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A Gallery of Misfits - Part 2

Feature Series | Topic: Vintage Instruments | Electronics & Music Maker, Oct 1985

Following last month's list of synthesis casualties, David Ellis delves deeper into the archives and finds yet more mysterious products of human ingenuity. Some of them are quite spectacular.

Amiga Notes

Feature | Topic: Computing | Sound On Sound, Dec 1993

The Pioneer

Interview | Music Technology, May 1990

From artistic oppression under Stalin to contributing to Stanley Kubrick's 2001: A Space Odyssey, György Ligeti has remained a true music pioneer. Simon Trask talks to a musical legend.

Hamer Phantom Guitar

Review | International Musician & Recording World, Dec 1985
Guitarcheck

A dream come true? Dave Burrluck pinches himself

Practically FM - Part 6

Feature Series | Topic: Synthesis & Sound Design | Sound On Sound, Oct 1988

Part 6: The final episode of our series for FM synth owners, in which Martin Russ removes the mystique from FM programming. Operators at the ready!

Akai S900 Sampler

Review | International Musician & Recording World, Jul 1986
SamplerCheck

Paul Fishman gets weird — again

The Computer & The Sound House

Feature | Topic: Recording Studios | Sound On Sound, Oct 1987
BBC Radiophonic Workshop

The BBC Radiophonic Workshop's network of Macintosh computers handles everything from music programming to looking after the tape library. Richard Elen talks to Brian Hodgson, the head of the Workshop, about their musical Macintoshes.

The Affordable World of Computer Music

Feature | Topic: Computing | International Musician & Recording World, Feb 1986
The Musical Micro

More packages picked apart by Tony Mills

Greengate DS:3 & Looping Software

Review | International Musician & Recording World, Jul 1985
Systemcheck

The Greengate goes loopy

John McLaughlin

Interview | Sound On Sound, Jul 1988

Over the last three decades John McLaughlin has done more than anybody else in popular jazz and rock music to explore the potential of the guitar, both acoustic and electric. Here he talks to Mark Prendergast about his eclectic career, pioneering use of guitar synthesizers, and the Synclavier.

Bob Dormon's Musos' Guide to 1995

Feature | The Mix, Feb 1995

Korg SQ8

Review | Music Technology, May 1987
Eight-track MIDI Sequencer

MT new boy Bob "I'm Confused" O'Donnell checks out the cutest eight-track sequencer available. Have too many corners been cut to reduce the cost?

Brian Eno: Thoughts, Words, Music and Art - Part 1

Interview Series | Sound On Sound, Jan 1989

Mark Prendergast begins a two part in-depth appraisal of the thoughts, words, music and art of one of the most influential artists of the last decade: Brian Eno.

Sure Beats Working

Interview | Phaze 1, Jun 1989

why the beatmasters make a mess with their lunch

Tascam DA88

Review | Recording Musician, Mar 1993
8-Track Digital Tape Recorder

Tascam's digital 8-track recorder is designed to meet the needs of professionals, yet is costed to appeal to the home studio market.

Everything You Ever Wanted To Know About System Exclusive - Part 4

Feature Series | Topic: MIDI | Sound On Sound, Jul 1989
(But Were Too Afraid To Ask!)

PART 4: Martin Russ provides some solid examples of how to utilise the hidden power of MIDI’s SysEx commands to reprogramme synths on-the-fly and to store snapshots of all your synth and effects patches on disk.

Toa MR8T

Review | Music Technology, Feb 1989
Eight-track cassette recorder

When the first Portastudio was launched, it caused a revolution in the recording industry - now you can put eight tracks on the same tape. Vic Lennard punches in.

Roland S760

Group: Quality Control

Review | Music Technology, Jan 1994
sampler

A mid-priced sampler with a spec that'll worry the high-priced competition

NAMM - Part 2

Show Report Series | One Two Testing, Sep 1985

guitars and stuff from New Orleans

History of Electronic Music - Part 7

Feature Series | Topic: History / Culture | Electronics & Music Maker, Sep 1982
Brian Eno

Korg DS8 Digital Synthesizer

Review | Sound On Sound, Mar 1987

Korg's very latest keyboard is non other than a touch-sensitive, sub-£1000, 8-voice FM synthesizer! Mark Jenkins managed to catch a sneak preview.

Real Time MIDI

Feature | Topic: MIDI | Music Technology, May 1989

MIDI is more than a means of sending note data to a couple of synths and changing settings on a reverb unit. Ernie Tello looks into the real-time applications of MIDI.

Through the Square window

Group: Control Room

Review | The Mix, Oct 1994
Opcode Vision

Sequencing software for Mac

The Sound House

Feature | Topic: Composing for Business, Recording Studios | Electronic Soundmaker & Computer Music, Apr 1984
BBC Radiophonic Workshop

Radiophonically speaking

File Under Genius

Interview | Phaze 1, Jan 1989

how to stay at the top for two decades, and still not get noticed

 

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