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Making the Most of... - Part 13

Feature Series | Topic: Tape, Vinyl, CD, DAT | Home & Studio Recording, May 1986
Your Razor Blade

Steve Howell covers the basics of good splicing practice in preparation for next month's article on creative remixing.

Plasa '94

Show Report | The Mix, Oct 1994

Hard disk for softies

Group: Control Room

Review | The Mix, Dec 1994
Turtle Beach QuadStudio

Digital four-track for PC

Take it to the Max!

Group: Control Room

Review | The Mix, Sep 1994
BBE Sonic Maximiser

Modular mix enhancement

Sequential Prophet VS

Review | International Musician & Recording World, Aug 1986
Synthcheck

Fingers on the joystick. Tony Mills at the controls

Remixing With Phil Kelsey

Group: On The Record

Interview | Sound On Sound, Nov 1993

The art of remixing laid bare by DMC's top remixer.

Yamaha R1000

Review | One Two Testing, Feb 1984
Digital Reverb

Track Record: Queen

Group: Recording World

Feature | Topic: Classic Tracks | International Musician & Recording World, Feb 1986

Jim Betteridge gives Mack the Knife

Accessit Sound Processor Units

Review | Home & Studio Recording, Apr 1984
Dual Sweep EQ & Stereo Reverb

Fostex MC102

Review | Sound On Sound, Apr 1993
Keyboard Mixer/Cassette Recorder

Tascam 234 Syncaset

Review | Home & Studio Recording, Sep 1983
Cassette Deck

Layering Sound - Part 4

Feature Series | Topic: Sampling | Sound On Sound, Mar 1986
Multi-sampling & Overdubbing

Keyboard programmer Paul Wiffen draws to a close his popular series on the merits of sampling techniques with a close look at two means of extending your sample playback range.

dbx 120XP Boom Box

Group: Quality Control

Review | Music Technology, Jan 1994
subharmonic synthesiser

When you hear the beat go boom and you feel it in the pit of your stomach, look out for this black magic box

Studio of the Month

Group: Recording World

Feature | Topic: Recording Studios | International Musician & Recording World, Dec 1986
Addis Ababa

You don't have to go to Ethiopia to reach Addis Ababa, as Pete Gleadall discovers

Mission control - Part 2

Group: Control Room

Review Series | The Mix, Feb 1995
Yamaha ProMix 01

The second part of our in-depth review

Soundcraft Spirit Studio

Review | Music Technology, Jun 1991
Mixing Desk

As more mixer manufacturers turn their attention to the home and pre-production studios, the cost-effective quality mixer becomes a reality. Tim Goodyer discovers that there's even room for luxury.

Making the Most of... - Part 14

Feature Series | Topic: Arranging / Songwriting, Effects Processing, Mixing, Sampling, Tape, Vinyl, CD, DAT | Home & Studio Recording, Jun 1986
Your Paul Hardcastle Aspirations!

Steve Howell takes up his razor blade once again and explains the basis for extended remixes.

BBE Sonic Maximizer

Review | Sound On Sound, Apr 1991

Does BBE's new box of psychoacoustic tricks offer a new way of livening up a mix? David Mellor takes his music to the max.

Fostex A8 Tape Recorder and 350 Mixer

User Report | Home & Studio Recording, Nov 1983
User Report

Fostex A8 eight track and 350 mixer.

AGM Six Channel Mic Mixer

Review | Home & Studio Recording, Nov 1984

Mixdown Lowdown - Part 1

Feature Series | Topic: Mixing | Music Technology, Nov 1986

Paul White again, with the first in a new series on ensuring your immaculate recording isn't ruined by a mediocre mix. This month: what not to do with mixing desks and outboard processors.

Workbench

Feature | Topic: Maintenance / Repair / Modification | International Musician & Recording World, Jan 1986
Individual Outs For The Drumatix

Dr Phil 'DIYnamic range' Walsh performs a bit of surgery on the Roland Drumatix

Yamaha MT1X

Review | Home & Studio Recording, Jun 1986
Multitrack Cassette Recorder

Affordable cassette multitrack with a few unexpectedly sophisticated features.

Korg SDD3000 Digital Delay

Review | Home & Studio Recording, Feb 1984

Sequential's Prophet VS...

Review | Sound On Sound, Jul 1986
The new-wave sound

...'The first genuinely NEW keyboard since the DX7' proclaims our review. Mixing four different waveforms together in a technique christened 'vector synthesis', Sequential's new baby can create some stunningly different synth sounds. Could it be what the market's looking for? Mark Jenkins reports.

 

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