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OvertonesFeature | Topic: History / Culture, Video / Film / Picture | One Two Testing, Aug 1985is video nasty? |
2B Or Not 2BReview | Electronics & Music Maker, Nov 1985UMI 2B SoftwareThe 1B version was good, but Simon Trask has spent a month with its successor, and reckons it deserves its reputation as the most professional sequencing package designed round a home computer. |
Quiet RiotReview | Recording Musician, Feb 1993Rocktron HUSH Intelligent Sound ProcessorPaul White opts for the quiet life with this effective cure for hiss — and there's even an enhancer and compressor thrown in for good measure. |
Albert LeeInterview | Music UK, Sep 1983The man behind Clapton, guitarist supreme Albert Lee talks guitars and playing with Max Kay. |
Steinberg MIDEX+Review | Music Technology, Dec 1990Key Expander/SMPTE SynchroniserIntegration is the name of the game with Steinberg's Midex - a single unit combining a software key expander and a SMPTE synchroniser for the Atari ST. Nigel Lord even likes the colour. |
Masters Of The UniverseFeature | Topic: Mastering, Tape, Vinyl, CD, DAT | Sound On Sound, Dec 1991So you wanna record an album? Anyone with a DAT recorder can make what they think is a usable master tape, but it takes a little know-how to do it properly. Mastering engineers Mike Brown and Martin Giles of CTS Studios explain what goes into preparing master tapes for tape, record and CD duplication. |
Peavey DECA-700 Power AmpReview | In Tune, Jul/Aug 1985 |
Jimmy Page: A Life StoryFeature | One Two Testing, Jun 1984 |
Electronic Music NotationFeature | Topic: Composing / Art, Music Theory, Performing | Polyphony, Sep/Oct 1978 |
To Hull And BackInterview | International Musician & Recording World, Nov 1986With The HousemartinsWhat a nice, ordinary, loveable bunch of geezers they are, Paul Trynka declares |
A Gallery of Misfits - Part 1Feature Series | Topic: Vintage Instruments | Electronics & Music Maker, Sep 1985David Ellis begins a two-part excursion into the E&MM archives to discover a myriad of bizarre musical instruments that somehow never quite made the big time. How many of them can you remember? |
Diamond LifeReview | Sound On Sound, Aug 1992Gem S2 Music ProcessorGEM's newest synth, with its polished sound and presentation, could be set to dispel the company's homely image. Martin Russ discovers the multi-faceted GEM S2. |
Blue MoodsInterview | Sound On Sound, Dec 1989In 1984, The Blue Nile released an album widely hailed as the finest debut LP of recent years. After five years of silence, they've produced another masterpiece in Hats. Paul Ireson talks to the men behind two of the decade's finest records. |
On The 8-Track - Sackville SoundFeature | Topic: Recording Studios | Home & Studio Recording, Sep 1983Studio Focus |
Studio FocusFeature | Topic: Recording Studios | Home & Studio Recording, Aug 1984Deep StudioA look at Deep Studio - set up with the help of the Manpower Services Commission. |
MIDI Automation Systems - Part 1Feature Series | Topic: MIDI, Mixing | Sound On Sound, Feb 1988How Good Are They?Over the next two issues Graham Hinton tests five mixer automation systems which all provide control of audio signal level by means of Voltage Controlled Amplifiers (VCAs) and are accessible to some degree by MIDI. This month it's the turn of the Akai MPX820 and Simmons SPM8:2. |
The Serpent and the PearlInterview | Electronics & Music Maker, Jul 1986Don Goldstein talks to American composer Harold Budd about his past collaborations with such luminaries as Brian Eno and Michael Nyman and, more recently, the Cocteau Twins. |
Roland System 100MFeature | Topic: Vintage Instruments | Electronics & Music Maker, Mar 1984A personal look at one of the few modular synths available by Ian Boddy who examines, in depth, the systems capabilities. |
FrontLinesNews | Phaze 1, Apr 1989People, Gear, Events, Gossiphappening people, gear, events, gossip |
MIDI Matters - Part 4Feature Series | Topic: MIDI, Sampling | Sound On Sound, Jun 1987Sample Editing Via MidiWhy is it there are so many computer-based sample editing packages being released? Perhaps it has something to do with the fact that they make working with a sampler considerably easier. Jay Chapman ponders their worth. |
Sting in a TaleInterview | Electronics & Music Maker, Aug 1985Arrested whilst gigging with a bunch of jazz musicians in Paris, Sting talks to Paul Tingen about his new album, the inadequacies of high technology, and the future of The Police. |
Good Enough For The Pro?Feature | Topic: MIDI, Mixing, Syncronisation | Sound On Sound, Jan 1993Thoughts on MIDI's Next Decade |
The Rime Of The Ancient SamplerFeature | Topic: Vintage Instruments | Sound On Sound, Jun 1993The Mellotron: A Historical Perspective |
Trade Winds - BMF 1989Show Report | Music Technology, Sep 1989British Music Fair Show ReportThis year's British Music Fair attracted hordes of equipment-hungry punters eager to see what the future of music might hold. Simon Trask was there asking the same question. |