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So You Want To Be A...

Feature | Topic: Arranging / Songwriting | International Musician & Recording World, Mar 1985
Songwriter.

Hooklines and singers analysed by Jim Betteridge

All For One And One For All

Feature | Topic: Synthesis & Sound Design, Vintage Instruments | Music Technology, Jun 1993

Looking for the hardest, heaviest, thickest and fattest analogue synth line? Strictly monophonic? Step this way, because Peter Forrest is about to unveil his unique guide to the analogue synthesiser’s unique feature: Unison Mode, in which all the oscillators gang together and hit you over the head

Through the Square window

Group: Control Room

Review | The Mix, Oct 1994
Opcode Vision

Sequencing software for Mac

New Music

Feature | Sound International, Jun 1978
20th Century Experiments

Major influences in 20th century music.

Modular Synthesis - Part 12

Feature Series | Topic: Sequencing, Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Dec 1984
More on Using Sequencers

The last instalment, not only of Steve Howell's look at using sequencers, but also of the series as a whole.

Chips From The Editor's Workbench

Feature | Topic: Humour | Making Music, Jul 1986

Joking apart, this one-off practical column makes the rest of the magazine look quite serious.

The Grabbing Hands

Competition | Electronics & Music Maker, Sep 1986
Have you won our DX100?

After all these months, our Write A Feature competition has a winner. Find out why it was so long coming, and read the article that won its author a Yamaha DX100.

APRS Preview

Group: Recording World

Show Report | International Musician & Recording World, Jul 1985

A brief glimpse at what will astound the recording world this year

Polytone Mini-Brute 1 Combo

Review | Music UK, Dec 1982
100 watt combo

Bass box supreme?

Steinberg Cubase Audio

Review | Sound On Sound, Nov 1992

Hands On: Cassette Multitracks

Feature | Topic: Recording | Sound On Sound, Oct 1992

The multitrack cassette recorder provides an excellent platform for learning the essential skills of multitrack recording. David Mellor explains how to get the best out of them.

Frazer Wyatt ZX100P

Review | International Musician & Recording World, Aug 1986
AmpCheck

Paul Francis in cult classic Frazerhead!

Blank Software Alchemy

Review | Music Technology, May 1988
Sample Editing Software

A sample editing package to beat all sample editing packages? Robert Rich test-drives a universal editor that may be the answer to many a sampling studio's prayers.

PAN: The Performing Artists Network

Feature | Topic: Computing | Sound On Sound, Nov 1987

Mark Badger sets his baud rate for the heart of the sun and goes 'on-line' to America to interview Perry Leopold, founder of PAN - a unique communications network for hi-tech musicians.

Steinberg Cubase - Part 2

Review Series | Music Technology, Sep 1989
Atari ST Software

In the second half of this definitive review. Nigel Lord looks into the editing and scorewriting facilities of Steinberg's latest sequencing software.

Risky Business

Feature | Topic: Music Business | International Musician & Recording World, Dec 1986

Third party, fire and theft, mad fans and crashed vans... Phil Walsh looks into insurance for musicians

SADiE

Review | Sound On Sound, Jun 1993
PC Hard Disk Recording System

It's British designed and built, but is it the best?

Making the Most of 'M'

Feature | Topic: Algorythmic Composition | Sound On Sound, Nov 1988

Martin Russ describes some ways to use Intelligent Music's 'M' program as an effective aid to structured composition.

In Print, On Tape

Review | Electronic Soundmaker & Computer Music, Jul 1985
Creative Sound on the BBC B

Book/software package for the BBC

Short Takes

News | The Mix, Jan 1995

The Mix's information bulletin board

Roland Super Cube SCL60

Review | In Tune, Jul/Aug 1985
60-watt Lead Combo

80 Days

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Sep 1990
Yamaha CS80

Once infamous as a roadie's nightmare, the CS80 has settled in synth history as an instrument of almost unmatched character. Peter Forrest rediscovers the pain and the pleasure.

Ken Freeman

Interview | Electronics & Music Maker, Oct 1982

We look at how electronics, synths and a PET computer have influenced this versatile British composer.

Synchronicity

Review | Sound On Sound, Nov 1985
Bokse US-8 Universal Syncronizer

The Bokse US-8 Universal Syncronizer: Ian Gilby takes control.

Electric Soul

Interview | Sound On Sound, Jan 1991

Martyn Ware has been spending a lot of time producing other people's projects since Heaven 17 faded away, but now a second BEF album is in progress. Interview by Paul Ireson.

 

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