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Overtones

Feature | Topic: History / Culture, Video / Film / Picture | One Two Testing, Aug 1985

is video nasty?

2B Or Not 2B

Review | Electronics & Music Maker, Nov 1985
UMI 2B Software

The 1B version was good, but Simon Trask has spent a month with its successor, and reckons it deserves its reputation as the most professional sequencing package designed round a home computer.

Quiet Riot

Review | Recording Musician, Feb 1993
Rocktron HUSH Intelligent Sound Processor

Paul White opts for the quiet life with this effective cure for hiss — and there's even an enhancer and compressor thrown in for good measure.

Albert Lee

Interview | Music UK, Sep 1983

The man behind Clapton, guitarist supreme Albert Lee talks guitars and playing with Max Kay.

Steinberg MIDEX+

Review | Music Technology, Dec 1990
Key Expander/SMPTE Synchroniser

Integration is the name of the game with Steinberg's Midex - a single unit combining a software key expander and a SMPTE synchroniser for the Atari ST. Nigel Lord even likes the colour.

Masters Of The Universe

Feature | Topic: Mastering, Tape, Vinyl, CD, DAT | Sound On Sound, Dec 1991

So you wanna record an album? Anyone with a DAT recorder can make what they think is a usable master tape, but it takes a little know-how to do it properly. Mastering engineers Mike Brown and Martin Giles of CTS Studios explain what goes into preparing master tapes for tape, record and CD duplication.

Peavey DECA-700 Power Amp

Review | In Tune, Jul/Aug 1985

Jimmy Page: A Life Story

Feature | One Two Testing, Jun 1984

Electronic Music Notation

Feature | Topic: Composing / Art, Music Theory, Performing | Polyphony, Sep/Oct 1978

To Hull And Back

Interview | International Musician & Recording World, Nov 1986
With The Housemartins

What a nice, ordinary, loveable bunch of geezers they are, Paul Trynka declares

A Gallery of Misfits - Part 1

Feature Series | Topic: Vintage Instruments | Electronics & Music Maker, Sep 1985

David Ellis begins a two-part excursion into the E&MM archives to discover a myriad of bizarre musical instruments that somehow never quite made the big time. How many of them can you remember?

Diamond Life

Review | Sound On Sound, Aug 1992
Gem S2 Music Processor

GEM's newest synth, with its polished sound and presentation, could be set to dispel the company's homely image. Martin Russ discovers the multi-faceted GEM S2.

Blue Moods

Interview | Sound On Sound, Dec 1989

In 1984, The Blue Nile released an album widely hailed as the finest debut LP of recent years. After five years of silence, they've produced another masterpiece in Hats. Paul Ireson talks to the men behind two of the decade's finest records.

On The 8-Track - Sackville Sound

Feature | Topic: Recording Studios | Home & Studio Recording, Sep 1983
Studio Focus

Studio Focus

Feature | Topic: Recording Studios | Home & Studio Recording, Aug 1984
Deep Studio

A look at Deep Studio - set up with the help of the Manpower Services Commission.

MIDI Automation Systems - Part 1

Feature Series | Topic: MIDI, Mixing | Sound On Sound, Feb 1988
How Good Are They?

Over the next two issues Graham Hinton tests five mixer automation systems which all provide control of audio signal level by means of Voltage Controlled Amplifiers (VCAs) and are accessible to some degree by MIDI. This month it's the turn of the Akai MPX820 and Simmons SPM8:2.

The Serpent and the Pearl

Interview | Electronics & Music Maker, Jul 1986

Don Goldstein talks to American composer Harold Budd about his past collaborations with such luminaries as Brian Eno and Michael Nyman and, more recently, the Cocteau Twins.

Roland System 100M

Feature | Topic: Vintage Instruments | Electronics & Music Maker, Mar 1984

A personal look at one of the few modular synths available by Ian Boddy who examines, in depth, the systems capabilities.

FrontLines

News | Phaze 1, Apr 1989
People, Gear, Events, Gossip

happening people, gear, events, gossip

Déjà view?

Group: Control Room

Review | The Mix, Sep 1994
Voyetra Audio View

PC sample editor

MIDI Matters - Part 4

Feature Series | Topic: MIDI, Sampling | Sound On Sound, Jun 1987
Sample Editing Via Midi

Why is it there are so many computer-based sample editing packages being released? Perhaps it has something to do with the fact that they make working with a sampler considerably easier. Jay Chapman ponders their worth.

Sting in a Tale

Interview | Electronics & Music Maker, Aug 1985

Arrested whilst gigging with a bunch of jazz musicians in Paris, Sting talks to Paul Tingen about his new album, the inadequacies of high technology, and the future of The Police.

Good Enough For The Pro?

Feature | Topic: MIDI, Mixing, Syncronisation | Sound On Sound, Jan 1993
Thoughts on MIDI's Next Decade

The Rime Of The Ancient Sampler

Feature | Topic: Vintage Instruments | Sound On Sound, Jun 1993
The Mellotron: A Historical Perspective

Trade Winds - BMF 1989

Show Report | Music Technology, Sep 1989
British Music Fair Show Report

This year's British Music Fair attracted hordes of equipment-hungry punters eager to see what the future of music might hold. Simon Trask was there asking the same question.

 

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