yamaha Hello! Music!

Group: Quality Control

Review | Music Technology, Nov 1993
computer music system

It's a complete computer system with speakers, it gives you GM tones, Cubase Lite sequencing and much more besides, and it's very friendly.

Corea Man

Interview | Music Technology, Aug 1990

Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend.

Trust Me

Interview | Making Music, Oct 1987
To Open My Mouth

A Fresh Mix

Review | Electronic Soundmaker & Computer Music, Apr 1985
CMC 24 Mixer

On the cheapest computer-assisted mixer yet, the AHB CMC 24. We take a look.

Steinberg Avalon

Review | Music Technology, Dec 1989

You've got the perfect S900 snare sample and you've just bought an Emulator III - you either start again or buy Avalon. Vic Lennard looks at a program which could become indispensable for sample editing and management.

Computer Musician - Rumblings

Group: Computer Musician

News | Electronics & Music Maker, Mar 1984

Computer Music at Stanford

Feature | Topic: Design, Development & Manufacture, Synthesis & Sound Design | Sound On Sound, Sep 1987

Simon Millward visits the world-renowned Centre for Computer Research in Music and Acoustics at Stanford University, California and talks to its famous director, Professor John Chowning, inventor of FM synthesis.

A Touch of Glass

Interview | Sound On Sound, Mar 1989

Philip Glass is best known for his work as a minimalist classical composer, but recently he's been completing work in fields as diverse as opera, piano recitals, film and synth ensembles. Mark Jenkins talked to the minimalist maestro during a fleeting visit to London for his latest opera, 'The Making Of The Representative From Planet 8'.

Depeche Mode

Interview | Electronics & Music Maker, May 1982

In contrast with the main feature we take a look at one of today’s modern commercial, electro-music bands.

Anatek Studio Merge

Review | Music Technology, Nov 1990
MIDI Merger

From the humble origins of their Pocket Merge, Anatek have refined a powerful eight-way MIDI merging system that could become essential to the serious MIDI studio. Vic Lennard merges with the elite.

Microskill AS32

Review | Electronics & Music Maker, Jul 1985
All-digital Programmable Polysynth

A British-built additive synthesis instrument with multiple keyboard splitting and overlaying, and up to 16 voices at its command. A dream come true? Simon Trask has the answer.

Patchbay Studio

Feature | Topic: Recording Studios | Sound On Sound, Jan 1990
Bringing A Dream To Life

There can be few home recordists who haven't spent a few idle moments thinking about how nice it would be to run their own professional 24-track studio, Mick Belford of Patchbay explains how determination can turn such a dream into reality.

Gary Numan

Interview | Electronics & Music Maker, Dec 1983

One of the most successful, certainly the most consistent, of Britain's electronic musicians, Gary Numan has succeeded in taking his eclectic and compelling music into the mass market. Gary talks of his songwriting and recording techniques, his past career, and what he plans for the future

From 24 tracks to 8

Interview | Home & Studio Recording, Oct 1984

Founder of Ultravox and owner of The Garden Studio, John Foxx talks about all aspects of his recording methods and highlights the technological changes that have caused him to rethink the way he composes.

Midge Ure

Interview | Sound On Sound, Nov 1985
A Man With A Gift

In between tours with Ultravox and appearances on Live Aid, Midge Ure somehow found the time to discuss the writing and recording of his first ever solo LP 'The Gift' and his No1 single with Ian Gilby.

Pushing Back Frontiers?

Review | Sound On Sound, May 1988
Emulator III Sampling Keyboard

If there is one company which has made its name on sampling that company is E-mu Systems. The term 'Emulator' is now synonymous with sampling and now the third instrument in this distinguished series is on the market. Paul Wiffen checks it out and finds E-mu bang up to date.

Studio Tokyo

Feature | Topic: Recording Studios | Sound On Sound, Dec 1986

You'll be hard pushed to find a UK studio that isn't choc-a-bloc with Japanese studio equipment, but have you ever wondered what they use? David Mellor takes a slow boat that bypasses China, and visits two Tokyo studios to find out.

Perfect Pitch?

Review | In Tune, Dec 1986
Dod/IVL Pitchrider 7000 Mk.2

IVL's Pitchrider assessed

Made in Japan - Part 3

Feature Series | Topic: Design, Development & Manufacture | Music Technology, Jan 1988
Eastern Intrigue

A last visit to the land of micro-chips and rice crackers. Simon Trask pays an enquiring visit to the Yamaha organisation before waving a fond farewell to the rising sun.

The Strongroom

Feature | Topic: Recording Studios | Sound On Sound, Aug 1989

In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity.

Almost Blue

Group: In Session

Interview | The Mix, Mar 1995

The The's Matt Johnson talks about production, outwitting the lawyers... and hillbilly blues

MOTU MIDI Timepiece

Review | Music Technology, Jan 1992
Mac MIDI Interface/Sync/Patchbay

Welcome to the new age of integration with this Macintosh MIDI interface, synchroniser and patchbay. Vic Lennard gets a timely piece of the action.

 

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