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The ProducersGroup: Recording WorldColin Campsie & George McFarlaneChas de Whalley chats to Colin Campsie and George McFarlane, aka The Quick |
Before You Start Making That Demo TapeFeature | Topic: Recording | Phaze 1, Nov 1988Demo Tape Disciplinethe power behind the button |
Sound On StageFeature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1983Mixer front-ends for on-the-road musicians. |
Recording Techniques - Part 7Feature Series | Topic: Recording | Sound On Sound, Jun 1990The SessionPart 7: David Mellor puts a typical band into a typical studio and looks at the various stages of recording, from initial planning up to instrumental overdubs. |
ShredderShow Report | One Two Testing, May 1986Frankfurt 86The Frankfurt show seen from a diagonal position |
Producers' CornerFeature | Topic: Arranging / Songwriting | Home & Studio Recording, Dec 1985Mark Fishlock expounds. |
Home Recording - Part 7Feature Series | Topic: Buyer's Guide, Home Studio, Microphones, Recording | Music UK, Dec 1982Studio Equipment - Part TwoNobby Line continues the run down on Music U.K.'s 8-track package. This month — accessit units |
The Sequencer BibleFeature | Topic: Buyer's Guide, Sequencing | Music Technology, Oct 1992The MT Software Sequencer Buyer's BibleThe only guide you'll ever need |
Music NewsNews | International Musician & Recording World, Mar 1975 |
Sample ShopReview | Sound On Sound, Sep 1992Sample sultan Wilf Smarties reports on the latest sample CDs. |
Stack In A Rack - Part 2Review Series | Electronics & Music Maker, Aug 1986Tanrak SystemIan Waugh concludes our appraisal of Tantek's budget modular FX system, and reveals there's plenty more to come in the near future. |
Return to Zero - Part 6Feature Series | Topic: Mixing, Recording | Home & Studio Recording, Jul 1985MixersIn this month's article we take a look at the most central piece of equipment in any recording studio; the mixer. |
The NewsNews | Making Music, Aug 1986All the new stuff, including a special feature on the soon-come Stepp digital guitar. |
At Home In The StudioFeature | Topic: Home Studio | Home & Studio Recording, Nov 1985Zsa ZsaZsa Zsa defected from Hungary to Britain with very little knowledge of English. Now she has her own home studio in London, complete with Greengate sampler. |
The ProducersGroup: Recording WorldDespite his Barclay James Harvest and Jim Diamond connections, we let Chas De Whalley speak to Pip Williams. We should have known better. |
Crossing over the tracksGroup: Control RoomDJ MixersA three-way test of DJ mixers |
PA Column: Elton JohnFeature | Topic: Live | International Musician & Recording World, Feb 1986If you saw an awkward figure stumbling between the stacks, that was Jim Betteridge |
TAC ScorpionReview | Sound On Sound, Jul 1988Mixing DeskNot quite a desk in a million - studio owner Gareth Stuart gets to grips with one of TAC's 73 possible variations in their Scorpion mixer range, the 16-8-2+16. |
Night flight to the oasisGroup: In SessionEngineer Jim Ebdon shares some secrets about getting a heavy live sound, and Andrew Levy explains the band’s approach to recording |
Recording Techniques - Part 1Feature Series | Topic: Recording | Sound On Sound, Dec 1989What makes one recording engineer better than another, and how can you improve your recording engineering skills? In this introduction to a new series on recording techniques, David Mellor outlines an engineer's role in the studio, and explains why a good engineer is so important. |