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Scratch & SnatchInterview | Phaze 1, Jan 1989tasty tips from britain's cut-up kings - if it moves, sample it! |
Projects UKFeature | Topic: Education, Recording Studios | Sound On Sound, Apr 1990Local community arts centres often house some sort of sound studio, and these can be the only way interested members of the public gain first-hand experience of recording and hi-tech equipment. David Hughes reports on one such North-East based facility. |
GlassworksInterview | Electronics & Music Maker, Dec 1983Fashionably minimalistic, America's premier avant garde composer recently visited the UK for an all too brief concert tour. He has been cited by many international stars as one of their first influences, yet commercial success has eluded him. Dan Goldstein listens to what he has to say |
Hands On: Casio DA7 DAT RecorderFeature | Topic: Digital Audio, Recording, Tape, Vinyl, CD, DAT | Sound On Sound, Aug 1992Casio's DA7 is one of the cheapest DAT recorders on the market, yet it is still a suitable machine for mastering. David Mellor reveals its better features and finds ways round a couple of problems. |
The Gap NarrowsShow Report | Music Technology, Jan 1987AES ReportDan Goldstein and Paul Wiffen go down and out in Beverly Hills - and drop in on America's biggest recording convention along the way. Within its walls, a quiet revolution is taking place... |
Klaus SchulzeInterview | Sound On Sound, Aug 1987The legendary German synthesist speaks out about technology and technique in this exclusive interview - his first in four years! |
Premium Bond?Review | In Tune, Jun 1985 |
On The GridInterview | Music Technology, Apr 1990When Soft Cell disbanded, Marc Almond quickly established himself as a solo artist, but what became of his keyboard-playing partner? David Bradwell talks to David Ball about his latest project. |
Dynamic Digital DrumsReview | Sound On Sound, Dec 1986Korg DDD-1Korg's latest (and some might say greatest) drum machine takes a heavy pounding from Mark Jenkins. But does it survive the assault? Read on to find out... |
Music at City UniversityFeature Audio | Topic: Education | Electronics & Music Maker, Oct 1981Computer music and electro-acoustic education in London. |
Shazam - A Software Keyboard Operating SystemFeature | Topic: Computing | Polyphony, Nov/Dec 1978(or "Maestro, a little software, please") |
The Men Behind The BoyInterview | One Two Testing, Apr 1984 |
The Old SchoolInterview | Music Technology, Oct 1989Someone whose career in music began before the invention of the tape recorder will have witnessed a revolution in music technology. Peter Ridsdale shares the experiences of a man who has spent a lifetime composing for pictures. |
"It's the men from the Council, dear"Interview | International Musician & Recording World, Jun 1985Weller and Talbot collectively swapping shopping stories with Adrian Deevoy |
Long time comingGroup: In SessionAdam Mosley chats about producing The Plot Thickens |
'Wee Also Have Sound-Houses'Feature | Topic: Computing, Synthesis & Sound Design | Sound International, Jul 1978Richard Attree looks at the computer as musical instrument, and the implications thereof. |
Vocal Codes From The UndergroundRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Feb 1992Roland VP330Roland's VP330 Vocoder Plus not only helped to put vocoders on the map, but has since become a classic keyboard in its own right. Gordon Reid says "synths that make you go Hmmm". |
The Sounds of HellInterview | Music Technology, Jan 1988Once singer with The Pop Group, Mark Stewart has now joined forces with drummer Keith Leblanc and producer Adrian Sherwood under the title of The Maffia - Nicholas Rowland listens to the sounds of hell. |
Beat DisInterview | Sound On Sound, Jun 1991Into the future with RSS, and looking back to programming 'Say A Little Prayer', Bomb The Bass talk technical to Mike Collins. |
Company Profile: StudiomasterFeature | Topic: Design, Development & Manufacture | International Musician & Recording World, Oct 1985Mixing with the master men |
Budget 24-TrackReview | Sound On Sound, Sep 1989Have you always wanted a 24-track studio but could never afford the gear? Well now, maybe you can. David Mellor looks at a package of equipment that offers 24 tape tracks at a budget price. |