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George Martin

Interview | Topic: Recording Studios | Sound On Sound, Dec 1993

The Perfect Beat

Review | Electronic Soundmaker & Computer Music, Jul 1985
Simmons SDS9 electronic drum kit

Simmon's new drum kit

Shure Beta Microphones

Review | Sound On Sound, Mar 1990

Shure’s SM58 and SM57 microphones are recognised industry standards. Although many rival manufacturers have tried to improve on these classics, all have seemingly failed. Now Shure themselves are attempting to go one better with their recently introduced Beta models. Dave Lockwood sees how they fare in comparison.

Dial 0274 For Bass

Interview | Music Technology, Feb 1991

Having helped to create Britain's Northern techno scene, Unique 3 claim it doesn't actually exist. Simon Trask listens to this and other enigmas from one of the country's most creative dance outfits.

Make It Up

Feature | Topic: Arranging / Songwriting, Performing | Phaze 1, Jun 1989

how to liven up your music by being open to improvisation

Ibanez Artist Series

Review | Sound International, Sep 1978

Positive superlatives all over the place as Dave Blake's rhetoric embraces a couple of Ibanez instruments.

Nik Picking

Interview | International Musician & Recording World, Mar 1986

Golden boy of the teeny bop scene a closet guitar hero? It's true, all true. Muso musings captured for posterity by Dave Burrluck and Susan Rookledge.

Pumping station

Group: Control Room

Review | The Mix, Nov 1994
Studiomaster Power House Vision 8

Powered mixer with effects

Shredder

News | One Two Testing, Mar 1985
news from the front

newsworthy items for your interest

Chris Franke on Sequencers

Interview | Electronics & Music Maker, Mar 1983

Tangerine Dream's rhythm man describes his sequencer set-up

Macro Music - Part 3

Feature Series | Topic: Computing, Synthesis & Sound Design | Electronics & Music Maker, Jun 1983

More music with mainframe computers

Electronic Music For Films

Feature Audio | Topic: Composing for Business, Video / Film / Picture | Electronics & Music Maker, Jan 1982

Richard Mitchell explains his use of electronic music for film.

Recording Techniques - Part 16

Feature Series | Topic: Mixing, Recording | Sound On Sound, Mar 1991
The Mix (2)

Part 16: The mix (2). David Mellor goes still further in pursuit of the elusive perfect mix.

Soul of the Machine

Interview | Music Technology, Jun 1991

Neatly sidestepping the monotonous beats and cliched melodies that typify too many dance acts, this Swiss-American collaboration are making refreshing music. Simon Trask and Heinrich Zwahlen share a technical obsession.

Frankfurt: Guitars, Basses, Amps And Effects

Show Report | International Musician & Recording World, Apr 1986

One man in search of perfection. Dave Burrluck gives his verdict on the state of the axe

Docklands Rendezvous

Interview | Music Technology, Aug 1988

Jean Michel Jarre is about to stage the world's biggest ever concert in the London Docklands. David Bradwell finds out about the technological dark age and the art of showmanship.

Shredder

Group: One Two Tidings

News | One Two Testing, Nov 1985

news from the musical front

Twelve Tone Systems Sound Globs

Review | Music Technology, Aug 1990
Software for the IBM PC

Somewhere between human composers and sci-fi music systems of the future are the algorithmic composition programs of the present. One of the few such programs for the IBM PC finds favour with Ian Waugh.

Ensoniq DP/4

Review | Music Technology, Oct 1992
Parallel Effects Processor

Just four effect

Shredder

News | One Two Testing, May 1985

news from the front

The Science of Moments

Interview | One Two Testing, Mar 1984

Flattening the earth, contextualising the computer.

Criminal Record? - Part 2

Feature Series | Music Technology, Apr 1992

The second part of MT's in-depth examination of the sample CD phenomenon. Simon Harris, Norman Cook, Coldcut, Ed Stratton and Pascal Gabriel confess all to Tim Goodyer.

Music Madness

Interview | Music Technology, Apr 1987

Is hip hop an unending stream of monotonous, empty rhythms, or the brightest star in the use of modern musical technology? Tim Goodyer cross-questions MC Tee and DJ Mantronik.

Digidesign Turbosynth

Review | Sound On Sound, Dec 1988
The Return of the Modular Synthesizer

Digidesign continue to add to their innovative range of synthesis programs which use the flexibility of computers for sound creation and the hardware of MIDI samplers to replay the sounds. Paul Wiffen finds he loves the former but hates the latter.

Man Drumming

Interview | Music Technology, Jun 1988

Man Jumping sticksman Simon Limbrick talks about tuned percussion, sampled percussion and technology on the stage. Nicholas Rowland tunes in to the rhythm of technology.

 

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