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Electric BlueInterview | Music Technology, Feb 1989From the first all-electronic record label to the first ARS Electronica concert, Hubert Bognermayr has been one of electronic music's pioneers. David Bradwell makes the Austrian connection. |
Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jun 1985The Power of the FloppyFeeling floppy? Tony Mills slips a disk into his drive |
Lou Dean (Western Music)Feature | Topic: Retail | International Musician & Recording World, Jul 1975Dealer of the Month |
One League ForwardFeature | Electronic Soundmaker & Computer Music, Oct 1984Ian Burden of Human League outlines beginner's tips and a future strategy for electronic music. |
MIDI - Part 2Feature Series | Topic: MIDI | Electronic Soundmaker & Computer Music, Dec 1983The second part |
Dear PAIAFeedback | Polyphony, Jun 1975 |
Inside Views: dbxFeature | Topic: Design, Development & Manufacture | Sound On Sound, Aug 1986The second of our series that takes a behind the scenes look at companies and design personnel involved in recording and hi-tech products. This month Paul Gilby talks to Scott Berdell of dbx. |
Studio FocusFeature | Topic: Recording Studios | Home & Studio Recording, Nov 1983Chipping Norton Recording StudiosChipping Norton Studios. |
Steinberg TopazReview | Music Technology, Feb 1990Computer Controlled RecorderOne of the prime forces for the 90s is sure to be digital recording and editing - as found in TOPAZ. Simon Trask previews a powerful new system from Steinberg Digital Audio. |
Sample DazeEditorial | Music Technology, Sep 1988Sampling: Is it legal? Is it art? Tim Goodyer raises some of the issues that will shape tomorrow's music. |
TechTalk - Part 2Interview Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Oct 1985Part 2 of an in-depth interview with Job Chowning, inventor of FM digital synthesis. Simon Trask gets in a few more questions than he did last month. |
Q lights, Q studio, QDIII...Group: Mixing It! |
LeaderEditorial | Recording Musician, Jul 1992 |
In the first placeEditorial | Music Technology, Mar 1994 |
Tosco RotocastsReview | International Musician & Recording World, Sep 1986CymbalCheckBob Henrit back again with a look at a value-for-money range of Italian cymbals |
A special magazine for the hobbyist!Editorial | Electronics & Music Maker, Mar 1981 |
NewsNews | Sound International, Nov 1978Instruments & EquipmentCommunications, disseminations, notifications, announcements, etc, brought to you by the inside dopes (let us out!). Studios & Recording resumes next month. |
The SynclavierFeature | Topic: Design, Development & Manufacture, Digital Audio Workstations | Sound On Sound, May 1986New England Digital: A Company PhilosophyMost people have heard of the Synclavier but little is known about the company that produces it: New England Digital. Paul Gilby met up with its Vice-President, Brad Naples, who supplied us with a fascinating insight into the philosophy behind the development of this highly advanced digital recording system they call 'the Synclavier'. |
Relatively SpeakingInterview | Electronics & Music Maker, Feb 1986Brian’s younger brother talks to Tim Goodyer about Erik Satie, the state of pop, and being related to somebody more famous than you are. |
Digital AnarchyInterview | Music Technology, Sep 1993Mixed media pioneers Matt Black and Rob Pepperell talk about their plans for the future of entertainment and art, as part of the Hex project |
The Fender TapesFeature | Music UK, Dec 1982Gary Cooper asks embarrassing questions. Dan Smith (Fender's Guitar Chief) has the answers — or has he? |
WelcomeEditorial | Sound On Sound, Apr 1988 |