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19 Ways to Number 1

Interview | Electronic Soundmaker & Computer Music, Aug 1985

19 ways to the top: exclusive

ElectroMix 842 - Part 1

Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Oct 1982

A professional quality mixer for live or studio use at an astounding price. Suitable for 8-track, 4-track and stereo recording.

Casio PG380

Review | Music Technology, Sep 1988
Guitar Synth

Is it a guitar? Is it a synthesiser? Steve Shepard straps on Casio's combination of hi-tech sounds, MIDI facilities and old-fashioned guitar playability.

Soundcraft 6000 Mixer

Review | Sound On Sound, Jun 1990
The Ideal 24-track Partner?

It may not be a new product, but recent events in the world of 24-track recording look like giving the Soundcraft 6000 console a newfound popularity. David Mellor investigates.

Delaying Tactics

Feature | Topic: Effects Processing | Electronic Soundmaker & Computer Music, Nov 1984

Having fun with digital delays.

Down to Earth

Feature | Topic: Recording Studios | Home & Studio Recording, Oct 1986

Tony Visconti's studio, Good Earth, in the heart of London's West End owes its success to a combination of the right services and good management.

dbx 120X-DS

Review | Home & Studio Recording, Mar 1989
Subharmonic Synthesiser

This subharmonic synthesiser promises to do for your bottom end what an aural exciter does for your top.

Fostex 812 Recording & 2016 Line Mixers

Review | Sound On Sound, Apr 1990

Best known for their tape recorders and cassette-based multitrackers, this new generation of mixers from Fostex look like they will make more than a few converts. Dave Lockwood checks them out.

Instant Sampling

Review | Electronics & Music Maker, Nov 1985
Vesta Kozo Sampler

Another goodie for your overflowing 19" effects ruck, this one offers pitch-controllable sampling and a full-function DDL into the bargain. Dave Simpson grabs a microphone and decides it's worth making room for.

Grief

Feedback | Music Technology, May 1994

A problem shared is a problem solved

How to Choose A Studio

Feature | Topic: Recording Studios | Home & Studio Recording, Aug 1984

Advice on what to look for in a commercial studio when considering your first recording venture.

Akai MG1214

Review | Sound On Sound, Aug 1987

No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems...

Dance Music Sequencing Techniques

Feature | Topic: Sequencing | Sound On Sound, Jun 1993

Psychoacoustic Enhancer - Part 9

Feature Series | Topic: Electronics / Build | Home & Studio Recording, Aug 1985

This exciting project from Paul Williams is capable of making even the most dull recordings come to life - it's a pity it can't do anything about duff songwriting though.

Studiomaster Pro Line Gold

Review | Music Technology, Jan 1991
Mixing Desk

If you can't afford to be without a fully-featured mixing desk but can't afford the usual asking price, it could be that you haven't checked out Studiomaster's Pro Line Gold. Tim Goodyer has...

Reggae Rundown

Interview | Electronic Soundmaker & Computer Music, Dec 1984

UB40 exclusive... the drums go digital... Plus Dread at the Controls - top producer Mikey Dread dubs it up, and reveals some trade secrets...

Recording Techniques - Part 9

Feature Series | Topic: Recording | Sound On Sound, Aug 1990
Recording Vocals

Part 9: The human voice is the most difficult instrument to record, bar none. David Mellor offers some practical guidance.

On The Way Up

Interview | Music Technology, Feb 1988

From being early Fairlight programmers, Simon Climie and Rob Fisher have pursued their songwriting career into the pop charts. Nicholas Rowland conducts the occasional interview.

Home Taping

Group: Recording World

Feature | Topic: Home Studio | International Musician & Recording World, Oct 1986

A church, a portastudio, and a blue hippopotamus? Well, what do you expect from a band called Sam-I-Am?

Fostex X18

Review | Music Technology, May 1992
Cassette Multitracker

If you're looking for a cost-effective way to add multitrack tape recording to your sequencing setup, it couldn't come much more cheaply than with Fostex' X18. Simon Trask goes back to basics with this new cassette multitrack.

Sheer Quality

Review | Sound On Sound, Oct 1988
Lexicon LXP1

There can be few effects devices around as prestigious and as desirable as those made by Lexicon. Now, with the release of the LXP1 16-bit processor, the classic Lexicon sound becomes truly affordable. David Hughes tastes the quality...

Teac A-3440

Feature | Home & Studio Recording, May 1985
4 Channel Multitrack Tape Deck

Now it can be told. Martin Sheehan tells reporters of his secret life with a Teac A3440.

You Get More From A Mackie

Review | Sound On Sound, Mar 1992
Mackie 1202 Compact Mixer

Mackie Designs' 1202 mixer offers supreme flexibility, and the same standard of design and construction that distinguished the 1604. Dave Lockwood finds proof that the best things come in small packages.

The Empire Strikes Back

Interview | Music Technology, Oct 1988

Who helped make Climie Fisher's single a hit? And the Pet Shop Boys', and Depeche Mode's, and Bananarama's? David Bradwell investigates the latest action in the Stock, Aitken & Waterman production stable.

Mixed Doubles

Review | Recording Musician, Dec 1992
Mackie 1604, DOD 1642 Mixers

Mackie's 1604 mixer head to head with DOD's compact 1642. The result may surprise you.

 

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