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VirtuosoReview | Sound On Sound, Sep 1989Designed by musicians for musicians, The Digital Muse’s long-awaited MIDI sequencer for the Atari ST offers 99 tracks, real-time multitasking operation, ultra-fast screen redraws, and a host of comprehensive features with which to make music. So does it live up to expectation? David Hughes finds out... |
LovedInterview | Music Technology, Jan 1990IN THE LAND OF THE RISING SUNFrom indie rock to sampled success - this band have used technology to change their sound and get themselves into the charts. David Bradwell talks technology, samples and football to Beloved people. |
Geerdes SY77 SoftworkstationReview | Music Technology, Jan 1991SY77 Editor/Librarian/ManagerThe first of the software assists for editing and archiving on Yamaha's flagship SY77 comes from Germany. Ian Waugh breaks out the schnapps. |
Opcode VisionReview | Micro Music, Mar 1990 |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Aug 1990Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
SeqWin v2/MultiMediaGroup: Quality Controlfor PC Windows 3.1Looking to take your first steps in multimedia production? Cot a PC and an idea? What are you waiting for? |
Atari ST Front EndGroup: Hard Facts, Soft OptionsSimon Trask takes a look into the land of windows, icons, pull-down menus and trash cans, and reports that behind the jargon lies the computer world’s most accessible graphics system. |
Hands On: Steinberg CubaseFeature | Topic: Sequencing | Sound On Sound, Jan 1992This month David Mellor presents a guided tour of Steinberg's ubiquitous sequencer program. |
Roland JX8PReview | International Musician & Recording World, Mar 1985SynthcheckThe latest from Roland. Is it a winner? Jim Betteridge investigates |
Amiga Sequencer OneReview | Sound On Sound, Jun 1991Gajits' popular Atari ST sequencer one has now arrived on the Commodore Amiga Paul Overaa takes a look. |
The Psychology of Music - Part 1Feature Series | Topic: Music Theory, Performing | Electronics & Music Maker, Oct 1983E&MM looks in a new direction that starts you thinking about the way you play, from a psychologist's point of view |
Berwick Street StudiosFeature | Topic: Recording Studios | Sound On Sound, Oct 1988The Dawning Of A New Era?The impact of new technology has brought many changes to the recording industry. It has equally brought problems. Why, for instance, are some studios failing to attract enough business to survive, whilst others seem to be flourishing? One West London studio that has foreseen the writing on the wall and implemented changes is Berwick Street Studios. So we checked them out. |
Studio Of The MonthGroup: Recording WorldThe Workhouse StudiosThe Workhouse schows Schwartz itsch schuperschtudios |
Armadillo A616 SamplerReview | Music Technology, Jul 1990Still largely neglected by the software houses, the Acorn Archimedes is the host machine for the Armadillo sampler. Vic Lennard investigates a powerful sampling package for a powerful computer. |
Roland SRV-330Group: Quality ControlDimensional Space ReverbCan a stereo unit create 3D ambience? |
Sample ShopReview | Sound On Sound, Apr 1993 |
Yamaha R1000 Digital ReverbReview | Home & Studio Recording, Jan 1984 |
Cubase MIDI Mixer - Part 1Feature Series | Topic: MIDI | Sound On Sound, Oct 1992Programming ClinicFew Cubase users take full advantage of its powerful MIDI Mixer module — daunted by its apparent complexity, they pass up the chance to exploit a powerful and flexible MIDI control tool. Ofir Gal presents a practical 2-part guide to customising and using the MIDI Mixer. |
Music in EducationFeature | Topic: Education | Recording Musician, Jan 1993Audio Training CoursesRecording courses: what are they, where are they and do they increase your chances of getting the job of your dreams? |
NewsNews | International Musician & Recording World, Mar 1985All the latest topical bulletins from the trade |