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The ProducersGroup: Recording WorldDespite his Barclay James Harvest and Jim Diamond connections, we let Chas De Whalley speak to Pip Williams. We should have known better. |
Phonic PMX-1600AReview | Music Technology, May 1993Rack MixerDJs know Phonic's mini-mixers well. Will the musician take to their new 16-channel, rackmounted offering? Nicholas Rowland racks his brains |
Sound Control: Alesis QuadraverbReview | Sound On Sound, Mar 1989Four simultaneous effects and real-time MIDI control are features found on several recent effects processors, but the Alesis Quadraverb is the first to bring both together in a single unit. Paul Ireson lends an ear. |
Music & Pictures - Part 3Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Feb 1986How To Actually Set About ItProducer/Composer Robin Lumley details what's involved in writing and recording your first piece of music for a TV commercial. |
The ProducersGroup: Recording WorldChas de Whalley squares up to the young and talented Brian Tench |
Mic Preamp - Part 11Feature Series | Topic: Electronics / Build | Home & Studio Recording, Oct 1985Another module for the Tantek rack from the drawing board of Paul Williams. |
InputGroup: Roland Newslink - Autumn 1986Your questions answered |
Mainframe: Sound SamplingInterview | Home & Studio Recording, Nov 1984A focus on this computer-based band, their home studio and newly-developed sound sampling device that is changing the way they record. |
Scoring in soundGroup: In SessionFilm and library music composer Mark Thomas is currently recording several albums worth of orchestral library music. We catch up with him at Battery Studios... |
UP-5 and K2XReview | International Musician & Recording World, Mar 1985DrumcheckBob Henrit takes a look at two alternative brains for UP users |
Studio DiaryFeature | Topic: Recording Studios | International Musician & Recording World, Mar 1975 |
Long time comingGroup: In SessionAdam Mosley chats about producing The Plot Thickens |
Home TapingGroup: Recording WorldSteve WayeChris Maillard and Steve Waye look at the problems faced by solo artist |
Tascam MM1Review | Music Technology, Nov 1989Keyboard MixerWhat's impressive, essential to any multikeyboard setup and normally costs a fortune? Answer: a mixing desk. Tim Goodyer looks at a budget desk with a more-than-budget spec. |
Sounding OffInterview | Electronic Soundmaker & Computer Music, Nov 1984Vince Clarke reveals trade secrets. |
Reverb TechniquesFeature | Topic: Effects Processing | Home & Studio Recording, Jan 1985Reverberation - the key to professional recordings - is fully explained. How it's created, and how to use it. |
The ProducersGroup: Recording WorldHi Energy wizard Mike Stock collides with Chas de Whalley during a sweaty get-down-and-shake-it interview |
Planet RockInterview | Electronic Soundmaker & Computer Music, Jun 1985Music For A Small PlanetAn enterprising duo who mix business and pleasure in the pursuit of music making. |
Mission control - Part 1Group: Control RoomYamaha ProMix 01Groundbreaking digital mixer |
Monitorium - Part 1Feature Series | Topic: Live | One Two Testing, Aug 1985first part in a guide to successful monitoring of your on-stage sound |
Percussion PowerReview | Electronic Soundmaker & Computer Music, Mar 1984Music Percussion ComputerIn-depth scrutiny |
On The Beat - Part 17Feature Series | Topic: Drum Programming | Music Technology, Feb 1991Jazz - the final rhythm programming frontier; but if you treat jazz as an attitude (as the jazz greats all have), jazz patterns are just a state of mind away. Nigel Lord thinks cool. |
Tascam M3700Review | Sound On Sound, Jan 1992Raising The StakesZenon Schoepe gets to grips with the VCA automated desk that some British console manufacturers have not been looking forward to! |