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Roland SP700

Review | Sound On Sound, May 1993
Sample Player

The Producers

Group: Recording World

Interview | International Musician & Recording World, Nov 1986
Colin Campsie & George McFarlane

Chas de Whalley chats to Colin Campsie and George McFarlane, aka The Quick

Before You Start Making That Demo Tape

Feature | Topic: Recording | Phaze 1, Nov 1988
Demo Tape Discipline

the power behind the button

Sound On Stage

Feature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1983

Mixer front-ends for on-the-road musicians.

Recording Techniques - Part 7

Feature Series | Topic: Recording | Sound On Sound, Jun 1990
The Session

Part 7: David Mellor puts a typical band into a typical studio and looks at the various stages of recording, from initial planning up to instrumental overdubs.

Shredder

Show Report | One Two Testing, May 1986
Frankfurt 86

The Frankfurt show seen from a diagonal position

Producers' Corner

Feature | Topic: Arranging / Songwriting | Home & Studio Recording, Dec 1985

Mark Fishlock expounds.

Home Recording - Part 7

Feature Series | Topic: Buyer's Guide, Home Studio, Microphones, Recording | Music UK, Dec 1982
Studio Equipment - Part Two

Nobby Line continues the run down on Music U.K.'s 8-track package. This month — accessit units

The Sequencer Bible

Feature | Topic: Buyer's Guide, Sequencing | Music Technology, Oct 1992
The MT Software Sequencer Buyer's Bible

The only guide you'll ever need

Music News

News | International Musician & Recording World, Mar 1975

Sample Shop

Review | Sound On Sound, Sep 1992

Sample sultan Wilf Smarties reports on the latest sample CDs.

Stack In A Rack - Part 2

Review Series | Electronics & Music Maker, Aug 1986
Tanrak System

Ian Waugh concludes our appraisal of Tantek's budget modular FX system, and reveals there's plenty more to come in the near future.

Return to Zero - Part 6

Feature Series | Topic: Mixing, Recording | Home & Studio Recording, Jul 1985
Mixers

In this month's article we take a look at the most central piece of equipment in any recording studio; the mixer.

SSU Professional PCM Sample Library

Review | Sound On Sound, Mar 1993
Yamaha SY99 Sample Disks

The News

News | Making Music, Aug 1986

All the new stuff, including a special feature on the soon-come Stepp digital guitar.

Mixing It! USA

Group: Mixing It!

News | The Mix, Dec 1994

News from America compiled by Simon Braund

King Of The Castle

Interview | Music Technology, Dec 1992

Calum Malcolm: Going to Caledonia

At Home In The Studio

Feature | Topic: Home Studio | Home & Studio Recording, Nov 1985
Zsa Zsa

Zsa Zsa defected from Hungary to Britain with very little knowledge of English. Now she has her own home studio in London, complete with Greengate sampler.

The Producers

Group: Recording World

Interview | International Musician & Recording World, Mar 1985

Despite his Barclay James Harvest and Jim Diamond connections, we let Chas De Whalley speak to Pip Williams. We should have known better.

Crossing over the tracks

Group: Control Room

Review | The Mix, Nov 1994
DJ Mixers

A three-way test of DJ mixers

PA Column: Elton John

Feature | Topic: Live | International Musician & Recording World, Feb 1986

If you saw an awkward figure stumbling between the stacks, that was Jim Betteridge

TAC Scorpion

Review | Sound On Sound, Jul 1988
Mixing Desk

Not quite a desk in a million - studio owner Gareth Stuart gets to grips with one of TAC's 73 possible variations in their Scorpion mixer range, the 16-8-2+16.

Knebworth Goes Supersonic

Feature | Topic: Live | Sound On Stage, Nov 1996
Oasis On Stage

Night flight to the oasis

Group: In Session

Feature | Topic: Live | The Mix, Jan 1995

Engineer Jim Ebdon shares some secrets about getting a heavy live sound, and Andrew Levy explains the band’s approach to recording

Recording Techniques - Part 1

Feature Series | Topic: Recording | Sound On Sound, Dec 1989

What makes one recording engineer better than another, and how can you improve your recording engineering skills? In this introduction to a new series on recording techniques, David Mellor outlines an engineer's role in the studio, and explains why a good engineer is so important.

 

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