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Working AbroadFeature | Topic: Live | International Musician & Recording World, Jul 1975An IM InvestigationIf you're thinking of working abroad read IM's complete guide to hassle avoidance |
Cutting ItFeature | Topic: Tape, Vinyl, CD, DAT | International Musician & Recording World, Dec 1985Mike Nicholls discusses a few pressing issues |
Steinberg Cubase - Part 1Review Series | Music Technology, Aug 1989Atari ST SoftwareThey gave us the first industry-standard sequencing software for the Atari ST in Pro24, now Steinberg are making a second bid for Atari domination with Cubase. Nigel Lord says "part two next month... |
Secondhand TapingFeature | Topic: Buyer's Guide | Making Music, Jul 1987Recording GearThere are bargains in the land of non-new taping equipment, specially if you like unfashionable effects |
ScannersNews | Music Technology, Aug 1993News from the cutting edge of music and multimedia technology |
The Rockfield FilesFeature | Topic: Recording Studios | Home & Studio Recording, Dec 1985Rockfield has a long and colourful history stretching back to the era of hippies and free festivals. Paul White finds out what goes on there now. |
Keeping TrackReview | Sound On Sound, Feb 1992Opcode Track ChartNeed to keep track of your tracks in the studio? Opcode's Track Chart offers a package of handy utilities for engineers; Mike Collins tries it out. |
Micromusic - Part 1Feature Series Audio | Topic: Computing | Electronics & Music Maker, Dec 1981Make music with the ZX81 |
The Performing Art - Part 3Feature Series | Topic: MIDI, Performing | Music Technology, Apr 1990A synth is only as good as its sounds - and that goes for any synth controller too - sax, violin, guitar... Ollie Crooke And Simon Thomas look at sound programming for MIDI controllers. |
Ensoniq SDP-1Review | International Musician & Recording World, Sep 1986KeyboardCheckTony Hastings and Paul Trynka assess the latest entrant into the increasingly competitive sampled piano stakes |
Dance With A StrangerReview | Sound On Sound, Sep 1992Steinberg Tango Improvisation SoftwareForget mere auto-accompaniment; Steinberg's Tango is intelligent software that actually jams along with you. Derek Johnson trades licks with a software session partner. |
Custom Sound Lead ComboReview | International Musician & Recording World, Oct 1986AmpCheckA carpet-covered Cub. But can it cut the rug? Jim Betteridge takes the floor. |
Power DressingFeature | Topic: Computing | Music Technology, Feb 1994The PowerPCThe PowerPC should bring whole new meaning to the phrase 'power without the price' But is it still a price worth paying? Ian Waugh has the answer... |
HawkwindInterview | Electronics & Music Maker, Jan 1984Denizens of space rock, 15 years of hard work, and the band around whom legends spring almost daily, Hawkwind are planning a new strategy for 1984 with a new stage show Earth Ritual, Dave Brock and Huw Lloyd Langton explain the Hawkwind rejuvenation to Tim Oakes. |
Ensoniq KS-32 MIDI StudioReview | Music Technology, May 1993It's called a studio; it could be called a workstation; but actually it's a serious keyboard. Nicholas Rowland identifies a product with several possible identities and several possible markets. Have Ensoniq weighted in vain? |
Hi-Fi Sub-Bass WooferFeature | Topic: Electronics / Build | Electronics & Music Maker, Mar 1981 |
Acoustic 220 Bass HeadReview | In Tune, May 1986 |
Theme and VariationsShow Report | Music Technology, Mar 1988THE NAMM REPORTAnaheim recently played host to 1988's Winter NAMM show. MT's American correspondents were on hand to send back news of the latest developments in hi-tech musical equipment. |
Boxing CleverReview | Sound On Sound, Dec 1990Band-In-A-Box SoftwareIs it really possible to get more music out of a program than you put in? David Hughes looks at software that takes auto-accompaniment and makes it work for the musician. |
Elka CR99Review | Micro Music, Mar 1990MIDI Disk RecorderPaul Overaa looks at a unit about to make a big impact on the MIDI scene - The Elka Orla |
Production LineInterview | Music Technology, Jun 1987The words "Stock, Aitken & Waterman" have adorned 50 hit singles in the last two years. Tim Goodyer finds there are two secrets to their success: determination and new technology. |