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Doing it for effectGroup: Sound AdviceFX tutorialMore top effects tips from Mr D |
Masterbits Sample CD CollectionReview | Sound On Sound, Jul 1990David Hughes lends an ear to three well-priced CDs full of synthesizer and drum machine samples. |
Art classGroup: Control RoomHughes & Kettner Classic ArtSmall price - big sound PA |
Small Object Of DesireReview | Recording Musician, Sep 1992Mackie Designs 1202 MixerThis compact, inexpensive mixer boasts an impressive audio specification and offers a host of applications. |
What is Reverb?Feature | Topic: Effects Processing | Phaze 1, Feb 1989What in the name of Prince is Reverb and how can it help your music?and what can it do for you, your sound, and your music? |
Hot Licks and Fast RunsFeature | Topic: Humour | Home & Studio Recording, Jan 1986The editor strikes back with a creation all his own.A step by step guide to constructing, testing and fault finding your own curry. |
A Handful Of AcesReview | Home & Studio Recording, Apr 1986Aces B1816A cost effective in-line mixing console aimed at the budget 16-track user. |
How To Record SynthsFeature | Topic: Recording | Sound On Sound, Jul 1993 |
Recording Techniques - Part 5Feature Series | Topic: Recording | Sound On Sound, Apr 1990Mixing Console (1)Part 5: The mixing console is the largest, most complicated, and probably the most expensive item in the recording studio. In this first installment, David Mellor begins his journey through its component parts. |
Alesis XT Digital ReverbReview | Home & Studio Recording, Aug 1985For even less than the price of a semi in Rotherham, you too can experience high quality digital reverb in the privacy of your own home. |
On The RackGroup: Roland Newslink - Summer 1985 |
Fourth ProtocolGroup: Control RoomAlesis Midiverb 4The reverb that never dies |
Vive La Difference!Group: The SOS Guide To Going LiveChoosing Mixers For Live SoundAll mixers are fundamentally the same, aren't they? Dave Lockwood explains the differences between mixers designed for studio and stage. |
PA ColumnFeature | Topic: Live | International Musician & Recording World, Jul 1986Dave Cottam takes the plunge with The Waterboys at Hammersmith Palais. |
Steal The Feel - Part 1Feature Series | Topic: Drum Programming, Mixing | Recording Musician, Jul 1992A straightforward guide to producing Dance Mixes using budget equipment. |
Studio DiaryFeature | Topic: Recording Studios | International Musician & Recording World, Jun 1975 |
Naked EyesInterview | Electronics & Music Maker, Apr 1983E&MM talks to EMI's new young electronic duo |
Get on the party lineGroup: Mixing it! |
Ambisonically Yours...Interview | Home & Studio Recording, Dec 1984The latest Steve Hackett album 'Till We Have Faces' is rock music's first flirtation with Ambisonic 'surround' sound. Steve explains how it has affected his whole approach to the recording of his music. |
Modus OperandiInterview | Sound On Sound, Jul 1993Depeche Mode: Songs Of Faith And DevotionThe boys in black talk technical in this UK exclusive interview. |
Recording MusicianFeature | Topic: Home Studio | Recording Musician, Dec 1992Paul WardPaul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio. |